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This beautifully illustrated personal sketchbook, new to our Courage line of lavish gift books, will be catnip for any gardener. (Previous titles featuring Mary Woodin's vibrant watercolor images have sold more than 300,000 copies.) THE PAINTED GARDEN is a collection of intimate musings, thoughtful philosophies, and touching artwork, with space for recording planting, harvesting, and blooming notes. Readers will discover useful gardening tips, an illustrated list of herbs and their uses, and advice from such well-known British gardening experts as Mary Russell Mitford, C.W. Earle, Vita Sackville-West, and Louise Beebe Wilder.
Get ready to rock your world! You don't need a green thumb to turn your yard into a work of art! Painted garden art is the perfect, low-cost way to add color and visual interest to your landscape. Lin Wellford makes it easy with these fun, imaginative projects: Vibrant stepping stones Breathtaking focal points and accents Realistic faux fish Ever-blooming borders and flower-filled planters Decorative pieces perfect for any garden, porch, or patio This is art anyone can do!
Dots are thrown into the world; each of em is unique. They live here with their differences. Questions are creations of dots. Which tremble for generations of living. The Canvas is an imaginary plane where things are drawn. A painting is born when Dots meets their questions on a canvas. Lines from the dots join the universe. Colors get the perception higher. Dimensions make them grow. The souls swim with the poems in rhythm.
This book is a collection of articles about the life and work of Frances Hodgson Burnett. The broad range of subjects and the varied backgrounds of the contributing authors are a tribute to Burnett's wide and international appeal. The book includes articles by three Burnett biographers, criticism of Burnett's works, and literary and social analysis of her books by scholars from several countries. These range from Pulitzer Prize winner Alison Lurie to new scholars who are being published here for the first time. The articles range from essays to transcripts of interviews and speeches and a filmography. The book presents new research on films and plays based on Burnett books. The primary organization of the essays is chronological, but the book is also arranged to reflect the structure of the 'Frances Hodgson Burnett: Beyond the Secret Garden Conference, ' held at California State University, Fresno, April 25-27, 2003
Although Frances Hodgson Burnett published numerous works for an adult readership, she is mainly remembered today for three novels written for children: Little Lord Fauntleroy (1886), A Little Princess (1905) and The Secret Garden (1911). This volume is dedicated to The Secret Garden. The articles address a wide range of issues, including the representation of the garden in Burnett's novel in the context of cultural history; the relationship between the concept of nature and female identity; the idea of therapeutic places; the notion of redemptive children in The Secret Garden and Little Lord Fauntleroy; the concept of male identity; constructions of 'Otherness' and the redefinition of Englishness; film and anime versions of Burnett's classic; Noel Streatfeild's The Painted Garden as a rewriting of The Secret Garden; attitudes towards food in children's classics and Burnett's novel in the context of Edwardian girlhood fiction and the tradition of the female novel of development.
Expert guide for painting flower beds, landscapes, vegetable gardens, trees, much more. Magnificently illustrated.
From the Booker Prize winner and national bestselling author, reflections on gardening, art, literature, and life Penelope Lively takes up her key themes of time and memory, and her lifelong passions for art, literature, and gardening in this philosophical and poetic memoir. From the courtyards of her childhood home in Cairo to a family cottage in Somerset, to her own gardens in Oxford and London, Lively conducts an expert tour, taking us from Eden to Sissinghurst and into her own backyard, traversing the lives of writers like Virginia Woolf and Philip Larkin while imparting her own sly and spare wisdom. "Her body of work proves that certain themes never go out of fashion," writes the New York Times Book Review, as true of this beautiful volume as of the rest of the Lively canon. Now in her eighty-fourth year, Lively muses, "To garden is to elide past, present, and future; it is a defiance of time."