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The wedding in 1613 of Elizabeth Stuart and Elector Palatine Friedrich V was an event of immense diplomatic, confessional, and cultural significance. This volume, the first interdisciplinary treatment of this celebration of Protestant union, is unique in the scope of its approach to the magnificent spectacles, beginning in London and ending in Heidelberg, that were staged to mark the occasion. The study situates the wedding in its broadest context, exploring the pan-Protestant hopes it inspired and the rich cultural exchange it triggered. The editors have assembled a team of international contributors whose wide-ranging expertise integrates the pan-European aspects of the topic in a way that no single monograph could accomplish. The twenty-three contributions introduce new archival and printed source materials, offering a wealth of fresh insights. Among the aspects addressed here are Elizabeth's childhood, the diverse literary expression that accompanied the marriage, and the issue of court ceremonial, in this case with an added gender aspect in that the bride claimed precedence over her husband. Analysis of diplomatic correspondence and city records reveals external views on the alliance. A particular strength of the volume is its polycentric view, showing the connections linking Scotland, Denmark, the Netherlands, and the Palatinate. The detailed scholarship is animated by illustrations, many of them little known.
This collection of commissioned essays by established scholars, responds to critical debate on political theatre of the turbulent early years of the seventeenth century. Theatre is widely interpreted. The authors discuss censorship, the social implications of pageantry, Reformation ideals, popular theatre and the politics of the masque throughout the period. An early chapter discusses political theatre in the light of work by revisionist and post-revisionist historians. The drama of Jonson, Dekker, Middleton, Massinger, Chapman, Heywood and Rowley is given detailed attention, while Shakespeare's plays are considered in the introductory chapter.
The Palatine Family and the Thirty Years' War examines the experience of exiled royal and noble dynasties during the early modern period through a study of the rulers of the Electorate of the Palatinate during the Thirty Years' War (1618-1648). By drawing on a wide range of archival source materials, ranging from financial records, printed manifestos, and considerable quantities of diplomatic and personal correspondence, it investigates the resources available to the exiled 'Palatine Family' as well as their attempts to recover the lands and titles lost by Elector Frederick V--the son-in-law of King James VI and I of England and Scotland--in the opening stages of the Thirty Years' War. This work focuses on the years between Frederick's death in 1632 and the partial restoration of his son Charles Louis under the Peace of Westphalia in 1648. Although the 'Palatine Question' remained one of the most divisive and important issues throughout the entire Thirty Years' War, the years 1632-1648 have been greatly overlooked in previous examinations of the Palatine Family's exile. By considering the experiences of exiled elites in early modern Europe--such as the relationship between the Palatine Family and the Stuart Dynasty--this work will reveal the influence of dynastic and familial obligations on the high politics of the period, as well as the importance of conspicuous display and diplomatic recognition for exiled regimes in seventeenth-century Europe. It will demonstrate that that dispossessed rulers and houses were not automatically rendered politically insignificant after losing their lands and titles, and could actually remain an important player on the geo-political stage of early modern Europe.
Approaching the Stuart courts through the lens of the queen consort, Anna of Denmark, this study is underpinned by three key themes: translating cultures, female agency and the role of kinship networks and genealogical identity for early modern royal women. Illustrated with a fascinating array of objects and artworks, the book follows a trajectory that begins with Anna’s exterior spaces before moving to the interior furnishings of her palaces, the material adornment of the royal body, an examination of Anna’s visual persona and a discussion of Anna’s performance of extraordinary rituals that follow her life cycle. Underpinned by a wealth of new archival research, the book provides a richer understanding of the breadth of Anna’s interests and the meanings generated by her actions, associations and possessions.
A landmark in the study of early modern Europe, this two-volume collection makes available for the first time a selection of the most important texts from court and civic festival books. Festival entertainments were presented to mark such occasions as royal and ducal entries to capital cities, dynastic marriages, the birth and christening of heirs, religious feasts and royal and ducal funerals. Europa Triumphans represents the chronological and trans-European range of the court and civic festival.These festivals are represented not simply as texts, but as events, and are introduced by groups of scholars, each with a specialist knowledge of the political, social and cultural significance of the festival and of the iconography, spectacle, music, dance, voice and gesture in which they were expressed.
In the past few years, discussion of fiction in all sorts of media has intensified. The prominence of literary critics has increased, the awarding of lucrative book prizes has become more publicized, and reports of the formation of reading groups have proliferated. Seventeenth-Century Fiction: Text & Transmission responds to the present interest in the novel by offering a fresh approach to the history of early modern fiction that shifts away from the outmoded 'rise-of-the-novel' perspective and reaches beyond the boundaries of a single national literature. Starting from the literary text and looking outwards, this volume focuses on the changes in prose forms and their usage at a critical point in the evolution of modern fiction, and comes to grips with the instabilities of the novel and novella during this period. It explores the nature of seventeenth-century fiction and examines how authors fused fictional and non-fictional materials to create new, hybrid genres. Furthermore, it takes into consideration the cultural interchange between different geographical regions and languages (English, French, Spanish, Italian, Neo-Latin), and uncovers the deeper roots of seventeenth-century literary innovation, by casting light on the Continental influences on the formation of the English novel and on the role played by women's writings at the time. This landmark volume not only contributes to a more comprehensive history of the novel but promotes an authentic appreciation of early modern fiction.
The first complete edition of Elizabeth Stuart's letters ever published. Volume I covers the years between 1603 and 1631: Elizabeth's life as princess and consort, charting her transformation from political ingenue to independent stateswoman.
The dazzling new biography of one of history's most misunderstood queens Elizabeth Stuart is one the most misrepresented - and underestimated - figures of the seventeenth century. Labelled a spendthrift more interested in the theatre and her pet monkeys than politics or her children, and long pitied as 'The Winter Queen', the direct ancestor of Elizabeth II was widely misunderstood. Nadine Akkerman's biography reveals an altogether different woman, painting a vivid picture of a queen forged in the white heat of European conflict. Elizabeth Stuart, daughter of James VI and I, was married to Frederick V, Elector Palatine in 1613. The couple were crowned King and Queen of Bohemia in 1619, only to be deposed and exiled to the Dutch Republic in 1620. Elizabeth then found herself at the epicentre of the Thirty Years' War and the Civil Wars, political and military struggles that defined seventeenth-century Europe. Following her husband's death in 1632, Elizabeth fostered a cult of widowhood, dressing herself and her apartments in black, and conducted a long and fierce political campaign to regain her children's birthright - by force, if possible - wielding her pen with the same deft precision with which she once speared boars from horseback. Through deep immersion in the archives and masterful detective work, Akkerman overturns the received view of Elizabeth Stuart, showing her to be a patron of the arts and canny stateswoman with a sharp wit and a long memory. On returning to England in 1661, Elizabeth Stuart found a country whose people still considered her their 'Queen of Hearts'. Akkerman's biography reveals the impact Elizabeth Stuart had on both England and Europe, demonstrating that she was more than just the grandmother of George I.
Marriage, Performance, and Politics at the Jacobean Court constitutes the first full-length study of Jacobean nuptial performance, a hitherto unexplored branch of early modern theater consisting of masques and entertainments performed for high-profile weddings. Scripted by such writers as Ben Jonson, Thomas Campion, George Chapman, and Francis Beaumont, these entertainments were mounted for some of the most significant political events of James's English reign. Here Kevin Curran analyzes all six of the elite weddings celebrated at the Jacobean court, reading the masques and entertainments that headlined these events alongside contemporaneously produced panegyrics, festival books, sermons, parliamentary speeches, and other sources. The study shows how, collectively, wedding entertainments turned the idea of union into a politically versatile category of national representation and offered new ways of imagining a specifically Jacobean form of national identity by doing so.
This book offers the first full study of the challenges posed to an emerging English nationalism that stemmed from the powerful appeal exerted by the leaders of the international Protestant cause. By considering a range of texts, including poetry, plays, pamphlets, and religious writing, the study reads this heroic tradition as a 'connected literary history,' a project shared by Protestants throughout Northern Europe, which opened up both collaboration among writers from these different regions and new possibilities for communal identification. The work’s central claim is that a pan-Protestant literary field existed in the period, which was multilingual, transnational, and ideologically charged. Celebrated leaders such as William of Orange posed a series of questions, especially for English Protestants, over the relationship between English and Protestant identity. In formulating their role as co-religionists, writers often undercut notions of alterity, rendering early modern conceptions of foreignness especially fluid and erasing national borders.