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So begins Sabine Baring-Gould's account of his journey on horseback around Iceland in 1862. Aged twenty-eight, the young writer and teacher was fascinated by the tradition of the Icelandic sagas, and this was the catalyst for his adventure and the book that emerged from it. His voyage took him from the then tiny settlement of Reykjavik through remote and hostile terrain, passing through the empty expanse of Iceland's countryside. He observed mountains and glaciers, volcanoes and geysers, wondering at the wild beauty of the landscape. He also recorded the rich flora and fauna that he saw-and, to his chagrin, that his companions shot.
This book focuses on Iceland as a nineteenth-century utopian locus in the light of racial theories attached to the country’s national framework. In particular, it investigates the ways in which five nineteenth-century travellers define their national identity and gender in relation to Iceland during the Victorian period, during which European nationalism emerges as an idea of paramount importance. Owing to the gradual contemplation of this peripheral word as the cradle of the Germanic nations, Victorian travel writers endeavoured to reconstruct the image of Iceland in accordance with the racial theoretical framework that underlay the nineteenth-century British nation-building agenda.