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An engaging pictorial history that explores the triumphs and tragedies of a historic exposition hosted in Buffalo a century ago. About 330 vintage photographs, postcards and sketches are paired with an informative text by Thomas Leary and Elizabeth Sholes. They worked with the Buffalo and Erie County Historical Society and Arcadia Publishing to create a unique snapshot of a prospering region at turn of the century.
1901 Buffalo World's Fair: The Pan-American Exposition in PhotographsCelebrate the turn of the century, triumph, tragedy, and the rise of American industry at one of the all-time spectacular World's Fairs in the city of Buffalo.Electricity, art, architecture, science, and industry ruled the day in 1901 as the United States, and the world marveled at the rise of the newest superpower in "The Rainbow City," as it was called because of the multicolored buildings and festive lighting displays. Though the assassination of President William McKinley, in the Temple of Music, cast a dark cloud over the event and remains the Fair's most notable occurrence, its beautiful buildings, lighting effects, and elegant lagoons remain a vivid memory thanks to the miracle of photography.The Pan-American Exposition covered 350 acres in the City of Buffalo and played host to roughly 8 million people between May 1st and November 2nd, 1901. Built to celebrate American military superiority and technological accomplishments, visitors marveled at elaborate temporary structures such as the illuminated Tower of Light, The Triumphal Bridge, Pergola, Court of Fountains, Ethnology Building, Midway, and countless sculptures from the best artists of the day.This informative guide to Fair includes hundreds of photographs, many rare. A detailed map guides readers through the fairgrounds as a visitor might have a century ago to marvel at the picturesque scenery, lavish waterways, and festive Midway built to arouse the senses intrigue the mind. Written and designed by World's Fair historian and writer, Mark Bussler, author of 1939 New York World's Fair: The World of Tomorrow in Photographs, 1904 St. Louis World's Fair: The Louisiana Purchase Exposition in Photographs, Magnum Skywolf, 80s Comics: Ultimate 1980s Comic Book Review Guide, The White City of Color, and The 1893 World's Fair Ultra Massive Photographic Adventure series. Mark Bussler is also the director of Expo Magic of the White City, narrated by Gene Wilder, Westinghouse, and Horses of Gettysburg.
"A marvelous recounting of the 1901 World’s Fair. Every chapter sparkles…The Buffalo-Niagara Falls extravaganza comes alive in these pages. Highly recommended!" —Douglas Brinkley, author of American Moonshot The Pan-American Exposition in Buffalo, New York, dazzled with its new rainbow-colored electric lights. It showcased an array of wonders, like daredevils attempting to go over Niagara Falls in a barrel, or the "Animal King" putting the smallest woman in the world and also terrifying animals on display. But the thrill-seeking spectators little suspected that an assassin walked the fairgrounds, waiting for President William McKinley to arrive. In Margaret Creighton’s hands, the result is "a persuasive case that the fair was a microcosm of some momentous facets of the United States, good and bad, at the onset of the American Century" (Howard Schneider, Wall Street Journal).
NEW YORK TIMES NOTABLE BOOK • “Breathtaking . . . a remarkable blend of murder mystery, love story, political intrigue, and tragedy of manners.”—USA Today The year is 1901. Buffalo, New York, is poised for glory. With its booming industry and newly electrified streets, Buffalo is a model for the century just beginning. Louisa Barrett has made this dazzling city her home. Headmistress of Buffalo’s most prestigious school, Louisa is at ease in a world of men, protected by the titans of her city. But nothing prepares her for a startling discovery: evidence of a murder tied to the city’s cathedral-like power plant at nearby Niagara Falls. This shocking crime—followed by another mysterious death—will ignite an explosive chain of events. For in this city of seething intrigue and dazzling progress, a battle rages among politicians, power brokers, and industrialists for control of Niagara. And one extraordinary woman in their midst must protect a dark secret that implicates them all. . . .
Robert W. Rydell contends that America's early world's fairs actually served to legitimate racial exploitation at home and the creation of an empire abroad. He looks in particular to the "ethnological" displays of nonwhites—set up by showmen but endorsed by prominent anthropologists—which lent scientific credibility to popular racial attitudes and helped build public support for domestic and foreign policies. Rydell's lively and thought-provoking study draws on archival records, newspaper and magazine articles, guidebooks, popular novels, and oral histories.
Coinciding with the centennial of the Pan American Union (now the Organization of American States), González explores how nineteenth- and twentieth-century U.S. architects and their clients built a visionary Pan-America to promote commerce and cultural exchange between United States and Latin America. Late in the nineteenth century, U.S. commercial and political interests began eyeing the countries of Latin America as plantations, farms, and mines to be accessed by new shipping lines and railroads. As their desire to dominate commerce and trade in the Western Hemisphere grew, these U.S. interests promoted the concept of "Pan-Americanism" to link the United States and Latin America and called on U.S. architects to help set the stage for Pan-Americanism's development. Through international expositions, monuments, and institution building, U.S. architects translated the concept of a united Pan-American sensibility into architectural or built form. In the process, they also constructed an artificial ideological identity—a fictional Pan-America peopled with imaginary Pan-American citizens, the hemispheric loyalists who would support these projects and who were the presumed benefactors of this presumed architecture of unification. Designing Pan-America presents the first examination of the architectural expressions of Pan-Americanism. Concentrating on U.S. architects and their clients, Robert Alexander González demonstrates how they proposed designs reflecting U.S. presumptions and projections about the relationship between the United States and Latin America. This forgotten chapter of American architecture unfolds over the course of a number of international expositions, ranging from the North, Central, and South American Exposition of 1885–1886 in New Orleans to Miami's unrealized Interama fair and San Antonio's HemisFair '68 and encompassing the Pan American Union headquarters building in Washington, D.C. and the creation of the Columbus Memorial Lighthouse in the Dominican Republic.