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Alan Paterson presents Calderon's original text, from manuscript and printed sources, with a skilful verse translation into English of a remarkable play, in which Calderon develops the motif of marital honour in quite original ways.
Alan Paterson presents Calderon's original text, from manuscript and printed sources, with a skilful verse translation into English of a remarkable play, in which Calderon develops the motif of marital honour in quite original ways.
Throughout the world, people believe that much of what they do is accidental, ordinary, and inconsequential, while other acts can bring on divine retribution or earn eternal grace. In Man and the Sacred, Caillois demonstrates how humanity's ambiguous attitude toward the sacred influences behavior and culture. Drawing on a diverse array of ethnographic contexts, including the sexual rituals of the Ba-Thong of South Africa and evidence drawn from aboriginal Australian, Eskimo, and traditional Chinese social systems, Caillois analyzes the role of the forbidden in the social cohesion of the group. He examines the character of the sacred in the light of specific instances of taboos and transgressions, exploring wide differences in attitudes toward diet and sex and extreme behaviors associated with the sacred, such as rapture and paroxysm. He also discusses the festival--an exuberant explosion following a period of strict repression--and compares its functions with those of modern war. A classic study of one of the most fundamental aspects of human social and spiritual life, Man and the Sacred--presented here in Meyer Barash's superb English translation--is a companion volume to Caillois's Man, Play and Games.
The third of Calderon's three wife-murder plays, in which an artist is asked to paint a portrait of a beautiful woman, only to find that she is his long-lost wife who had been kidnapped by her former lover. Thinking she has surrendered to her captor, the painter kills them.
Written in 1645, The Painter of Dishonour is one of Calderón's greatest plays, in which Don Juan Roca, an ageing painter, is driven to undertake double vengeance when his young bride's lover, previously believed drowned at sea, returns from the dead and abducts her.
"The bringing of Spanish seventeenth-century verse plays to the contemporary English-speaking stage involves a number of fundamental questions. Are verse translations preferable to prose, and if so, what kind of verse? To what degree should translations aim to be 'faithful'? Which kinds of plays 'work', and which do not? Which values and customs of the past present no difficulties for contemporary audiences, and which need to be decoded in performance?Which kinds of staging are suitable, and which are not? To what degree, if any, should one aim for 'authenticity' in staging? In this volume, a group of translators, directors, and scholars explores these and related questions."--Jacket