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Claude Monet (1840-1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to 'plein-air' landscape painting. The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, 'soleil levant').This book is the most comprehensive collection of Claude Monet's Paintings ever published, covering the artist's entire 64 years of creation; a keepsake for the connoisseur of fine art. On 484 pages, this book includes a detailed biography, a resume written by Monet himself (in English and French), and over 900 paintings on 460 colour plates (large format 8½ x 11 inches), as well as a special section of Monet's famous Water Lilies Series, and the Series of the London Parliament Buildings and Bridges. Monet's paintings obtain record prices at auctions. 'Le Pont du chemin de fer à Argenteuil,' an 1873 painting of a railway bridge spanning the Seine near Paris, was bought for a record $41.4 million at Christie's auction in New York on 6th May 2008. The previous record for Monet's painting stood at $36.5 million. 'Le basin aux nyphéas' (from the water lilies series) sold at Christie's 24 June 2008 for £40,921,250 ($80,451,178) setting a new auction record for the artist.
Spanning the artist's entire career, this book explores Claude Monet's enduring relationship with nature and the landscapes he returned to again and again. Capturing fleeting natural impressions played a central role in the art of Claude Monet. He deeply engaged with the landscape and light of different places, from the metropolis of Paris to the Seine villages of Argenteuil and Giverny. This lavishly illustrated volume explores the development of Monet's art from the 1850s to the 1920s, focusing on the places, both at home and on his frequent travels, from which he drew inspiration for his painting. In addition, the book traces the critical shift in Monet's art that occurred when he began to focus on series of the same subjects such as haystacks, poplars, and the water lilies and pond at his meticulously designed garden in Giverny. Insightful and revealing, the book deepens our appreciation of Monet's art and allows us to experience anew his gift for bringing the natural world to life.
From a world authority on impressionism and nineteenth-century French art comes this new addition to the World of Art series on the art and life of Claude Monet. One of the most famous and admired painters of all time, Claude Monet (1840– 1926) was the architect of impressionism—a revolution that gave birth to modern art. His technique of painting outside at the seashore or in city streets was as radically new as his subject matter: the landscapes and middle-class pastimes of a newly industrialized Paris. Working with unprecedented immediacy and authenticity, Monet claimed that his work was both natural and true, and therefore, entirely novel. In Monet, James H. Rubin, one of the world’s foremost specialists in nineteenth-century French art, traces Monet’s development, from his early work as a caricaturist to the late paintings of water lilies and his garden at Giverny. Rubin explores the cultural currents that helped shape Monet’s work, including the utopian thought that gave rise to his politics, his interest in Japanese prints and gardening, and his relationship with earlier French landscape painters and contemporaries such as E´douard Manet and Pierre-Auguste Renoir. Featuring more than 150 color illustrations of his key works, Rubin establishes Monet as the inspiration for generations of avant-garde artists and a true patriarch of modern art.
Part of a new series of beautiful gift art books, Claude Monet Masterpieces of Art features all of the popular works of this insightful and experimental artist, from his first inklings as an Impressionist to his later flirtations with Abstract Expressionism. With a fresh and thoughtful introduction to the life and art of one of the most famous artists in the world, the book goes on to showcase his key works in all their glory.
"In 1928, the former French Prime Minister Georges Clemenceau published Claude Monet : les nymphéas (The water-lilies), a memoir of his longtime friend. Bruce Michelson has produced a new English translation, presented here with useful notes and illustrations. Michelson's translations of three short essays on art by Clemenceau, originally published by La justice in the late XIX c., are included as appendices"--
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Claude Monet's extensive work is revealed in numerous images. He was a painter who like no other moved perception to the center of his artistic activities. Nature became his own studio. This resulted in fascinating landscapes of different times and seasons in the mirror of wind and weather.
In May of 2010, Gagosian Gallery presented the most significant gathering of late Claude Monet paintings in New York in more than thirty years. The catalogue for the exhibition that the New York Times described as "a gorgeous 'where on earth did this come from?' show," focuses on important subjects drawn from the artist's gardens at Giverny. Nymphéas, Le pont japonais, and L'allée de rosiers are among the most treasured paintings of Monet's long and prodigious career. Reproduced in luscious color are early Nymphéas that were first shown in 1909 at the Galerie Durand-Ruel to great critical acclaim. From these delicate, poetic paintings follow the more experimental post-1914 paintings, which were never exhibited during the artist's lifetime. In addition to the 27 sumptuous colour plates, the catalogue is illustrated by numerous colour images of paintings, as well as black-and-white historical photos. It includes a new essay by Paul Hayes Tucker, one of the foremost authorities on Monet and curator of the exhibition; an extract from Michel Butor's seminal 1962 text, "Monet, or the World Turned Upside Down" and a detailed chronology of Monet's life and exhibitions while at Giverny written by leading Monet scholar Charles Stuckey. Also included is a compendium of historical reviews that have been translated from their original French, Italian, or German language and which have been assembled for the first time by Claire Durand-Ruel Snollaerts.
Catalog of the exhibition at Kimbell Art Museum, Fort Worth, October 16, 2016 - January 29, 2017; Fine Arts Museums of San Francisco, February 25 - May 29, 2017.