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Founder of Verse Press, Zapruder is a leading younger poet whose work is risky, fabular, urbane.
An anthology of contemporary poets presents works that reflect the diversity in American poetry.
Perfect for dipping (even while drowsing), this collection of lively, literate riffs make sleeplessness not just tolerable but fun. Millions can't sleep; millions more sleep with those who can't sleep. This collection is ideal for both the casual light sleeper and the dedicated insomniac (as well as their bedmates), delighting and distracting night owls with irresistible fiction, articles, blogs, art, photographs, comics, and more. Fiction, including previously unpublished stories by Aimee Bender and Arthur Bradford; essays from Yale neurobiologists to Priscella Becker; the probably true fictions like Jonathan Ames's masturbation solution to insomnia; comic writing from Howard Cruse and Seth Tobocman; poetry from Charles Simic and Rebecca Wolff; Davy Rothbart of FOUND magazine chips in some found texts--all combine to offer a nighttime companion for the sleepless reader.
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.
The fourth collection from the celebrated American poet and editor, Matthew Zapruder. Matthew Zapruder’s poems begin in the faint inkling, in the bloom of thought, and then unfold into wide-reaching meditations on what it means to live in the contemporary moment, among plastic, statistics, and diet soda. Written in a direct, conversational style, the poems in Sun Bear display full-force why Zapruder is one of the most popular poets in America. From “I Drink Bronze Light”: Great American summer lakes right now I am flying above you through a rare cloudless transparent sky back to the city where it is always cold even in summer the round hole I press my face against shows only a blue expanse with white sails below speckled exactly the way the Aegean would have been three thousand years ago if one could have seen it from above maybe riding in the dark claw of a god who didn’t care. . . .
"Charming, melancholy, hip."—Publishers Weekly, starred review "Zapruder's innovative style is provocative in its unusual juxtapositions of line, image and enjambments. . . . Highly recommended."—Library Journal Matthew Zapruder's third book mixes humor and invention with love and loss, as when the breath of a lover is compared to "a field of titanium gravestones / growing warmer in the sun." The title poem is an elegy for the heroes and mentors in the poet's life—from David Foster Wallace to the poet's father. Zapruder's poems are direct and surprising, and throughout the book he wrestles with the desire to do well, to make art, and to face the vast events of the day. Look out scientists! Today the unemployment rate is 9.4 percent. I have no idea what that means. I tried to think about it harder for a while. Then tried standing in an actual stance of mystery and not knowing towards the world. Which is my job. As is staring at the back yard and for one second believing I am actually rising away from myself. Which is maybe what I have in common right now with you . . . Matthew Zapruder holds degrees from Amherst College, UC Berkeley, and the University of Massachusetts. He is the author of two previous books, including The Pajamaist, which won the William Carlos Williams Award and was honored by Library Journal with a "Best Poetry Book of the Year" listing. He lives in San Francisco and is an editor at Wave Books.
"Charming, melancholy, hip."--Publishers Weekly, starred review "Zapruder's innovative style is provocative in its unusual juxtapositions of line, image and enjambments. . . . Highly recommended."--Library Journal Matthew Zapruder's third book mixes humor and invention with love and loss, as when the breath of a lover is compared to "a field of titanium gravestones / growing warmer in the sun." The title poem is an elegy for the heroes and mentors in the poet's life--from David Foster Wallace to the poet's father. Zapruder's poems are direct and surprising, and throughout the book he wrestles with the desire to do well, to make art, and to face the vast events of the day. Look out scientists! Today the unemployment rate is 9.4 percent. I have no idea what that means. I tried to think about it harder for a while. Then tried standing in an actual stance of mystery and not knowing towards the world. Which is my job. As is staring at the back yard and for one second believing I am actually rising away from myself. Which is maybe what I have in common right now with you . . . Matthew Zapruder holds degrees from Amherst College, UC Berkeley, and the University of Massachusetts. He is the author of two previous books, including The Pajamaist, which won the William Carlos Williams Award and was honored by Library Journal with a "Best Poetry Book of the Year" listing. He lives in San Francisco and is an editor at Wave Books.
The poems in this anthology document the political and personal events of the president's crucial first days through a variety of contemporary poetic voices.
"As seen in the The New York Times Book Review ""In characteristically short lines and pithy, slippery language like predictive text from a lucid dream, Zapruder’s fifth collection grapples with fatherhood as well as larger questions of influence and inheritance and obligation."" —The New York Times “[Zapruder] presents powerfully nuanced and vivid verse about the limitations of poetry to enact meaningful change in a world spiraling into callousness; yet despite poetry’s supposed constraints, Zapruder’s verse offers solace and an invaluable blueprint for empathy.” ―Publishers Weekly, starred review “Zapruder’s new book, Father’s Day, is firmly situated in its (and our) political moment, and is anchored by a compelling gravity and urgency.” ―The Washington Post The poems in Matthew Zapruder’s fifth collection ask, how can one be a good father, partner, and citizen in the early twenty-first century? Zapruder deftly improvises upon language and lyricism as he passionately engages with these questions during turbulent, uncertain times. Whether interrogating the personalities of the Supreme Court, watching a child grow off into a distance, or tweaking poetry critics and hipsters alike, Zapruder maintains a deeply generous sense of humor alongside a rich vein of love and moral urgency. The poems in Father’s Day harbor a radical belief in the power of wonder and awe to sustain the human project while guiding it forward. "
Winner of the Hayden Carruth Award uses "broken sonnets" to explore complex juxtapositions of contemporary culture.