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The Oxford Book of Food Plants is a beautifully illustrated compendium of facts about the plants we grow in our gardens and use in our cooking. Gorgeous botanical illustrations are accompanied by accessible yet authoritative descriptions of each plant, along with fascinating historical details and nutritive values. This is a new edition of a classic book — fully updated with the latest nutritional research, as well as beautiful new plates and descriptions of many exotic edible plants that have only recently found their way into our markets and onto our kitchen tables — it is a must-have for anyone who loves good food, cooking, and gardening.
In 1837, while charting the Amazonian country of Guiana for Great Britain, German naturalist Robert Schomburgk discovered an astounding "vegetable wonder"--a huge water lily whose leaves were five or six feet across and whose flowers were dazzlingly white. In England, a horticultural nation with a mania for gardens and flowers, news of the discovery sparked a race to bring a live specimen back, and to bring it to bloom. In this extraordinary plant, named Victoria regia for the newly crowned queen, the flower-obsessed British had found their beau ideal. In The Flower of Empire, Tatiana Holway tells the story of this magnificent lily, revealing how it touched nearly every aspect of Victorian life, art, and culture. Holway's colorful narrative captures the sensation stirred by Victoria regia in England, particularly the intense race among prominent Britons to be the first to coax the flower to bloom. We meet the great botanists of the age, from the legendary Sir Joseph Banks, to Sir William Jackson Hooker, director of the Royal Botanic Gardens at Kew, to the extravagant flower collector the Duke of Devonshire. Perhaps most important was the Duke's remarkable gardener, Joseph Paxton, who rose from garden boy to knight, and whose design of a series of ever-more astonishing glass-houses--one, the Big Stove, had a footprint the size of Grand Central Station--culminated in his design of the architectural wonder of the age, the Crystal Palace. Fittingly, Paxton based his design on a glass-house he had recently built to house Victoria regia. Indeed, the natural ribbing of the lily's leaf inspired the pattern of girders supporting the massive iron-and-glass building. From alligator-laden jungle ponds to the heights of Victorian society, The Flower of Empire unfolds the marvelous odyssey of this wonder of nature in a revealing work of cultural history.
From the bijou corners of Corpus Christi to the wide open lawns of Trinity, Oxford's gardens are full of surprises and hidden corners - not least the fellows' or masters' gardens, which are usually kept resolutely private. Take a tour of the stunning gardens of this prestigious British institution without leaving your armchair with this elegant, authoritative analysis full of glorious photographs which reveal their full interest and charm. The gardens of Oxford's thirty or so colleges are surprisingly varied in style, age and size, ranging from the ancient mound in the middle of New College to the fine modernist design which is St Catherine's. The eighteenth-century landscape school is represented in the magnificent acreage of Worcester, while the twentieth-century vogue for rock gardening is reflected at St John's. Founded in 1621, the university's Botanic Garden is the oldest botanic garden in Britain, holds one of the most diverse plant collections in the world, and has been a source of inspiration for writers from Lewis Carroll to Philip Pullman.
In 1925 Harold Ross hired Katharine Sergeant Angell as a manuscript reader for The New Yorker. Within months she became the magazine’s first fiction editor, discovering and championing the work of Vladimir Nabokov, John Updike, James Thurber, Marianne Moore, and her husband-to-be, E. B. White, among others. After years of cultivating fiction, White set her sights on a new genre: garden writing. On March 1, 1958, The New Yorker ran a column entitled “Onward and Upward in the Garden,” a critical review of garden catalogs, in which White extolled the writings of “seedmen and nurserymen,” those unsung authors who produced her “favorite reading matter.” Thirteen more columns followed, exploring the history and literature of gardens, flower arranging, herbalists, and developments in gardening. Two years after her death in 1977, E. B. White collected and published the series, with a fond introduction. The result is this sharp-eyed appreciation of the green world of growing things, of the aesthetic pleasures of gardens and garden writing, and of the dreams that gardens inspire.
As the world heats up and we become more and more conscious of our place in the natural scheme, the appeal of the native plants of the Southwest becomes ever more compelling for gardeners. In addition to providing year-round beauty with relatively little maintenance, landscaping with native plants contributes to the repair of the natural ecosystem and brings us closer to our environment—and the array of native plant material available to the Southwestern gardener is diverse and spectacular, providing seemingly endless opportunities for creative and attractive landscapes. In Landscaping with Native Plants of the Southwest, George Oxford Miller provides the definitive guide to choosing the best of the best among the native plants of Arizona and New Mexico. Covering wildflowers, shrubs, trees, vines, groundcovers, and cacti, this comprehensive, richly illustrated book selects the species whose ornamental qualities, growth habit, adaptability, maintenance needs, and beauty add up to the highest landscape value. The illustrations, maps, and charts provide guidelines for species selection and planting, ongoing maintenance, landscape design, and water and energy conservation. In-depth plant profiles describe the habitat requirements for more than 350 native plant species, subspecies, and varieties, with lush photographs illustrating how each plant looks and responds to landscape conditions. As the interest in native-plant landscaping and xeriscaping continues to grow, this book will find a place on the shelf of every gardener and landscaper in the region—or of anybody interested in recreating the beauty of the Southwest in a hot, dry corner of the yard.
Marys flowers by Vincenzina Krymow Illustrated by A. Joseph Barrish, S.M. With Meditations by M. Jean FriskSince medieval times, flowers have taken their names from the virtues of Mary, or events in her life. Learn the legends that fostered such names, and their biblical origins. Spend time with the meditations they inspire.Marys Flowers: Gardens, Legends and Meditations is a treasury of botanical history and lore. Thirty beautiful illustrations based on medieval woodcuts bring each bloom to colorful life. Even if you don't plant a Mary garden of your own, you will find a virtual Eden within. Visit awhile with these pages and keep company with Mary.