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With its dramatic landscapes and rugged beauty, Alberta's Bow River valley has inspired generations of artists. The Painted Valley : Artists Along Alberta's Bow River, 1845-2000 brings together a collection of works by local and visiting artists from 1845 to 2000 that captures the many moods of the river and its valley from its source high in the Rocky Mountains down to the city of Calgary and eastward across the open prairie.Christopher Armstrong and H.V. Nelles have selected works from a number of Alberta museums and national collections, which depict the Bow River and its valley, representing a broad array of historical periods, artistic styles, and points of view. From European topographers and military artists to painters commissioned by the Canadian Pacific Railway, from the Group of Seven to modernism and abstraction, these pictures of the Bow valley tell us much about changing attitudes toward nature and the environment as well as the evolution of an artistic community in western Canada.
Fred Harman, Jr. (1902-1982) rode onto newspaper comics pages with his dynamic range rider Bronc Peeler (1933-1938) and caught fire with daily and Sunday strips featuring hard-fisted Red Ryder and his sidekick Little Beaver (1938-1964). The duo appeared in comic books, prose books, radio and films. What boy didn't want a Daisy 111 Model 40 Red Ryder Western Carbine? Harman worked in a studio on his small ranch in Colorado. In his later years he turned to fine art and co-founded the Cowboy Artists of America. He helped create the Little Beavertown theme park near Albuquerque, New Mexico. Today his newspaper comics are often reprinted and his oil paintings are valued by collectors and may be seen in the Fred Harman Art Museum in Pagosa Springs. Bernard A. Drew, a journalist and freelance writer and historian, specializes in Berkshire County, Massachusetts, history and popular literature reference books. He previously wrote Jingle of the Silver Spurs: The Hopalong Cassidy Radio Program 1950-52 (2005) for BearManor Media. Other recent works include Henry Knox and the Revolutionary War Trail in Western Massachusetts (2012) and 100 Most Popular Contemporary Mystery Authors (2011).
#1 NEW YORK TIMES BESTSELLER • In this, the extraordinary conclusion of the ice-age epic series, Earth’s Children®, Ayla, Jondalar, and their infant daughter, Jonayla, are living with the Zelandonii in the Ninth Cave. Ayla has been chosen as an acolyte to a spiritual leader and begins arduous training tasks. Whatever obstacles she faces, Ayla finds inventive ways to lessen the difficulties of daily life, searching for wild edibles to make meals and experimenting with techniques to ease the long journeys the Zelandonii must take while honing her skills as a healer and a leader. And there are the Sacred Caves that Ayla’s mentor takes her to see. They are filled with remarkable paintings of mammoths, lions, and bears, and their mystical aura at times overwhelms Ayla. But all the time Ayla has spent in training rituals has caused Jondalar to drift away from her. The rituals themselves bring her close to death, but through them Ayla gains A Gift of Knowledge so important that it will change her world. BONUS: This edition contains a reading guide and an interview with Jean M. Auel. Sixth in the acclaimed Earth’s Children® series.
- A detailed survey of the painting styles of Guler and Kangra in the 18th and 19th centuries - Analyses the impact of the Bhakti movement and of Mughal painting on the painting traditions of the region - With more than 150 images of paintings, the book is a visual treat for scholars as well as general readers Painting in the Kangra Valley is an attempt to survey the painting styles of Guler and Kangra, which flourished in the 18th and 19th centuries. The painting activity began with Kashmiri painters, who started receiving royal patronage during the reign of Raja Dalip Singh (1695-1741) of Guler. But it attained culmination during the long reign of Maharaja Sansar Chand (1776-1823) of Kangra. The royal atelier of Kangra produced a large number of paintings covering diverse subjects. The advent of the Bhakti movement in north India had a tremendous impact, resulting in a preference for Krishna themes for the artists of Guler and Kangra. The sentiment of love is the main subject of Guler-Kangra paintings. They illustrate the finest specimens of various kinds of nayika described by the Hindi poets of the riti genre. The female figures seen in these paintings are depicted as graceful and beautiful idealizations, handled by the painters with utmost delicacy and tenderness. Vijay Sharma's analytical approach, based on facts, gives new insights into the origin and development of the Guler school and the marked influence of later Mughal painting on the styles of Manaku and Nainsukh. Featuring around 160 images this book is a significant read for researchers as well as connoisseurs.
A literary phenomenon, Jean M. Auel’s prehistoric odyssey is one of the best-loved sagas of our time. Employing meticulous research and the consummate artistry of a master storyteller, Auel paints a vivid panorama of the dawn of modern humans. Through Ayla, an orphaned girl who grows into a beautiful and courageous young woman, we are swept up in the harsh and beautiful Ice Age world, home to the Clan of the Cave Bear. Now, for the first time, all six novels in the Earth’s Children® series are available in one convenient eBook bundle: THE CLAN OF THE CAVE BEAR THE VALLEY OF HORSES THE MAMMOTH HUNTERS THE PLAINS OF PASSAGE THE SHELTERS OF STONE THE LAND OF PAINTED CAVES A natural disaster leaves a young girl wandering alone in an unfamiliar and dangerous land until she is found by a woman of the Clan, people very different from her own kind. To them, blond, blue-eyed Ayla looks peculiar and ugly—she is one of the Others, those who have moved into their ancient homeland; but Iza cannot leave the girl to die and takes her with them. Iza and Creb, the old Mog-ur, grow to love her, and as Ayla learns the ways of the Clan and Iza’s way of healing, most come to accept her. But the brutal and proud youth who is destined to become the Clan’s next leader sees Ayla’s differences as a threat to his authority. He develops a deep and abiding hatred for the strange girl of the Others who lives in their midst, and is determined to get his revenge. Praise for the Earth’s Children® series “Auel is a highly imaginative writer. She humanizes prehistory and gives it immediacy and clarity.”—The New York Times Book Review “Storytelling in the grand tradition . . . From the violent panorama of spring on the steppes to musicians jamming on a mammoth-bone marimba, Auel’s books are a stunning example of world building. They join the short list of books, like James Clavell’s Shogun and Frank Herbert’s Dune, that depict exotic societies so vividly that readers almost regard them as ‘survival manuals.’ ”—Vogue “Jean Auel has established herself as one of our premier storytellers. . . . Her narrative skill is supreme.”—Chicago Tribune “Pure entertainment at its sublime, wholly exhilarating best.”—Los Angeles Times “Readers who fell in love with little Ayla will no doubt revel in her prehistoric womanhood.”—People “Lively and interesting, enhanced greatly by the vividly colored backdrop of early humanity . . . Auel is a prodigious researcher.”—The Washington Post Book World “Among modern epic spinners, Auel has few peers. . . . She deftly creates a whole world, giving a sense of the origins of class, ethnic, and cultural differences that alternately divide and fascinate us today.”—Kirkus Reviews (starred review)
Tao is an outcast. Unlike the great hunters of his clan, Tao does not want to kill the wild bears or woolly mammoths of the hunt. Instead he wants only to paint them. But only Chosen Ones can be cave painters. What's more, Volt, the clan leader, violently despises Tao. And when the other clan members discover Tao's secret talent, they cast him out into the wilderness alone. There, he befriends a wild wolf dog named Ram, and the mysterious Graybeard, who teaches him the true secret of the hunt.