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"The Oxford Circus" by Raymond Mortimer is a novel about Oxford and youth, originally by Alfred Budd. Its sparkling epigrams, and its vivid portrayal of life in many different strata of our modern society, seem almost unexpected from one who lived so quietly as Mr. Budd. Yet somehow his originality of invention leaves no room for doubt: Budd was perhaps the first novelist to introduce the London and North Western Railway station into a novel.
In Oxford Street, Accra, Ato Quayson analyzes the dynamics of Ghana's capital city through a focus on Oxford Street, part of Accra's most vibrant and globalized commercial district. He traces the city's evolution from its settlement in the mid-seventeenth century to the present day. He combines his impressions of the sights, sounds, interactions, and distribution of space with broader dynamics, including the histories of colonial and postcolonial town planning and the marks of transnationalism evident in Accra's salsa scene, gym culture, and commercial billboards. Quayson finds that the various planning systems that have shaped the city—and had their stratifying effects intensified by the IMF-mandated structural adjustment programs of the late 1980s—prepared the way for the early-1990s transformation of a largely residential neighborhood into a kinetic shopping district. With an intense commercialism overlying, or coexisting with, stark economic inequalities, Oxford Street is a microcosm of historical and urban processes that have made Accra the variegated and contradictory metropolis that it is today.
Travel under the streets of London with this lavishly illustrated exploration of abandoned, modified, and reused Underground tunnels, stations, and architecture.
This collection of essays inspired by the celebrated writer's favorite walks is available in its entirety for the first time in North America. 96 p p.
A visual exploration of the London Tube network, focusing on our shared and overlooked moments of recognition
Jumbos and Jumping Devils is a pioneering exploration of the social history of circus in India over the last 150 years. It presents a wide variety of amazing tales ranging from the blooming and evolution of circus acrobatics in early twentieth-century Malabar to the sensational legal battles following the ban of wild animals and children from the circus ring in the twenty-first century. Alongside extensive fieldwork and interviews, the author has used memorabilia including photographs, notices, posters, letters, diaries, unpublished autobiographies, private papers, and recollections of the circus community to chronicle the hitherto untold story of the Indian circus. The book paves the way for a new sociocultural analysis of performance genres and popular culture in the subcontinent against several overlapping contexts. These include the remaking of caste and gender identities, transformation of physical cultures and bodies, interventions of the colonial and postcolonial states, and emergence of new transregional and transnational spaces.