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Preliminary Material /Robert B. Kebric -- The Paintings in the Cnidian Lesche at Delphi and their Historical Context /Robert B. Kebric -- The Historical Circumstances Behind the Lesche /Robert B. Kebric -- The Themes and the Political Implications of the Lesche's Paintings /Robert B. Kebric -- Cimon and Polygnotus /Robert B. Kebric -- Conclusion /Robert B. Kebric -- On the Genuineness of Apollo's Response to the Cnidians /Robert B. Kebric -- Ship Modifications at Cnidus /Robert B. Kebric -- The Three “Hermae” /Robert B. Kebric -- Tellis and Cleoboea /Robert B. Kebric -- Select Bibliography /Robert B. Kebric -- Notes /Robert B. Kebric -- Index /Robert B. Kebric.
This book presents a new theory about the developments in shipping and naval organization that culminated in the invention - around 530 BC in the eastern Mediterranean - of the trireme, and the subsequent adoption of this first specialized warship of antiquity by all the naval powers of the time. New interpretations are proposed of Greek and Assyrian iconographic data and of hitherto ignored evidence in Herodotos and Thukydides, the non-military factors determining developments are emphasized. Thukydides' fundamental essay on the genesis of Greek sea-powers is studied in depth, the rarity of these sea-powers stressed, and the peculiar background of the naval power of Phokaia and the Samian tyrant Polykrates exposed. The problem of the trireme's place of origin, the factors determining its invention, probably in Saite Egypt, and its immediate adoption by the Persian king Kambyses are discussed. The first naval operations of the Persians are surveyed, reasons and circumstances of the trireme's introduction into the navies of the Greek city-states analysed with special attention for Themistokles' navy bill. The book offers ancient historians and classical philologists a radically new approach to archaic maritime and naval history. It will also be useful to (nautical) archaeologists.
Pindar and the Cult of Heroes combines a study of Greek culture and religion (hero cult) with a literary-critical study of Pindar's epinician poetry. It looks at hero cult generally, but focuses especially on heroization in the 5th century BC. There are individual chapters on the heroization of war dead, of athletes, and on the religious treatment of the living in the 5th century. Hero cult, Bruno Currie argues, could be anticipated, in different ways, in a person's lifetime. Epinician poetry too should be interpreted in the light of this cultural context; fundamentally, this genre explores the patron's religious status. The book features extensive studies of Pindar's Pythians 2, 3, 5, Isthmian 7, and Nemean 7.
This book challenges the current view of the Homeric epics that they reflect only the institutions and ideas of the Dark Ages, during which they were composed, telling us nothing about the Mycenaean Age preceding it. Comparing evidence from the Near East with the Homeric corpus, Peter Karavites argues that the epics actually contain much that harks back to the Mycenaean Age, and that the two eras may not be completely discontinuous after all. Most contemporary scholars maintain that the mighty Mycenaean period was almost completely separated from the Dark Ages and that virtually no evidence of the former remains, with the exception of the archeological finds and the meager testimony of the Linear B tablets. However, the Near Eastern evidence about treaties and other forms of promising suggests that the Iliad and Odyssey may indeed provide historical pictures of the Mycenaean times featured in their narratives.
This book challenges the current view of the Homeric epics, according to which they reflect only the institutions and ideas of their own time, telling us nothing about the Mycenaean Age preceding it. Using a comparative analysis of evidence from the Near East and the Homeric corpus, Peter Karavites comes to the bold conclusion that the epics actually contain much that harks back to the Mycenaean Age, and that the two eras may not be completely discontinuous after all. Most contemporary scholars maintain that the mighty Mycenaean period was almost completely separated from the Dark Ages and that virtually no evidence of the former remains, with the exception of the archeological finds and the meager testimony of the Linear B tablets. However, the Near Eastern evidence about treaties and other forms of promising suggests that the Iliad and Odyssey may indeed provide historical pictures of the Mycenaean times featured in their narratives.
This book considers what evidence the "new Simonides" fragments offer for Simonides' elegiac compositions on the Persian Wars. The current orthodoxy is that they represent three separate elegies on individual battles, one on Artemisium, one on Salamis, and one on Plataea. Kowerski evaluates what evidence these fragments provide for these compositions, and in doing so, questions the validity of the current interpretation of the "new Simonides."
Early Greek Ethics is the first volume devoted to philosophical ethics in its "formative" period. It explores contributions from the Presocratics, figures of the early Pythagorean tradition, sophists, and anonymous texts, as well as topics influential to ethical philosophical thought such as Greek medicine, music, friendship, and justice.
Female Characters play various roles in the Odyssey: patron goddess (Athena), seductress (Kirke, the Sirens, Nausikaa), carnivorous monster (Skylla), maid servant (Eurykleia), and faithful wife (Penelope). Adopting an interdisciplinary approach, this study examines these different female representations and their significance within the context of the poem and Greek culture. A central theme of the book is the visualization of the Odyssey's female characters by ancient artists, and several essays discuss the visual and iconographic implications of Odysseus' female encounters as depicted in Greek, Etruscan, and Roman art. The distinguished contributors--from the fields of classical studies, comparative literature, art history, and archaeology--are A.J. Graham, Seth L. Schein, Diana Buitron-Oliver, Beth Cohen, Sheila Murnaghan, Lillian Eileen Doherty, Helene P. Foley, Froma I. Zeitlin, H.A. Shapiro, Richard Brilliant, Jenifer Neils, and Christine Mitchell Havelock. Feminine in orientation, but not narrowly feminist in approach, this first interdisciplinary work on the Odyssey's female characters will have a broad audience amongst scholars and students working in classical studies, iconography and art history, women's studies, mythology, and ancient history.
Telamonian Ajax provides a complete overview of the development of Telamonian Ajax's myth in archaic and classical Greece. Bocksberger's study focuses on the Panhellenic figure of Ajax in early Greek hexameter poetry and archaic art, in the art of archaic and classical Aegina, and in the art of archaic and classical Athens.
The aim of this work is to recover classical Roman assumptions about women on the basis of the surviving linguistic data. The resulting analysis throws light not only on Roman gender vocabulary but also on Roman cultural perceptions of class, moral worth and nationality.