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Northern China, 1899. As the Boxer Rebellion erupts, a cast of innocents, fanatics, sinners, and lovers are drawn to the Palace of Heavenly Pleasure - an infamous brothel that overlooks an execution ground - where the fury of the East will meet the ideals of the West and all will face their destiny. Adam Williams's first novel is a historical tour-de-force and a triumphant return to traditional storytelling on a truly grand scale.
By the age of twenty-one Catherine Cabot has already witnessed more death and hardship than anyone should have to in a lifetime. A nursing veteran of the Great War and the Russian Revolution, she is beautiful, headstrong and complicated, just like her mother. Now all she wants is to lay to rest the ghosts of her past. Her friend, Yu Fu-kuei, is a revolutionary and communist spy determined to sacrifice herself and anybody else for her cause. Caught up in a triangular love affair, Catherine is drawn into China's struggle. As warlords and nationalists tear each other to pieces, and Japanese militarists wait for an excuse to invade, Catherine becomes the pawn of two men who will stop at nothing to wreak their revenge. Meanwhile Yu Fu-kuei, betraying and betrayed, discovers that love might be her strongest weapon.
Andalucía, 1938. The Spanish Civil War is drawing to its end. Desperate Republican soldiers holding hostages in a cathedral, plan a last, explosive act of death and destruction. One of their prisoners, ex government minister Professor Pinzon, has already lost his son to the war. He determines to save his grandson at any cost. The discovery of an ancient book in a hidden space beneath the cathedral is a welcome distraction. But as Professor Pinzon reads aloud to the frightened hostages, he discovers that this tale of medieval Andaluz and the friendship between three young men – an alchemist, a mason and a prince – besides connecting two ideologically torn worlds 1000 years apart, might also offer a route to freedom . . .
“A deep and mysterious novel full of people that feel real. . . .An enthralling read and a must-have for your library. Zafón focuses on the emotion of the reader and doesn’t let go.” — Seattle Post-Intelligencer Internationally acclaimed, New York Times bestselling author Carlos Ruiz Zafón creates a rich, labyrinthine tale of love, literature, passion, and revenge, set in a dark, gothic Barcelona, in which the heroes of The Shadow of the Wind and The Angel's Game must contend with a nemesis that threatens to destroy them. Barcelona, 1957. It is Christmas, and Daniel Sempere and his wife, Bea, have much to celebrate. They have a beautiful new baby son named Julián, and their close friend Fermín Romero de Torres is about to be wed. But their joy is eclipsed when a mysterious stranger visits the Sempere bookshop and threatens to divulge a terrible secret that has been buried for two decades in the city's dark past. His appearance plunges Fermín and Daniel into a dangerous adventure that will take them back to the 1940s and the early days of Franco's dictatorship. The terrifying events of that time launch them on a search for the truth that will put into peril everything they love, and will ultimately transform their lives.
Visions of the Buddha offers a ground-breaking approach to the nature of the early discourses of the Buddha, the most foundational scriptures of Buddhist religion. Although the early discourses are commonly considered to be attempts to preserve the Buddha's teachings, Shulman demonstrates that these texts are full of creativity, and that their main aim is to beautify the image of the wonderous Buddha. While the texts surely care for the early teachings and for the Buddha's philosophy or his guidelines for meditation, and while at times they may relate real historical events, they are no less interested in telling good stories, in re-working folkloric materials, and in the visionary contemplation of the Buddha in order to sense his unique presence. The texts can thus be, at times, a type of meditation. Eviatar Shulman frames the early discourses as literary masterpieces that helped Buddhism achieve the wonderful success it has obtained. Much of the discourses' masterful storytelling was achieved through a technique of composition defined here as the play of formulas. In the oral literature of early Buddhism, texts were composed of formulas, which are repeated within and between texts. Shulman argues that the formulas are the real texts of Buddhism, and are primary to full discourses. Shaping texts through the play of formulas balances conservative and innovative tendencies within the tradition, making room for creativity within accepted forms and patterns. The texts we find today are thus versions--remnants--chosen by history of a much more vibrant and dynamic creative process.
Of the many good gifts the Lord has given his church on earth, none exceeds that of his love. The things of this earth are temporary, but "love never ends" (1 Cor. 13:8)—it is a present taste of future glory, made available through communion with the Holy Spirit. In this classic work, Heaven Is a World of Love, New England pastor Jonathan Edwards encourages Christians struggling through the imperfect life here on earth to experience the perfect love of God through an exposition of the biblical foundations for the cause of God's love, the objects of God's love, the enjoyment of God's love, and the fruits of God's love. Each page of pastoral insight will leave readers hungry to experience more of God.