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From one of the world's leading authorities on the subject, an innovative and comprehensive account of religion in the ancient Roman and Mediterranean world In this ambitious and authoritative book, Jörg Rüpke provides a comprehensive and strikingly original narrative history of ancient Roman and Mediterranean religion over more than a millennium—from the late Bronze Age through the Roman imperial period and up to late antiquity. While focused primarily on the city of Rome, Pantheon fully integrates the many religious traditions found in the Mediterranean world, including Judaism and Christianity. This generously illustrated book is also distinguished by its unique emphasis on lived religion, a perspective that stresses how individuals’ experiences and practices transform religion into something different from its official form. The result is a radically new picture of Roman religion and of a crucial period in Western religion—one that influenced Judaism, Christianity, Islam, and even the modern idea of religion itself.
"The Pantheon is one of the most important architectural monuments of all time. Thought to have been built by Emperor Hadrian in approximately AD 125 on the site of an earlier, Agrippan-era monument, it brilliantly displays the spatial pyrotechnics emblematic of Roman architecture and engineering. The Pantheon gives an up-to-date account of recent research on the best preserved building in the corpus of ancient Roman architecture from the time of its construction to the twenty-first century. Each chapter addresses a specific fundamental issue or period pertaining to the building; together, the essays in this volume shed light on all aspects of the Pantheon's creation, and establish the importance of the history of the building to an understanding of its ancient fabric and heritage, its present state, and its special role in the survival and evolution of ancient architecture in modern Rome"--
This striking book explains the feats of engineering behind the world's most impressive architectural marvels. From skyscrapers that reach astonishing heights to bridges that span deep and wide rivers, the world is filled with awe-inspiring structures. But how do they work? Meet the extraordinary people who challenged our beliefs about what's possible, pioneering remarkable inventions that helped build the Brooklyn Bridge in the US, the Pantheon in Italy, the Burj Khalifa in Dubai, the Shard in England and the Sapporo Dome in Japan. Discover the ingenious methods engineers have come up with to enable us to build underground, underwater, on ice, and even in space. With text written by award-winning structural engineer Roma Agrawal and detailed full-color illustrations by Katie Hickey, this book provides unique and illuminating perspectives of the world's most incredible constructions. How Was That Built? is a perfect gift for curious kids who want to learn more about construction, architecture, science, technology, and the way things work. This children's picture book also serves as a fascinating companion to the author's adult nonfiction book Built: The Hidden Stories Behind our Structures, winner of the AAAS/Subaru SB&F Prize for Excellence in Science Books.
A careful analysis of the 9th to 5th century archive of the Eanna (Ishtar) temple in Uruk, providing a wealth of data on the Neo-Babylonian pantheon.
In this richly illustrated book, MacDonald analyzes the original design and construction of one of the grand architectural statements of all ages, discusses the technology that made it possible, and explores its metaphorical meaning.
The Pantheon is one of the most important architectural monuments of all time. Thought to have been built by Emperor Hadrian in approximately AD 125 on the site of an earlier, Agrippan-era monument, it brilliantly displays the spatial pyrotechnics emblematic of Roman architecture and engineering. The Pantheon gives an up-to-date account of recent research on the best preserved building in the corpus of ancient Roman architecture from the time of its construction to the twenty-first century. Each chapter addresses a specific fundamental issue or period pertaining to the building; together, the essays in this volume shed light on all aspects of the Pantheon's creation, and establish the importance of the history of the building to an understanding of its ancient fabric and heritage, its present state, and its special role in the survival and evolution of ancient architecture in modern Rome.
Wu Zhao (624–705), better known as Wu Zetian or Empress Wu, is the only woman to have ruled China as emperor over the course of its 5,000-year history. How did she—in a predominantly patriarchal and androcentric society—ascend the dragon throne? Exploring a mystery that has confounded scholars for centuries, this multifaceted history suggests that China's rich pantheon of female divinities and eminent women played an integral part in the construction of Wu Zhao's sovereignty. Wu Zhao deftly deployed language, symbol, and ideology to harness the cultural resonance, maternal force, divine energy, and historical weight of Buddhist devis, Confucian exemplars, Daoist immortals, and mythic goddesses, establishing legitimacy within and beyond the confines of Confucian ideology. Tapping into powerful subterranean reservoirs of female power, Wu Zhao built a pantheon of female divinities carefully calibrated to meet her needs at court. Her pageant was promoted in scripted rhetoric, reinforced through poetry, celebrated in theatrical productions, and inscribed on steles. Rendered with deft political acumen and aesthetic flair, these affiliations significantly enhanced Wu Zhao's authority and cast her as the human vessel through which the pantheon's divine energy flowed. Her strategy is a model of political brilliance and proof that medieval Chinese women enjoyed a more complex social status than previously known.