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Villains have been celebrated in song and drama, poem and fiction since the Bible first recorded the exploits of Adam's descendants. John Mortimer is ideally placed, as an author and QC, to compile an anthology of the most infamous representatives, real and imagined, of the criminal world. Whether or not the Devil has all the best tunes, Milton's Satan has some very good lines, good enough, according to Marlowe and Goethe, to persuade a man to sell his soul. Not all villains are as anguished as Faust, however; Sherlock Holmes's arch-enemy Moriarty suffers no qualms of conscience in his determination to destroy the sleuth, and Iago, to name but one of Shakespeare's villains, shows no remorse against Othello. The reputation of some real-life villains is so great that they too have acquired legendary status: Dr. Crippen, Lizzie Borden, and Al Capone are among the murderers remembered here. Criminality takes many forms, from pickpocket and highwayman to pirate and con man. Here Jonathan Wild rubs shoulders with Mac the Knife, Captain Kidd with Captain Hook. Casanova, Don Juan, and Richardson's Lovelace have all mastered the pitiless art of seduction, while other villains betray their countries. Tyranny shows itself a brutal regime in the hands of Caligula and Nero, and more subtly oppressive within the family and schoolroom. Attractive scoundrels and incompetent rogues, calculating murderers and unscrupulous swindlers pack these pages with a richness and variety that will by turns delight, surprise, and chill the reader. John Mortimer shapes this villainous crew into a unique and absorbing collection.
Bringing together the work of such writers as Edgar Allan Poe, Nathaniel Hawthorne, Arthur Conan Doyle, Eudora Welty, Thomas Hardy, William Faulkner, Isak Dinesen, and Joyce Carol Oates, The Oxford Book of Gothic Tales presents 37 sinister and unsettling tales for all lovers of ghost stories, fantasy, and horror.
Team X is an outstanding addition to the Oxford Literacy series and has been developed for the whole school - for the early years through to Year 6. Team X has been extensively researched and trialled in schools to make absolutely sure that it's what kids want! Team X builds fluency, vocabulary, and comprehension. Fluency and vocabulary are important skills and are both crucial stepping stones to comprehension, which for any reader may be considered the main goal of reading. Step 1: Listen to the audio bookAn adult mentor with a particular area of expertise (the eXpert) introduces themselves and relates the cluster theme to their own experience. The mentor reads all or some sections of the book. Step 2: Read the bookThe student then reads the book, either in a guided reading or independent reading situation. Step 3: Write your responses to the question on the activity cardFor all levels, there are two writing activities related to the content or theme of the book, often scaffolded, with a graphic organiser. There are also two additional activities that link to other curriculum learning areas.
“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."
This study argues that Dickens' villains embody the crucial fusion between the deviant and theatrical aspects of his writing.
Obscene poetry, servants' slanders against their masters, the diabolical acts of those who committed massacre and regicide. This is a book about the harmful, outward manifestation of inner malice—villainy—in French culture (1463-1610). In pre-modern France, villainous offences were countered, if never fully contained, by intersecting legal and literary responses. Combining the methods of legal anthropology with literary and historical analysis, this study examines villainy across juridical documents, criminal records, and literary texts. Whilst few people obtained justice through the law, many pursued out-of-court settlements of one kind or another. Literary texts commemorated villainies both fictitious and historical; literature sometimes instantiated the process of redress, and enabled the transmission of conflicts from one context to another. Villainy in France follows this overflowing current of pre-modern French culture, examining its impact within France and across the English Channel. Scholars and cultural critics of the Anglophone world have long been fascinated by villainy and villains. This book reveals the subject's significant 'Frenchness' and establishes a transcultural approach to it in law and literature. In this study, villainy's particular significance emerges through its representation in authors remembered for their less-than respectable, even criminal, activities: François Villon, Clément Marot, François Rabelais, Pierre de L'Estoile, Christopher Marlowe, Ben Jonson, John Marston, and George Chapman. Villainy in France affords legal-literary comparison of these authors alongside many of their lesser-known contemporaries; in so doing, it reinterprets French conflicts within a wider European context, from the mid-fifteenth century to the early seventeenth century.
Obscene poetry, servants' slanders against their masters, the diabolical acts of those who committed massacre and regicide. This is a book about the harmful, outward manifestation of inner malice—villainy—in French culture (1463-1610). In pre-modern France, villainous offences were countered, if never fully contained, by intersecting legal and literary responses. Combining the methods of legal anthropology with literary and historical analysis, this study examines villainy across juridical documents, criminal records, and literary texts. Whilst few people obtained justice through the law, many pursued out-of-court settlements of one kind or another. Literary texts commemorated villainies both fictitious and historical; literature sometimes instantiated the process of redress, and enabled the transmission of conflicts from one context to another. Villainy in France follows this overflowing current of pre-modern French culture, examining its impact within France and across the English Channel. Scholars and cultural critics of the Anglophone world have long been fascinated by villainy and villains. This book reveals the subject's significant 'Frenchness' and establishes a transcultural approach to it in law and literature. In this study, villainy's particular significance emerges through its representation in authors remembered for their less-than respectable, even criminal, activities: François Villon, Clément Marot, François Rabelais, Pierre de L'Estoile, Christopher Marlowe, Ben Jonson, John Marston, and George Chapman. Villainy in France affords legal-literary comparison of these authors alongside many of their lesser-known contemporaries; in so doing, it reinterprets French conflicts within a wider European context, from the mid-fifteenth century to the early seventeenth century.
*NEW YORK TIMES BESTSELLER* *2018 GOOD READS CHOICE AWARD WINNER FOR BEST SCIENCE FICTION CATEGORY* A super-powered collision of extraordinary minds and vengeful intentions—#1 New York Times bestselling author V. E. Schwab returns with the thrilling follow-up to Vicious. Magneto and Professor X. Superman and Lex Luthor. Victor Vale and Eli Ever. Sydney and Serena Clarke. Great partnerships, now soured on the vine. But Marcella Riggins needs no one. Flush from her brush with death, she’s finally gained the control she’s always sought—and will use her new-found power to bring the city of Merit to its knees. She’ll do whatever it takes, collecting her own sidekicks, and leveraging the two most infamous EOs, Victor Vale and Eli Ever, against each other. With Marcella's rise, new enmities create opportunity--and the stage of Merit City will once again be set for a final, terrible reckoning. Entertainment Weekly's 27 Female Authors Who Rule Sci-Fi and Fantasy Right Now “Readers won't be able to put down this dark and riveting tale of power and revenge.”—Kirkus Reviews, starred Praise for Vicious “Schwab's characters feel vital and real, never reduced to simple archetypes...In a genre that tends toward the flippant or pretentious, this is a rare superhero novel as epic and gripping as any classic comic. Schwab's tale of betrayal, self-hatred, and survival will resonate with superhero fans as well as readers who have never heard of Charles Xavier or Victor von Doom.”—Publishers Weekly (starred review) "V. E. Schwab's Vicious is the superhero novel I've been waiting for: fresh, merciless, and yes, vicious. Wow."—Mira Grant, New York Times bestselling author of Blackout Villians #1 Vicious #2 Vengeful "Warm Up" (short story) At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.