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In a world where paper is obsolete and magic is all but forgotten, Lydia has moved into the Paper Museum with her Uncle Lem following the disappearance of her parents. Convinced the key to finding them lies in the museum’s book collection, Lydia spends her days digitally scanning her way through the museum’s library. But when Uncle Lem is called away and her Uncle Renald is put in charge of the museum, Lydia’s scanning project comes to an abrupt halt. Uncle Renald takes her aer reader—the personal device that everybody uses for reading, shopping, messaging, and more—but not before Lydia makes a desperate attempt at filing a missing persons report for her parents. The report activates a countdown, and now with nothing but a secret typewriter in her dogwood fort and a cryptic message, Lydia has thirty days to find her parents and stop the mayor from commandeering the museum. Otherwise, both her family home and the Paper Museum itself will be reassigned to someone else. With aer readers on the fritz and the town descending into chaos, Lydia needs to find her parents before the Paper Museum—and her parents—are lost for good. The Paper Museum is a story of family and friendship with a hint of magic.
Some years ago, David Freedberg opened a dusty cupboard at Windsor Castle and discovered hundreds of vividly colored, masterfully precise drawings of all sorts of plants and animals from the Old and New Worlds. Coming upon thousands more drawings like them across Europe, Freedberg finally traced them all back to a little-known scientific organization from seventeenth-century Italy called the Academy of Linceans (or Lynxes). Founded by Prince Federico Cesi in 1603, the Linceans took as their task nothing less than the documentation and classification of all of nature in pictorial form. In this first book-length study of the Linceans to appear in English, Freedberg focuses especially on their unprecedented use of drawings based on microscopic observation and other new techniques of visualization. Where previous thinkers had classified objects based mainly on similarities of external appearance, the Linceans instead turned increasingly to sectioning, dissection, and observation of internal structures. They applied their new research techniques to an incredible variety of subjects, from the objects in the heavens studied by their most famous (and infamous) member Galileo Galilei—whom they supported at the most critical moments of his career—to the flora and fauna of Mexico, bees, fossils, and the reproduction of plants and fungi. But by demonstrating the inadequacy of surface structures for ordering the world, the Linceans unwittingly planted the seeds for the demise of their own favorite method—visual description-as a mode of scientific classification. Profusely illustrated and engagingly written, Eye of the Lynx uncovers a crucial episode in the development of visual representation and natural history. And perhaps as important, it offers readers a dazzling array of early modern drawings, from magnificently depicted birds and flowers to frogs in amber, monstrously misshapen citrus fruits, and more.
This catalogue brings together some of the finest natural history drawings executed for Cassiano, including 251 coloured drawings of fauna, and 63 of gems, marbles, fossils and other natural curiosities. Cassiano had a particular interest in ornithology, and birds are thus the best-represented members of the animal kingdom in this group, with more than 200 drawings of both native and exotic species. Other drawings of fauna catalogued here include mammals, fishes and crustaceans. Like the bird drawings, many are drawn with painstaking attention to detail and scale, a complete specimen drawn on a reduced scale to fit the sheet, with anatomical details depicted life size. The drawings of mineral specimens and other natural curiosities depict the sort of item commonly found in seventeenth-century collectors' cabinets: gemstones, bezoars, marbles, corals, 'Lucifer' stones, fossils, exotic seeds and beans, as well as scientific instruments.
The dal Pozzo print collection was unique in its scope and organisation. Some 3,000 prints are known, in fourteen albums and many loose impressions mainly divided between the British Library and the Royal Library at Windsor Castle. Acquired from the flourishing printmaking industry of the time, the prints assembled by Cassiano dal Pozzo (1588?1657) and his younger brother Carlo Antonio (1606?89) were largely documentary and carefully ordered by subject matter: costumes, religious processions and ceremonies, tombs and catafalques, portraits, social and humorous subjects, architecture, topography, maps and military engagements.00This second and final part of the catalogue presents the architectural, topographical and military prints. Over 750 prints are devoted to ancient and modern Rome: from an album entirely dedicated to St Peter?s ? the largest building project of the day ? to another covering the major pilgrim and other churches in Rome, including exterior views, plans, altarpieces and statuary. The palaces and villas of Rome are also well represented, including Falda?s famous Palazzi di Roma, while the ancient city is evoked through two compilations of sixteenth-century prints: Hieronymous Cock?s Roman ruins and the Speculum Romanae Magnificentiae with many reconstructions of ancient buildings. The collection stretched well beyond Rome however, and included architecture in other Italian and European cities (including Rubens?s Palazzi di Genova and Perret?s engravings of the Escorial).
Cassiano dal Pozzo, (1588-1657) now celebrated as one of the most important art patrons in Italy of the seventeenth century, commissioned a number of exquisite studies of birds as part of his famous 'Paper Museum'. In 1622 the lawyer and ornithologist Giovanni Pietro Olina used these drawings which are now kept in the Royal Library at Windsor Castle, as the basis for the illustrations in his Uccelliera . Pasta for Nightingales combines Cassiano's original artwork with selections from the first English translation of Olina's text. It includes such enchanting insights as the idea that robins were epileptic, or suffered from dizziness, and that the hoopoe overindulged in grapes until it became 'dazed and half-drunk.' However it also includes much fascinating early natural history and ornithological observation - as well as the secret recipe for pasta to keep your nightingale happy and encourage it to sing. A unique celebration of the beginnings of ornithology, designed in sympathy with the character of the 17th- century original.
Filmmaker Attenborough provides an introductory survey of the artistic representation of plants and animals through human history, beginning with Leonardo da Vinci's drawings and continuing on through the mid-1700s.
Menagerie is the story of the panoply of exotic animals that were brought into Britain from time immemorial until the foundation of the London Zoo — a tale replete with the extravagant, the eccentric, and — on occasion — the downright bizarre. From Henry III's elephant at the Tower, to George IV's love affair with Britain's first giraffe and Lady Castlereagh's recalcitrant ostriches, Caroline Grigson's tour through the centuries amounts to the first detailed history of exotic animals in Britain. On the way we encounter a host of fascinating and outlandish creatures, including the first peacocks and popinjays, Thomas More's monkey, James I's cassowaries in St James's Park, and Lord Clive's zebra — which refused to mate with a donkey, until the donkey was painted with stripes. But this is not just the story of the animals themselves. It also the story of all those who came into contact with them: the people who owned them, the merchants who bought and sold them, the seamen who carried them to our shores, the naturalists who wrote about them, the artists who painted them, the itinerant showmen who worked with them, the collectors who collected them. And last but not least, it is about all those who simply came to see and wonder at them, from kings, queens, and nobles to ordinary men, women, and children, often impelled by no more than simple curiosity and a craving for novelty.
Many of the most beautiful Renaissance portraits, botanical illustrations and landscape paintings are watercolours. Spanning the period 1450 o1640, this book considers these diverse artworks together, combining 150 paintings by Leonardo da Vinci, Albrecht Du rer, Hans Holbein, Nicholas Hilliard and Anthony Van Dyck, as well as exquisite works by less well-known figures such as Giulio Clovio, Joris Hoefnagel, Jacopo Ligozzi and Jacques le Moyne. It highlights the intellectual breadth and artistic quality of the Renaissance watercolour, a major art form that reached as far afield as the New World and the court of the Mughal emperor.
A Best Book of the Year: Mother Jones • Bloomberg News • National Post • Kirkus In these pages, Nicholas Basbanes—the consummate bibliophile’s bibliophile—shows how paper has been civilization’s constant companion. It preserves our history and gives record to our very finest literary, cultural, and scientific accomplishments. Since its invention in China nearly two millennia ago, the technology of paper has spread throughout the inhabited world. With deep knowledge and care, Basbanes traces paper’s trail from the earliest handmade sheets to the modern-day mills. Paper, yoked to politics, has played a crucial role in the unfolding of landmark events, from the American Revolution to Daniel Ellsberg’s Pentagon Papers to the aftermath of 9/11. Without paper, modern hygienic practice would be unimaginable; as currency, people will do almost anything to possess it; and, as a tool of expression, it is inextricable from human culture. Lavishly researched, compellingly written, this masterful guide illuminates paper’s endless possibilities.
A Companion to the City of Rome presents a series of original essays from top experts that offer an authoritative and up-to-date overview of current research on the development of the city of Rome from its origins until circa AD 600. Offers a unique interdisciplinary, closely focused thematic approach and wide chronological scope making it an indispensible reference work on ancient Rome Includes several new developments on areas of research that are available in English for the first time Newly commissioned essays written by experts in a variety of related fields Original and up-to-date readings pertaining to the city of Rome on a wide variety of topics including Rome’s urban landscape, population, economy, civic life, and key events