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After his flight to Calgary, Canada, suddenly ends in a fiery crash, fifty-eight-year-old Tony Parker is rescued by a stranger. Shaken, but with few injuries, Tony is shocked when he looks in the mirror and stares into the face of a teenager. But the biggest shock is yet to come when Tony is told he has died and is now living in an alternate world. Introducing himself as Max, the stranger announces that Tony is now residing in a secular afterlife rumoured to be built from memory where all the regulars still have a debt to pay. Populated by characters such as Marlene Dietrich, Mata Hari, Charles Ponzi, and Mozart, who often repeat blunders made during their lifetimes, the world is ruled by an integration council assembled to deal with problem migrants such as Tony. As Tony attempts to acclimate to his new home, he is paired with Sebastian Melmoth, also known as Oscar Wilde, who becomes his mentor assigned to guide him through adventurous mayhem barely held together by con artist Till Eulenspiegel. The Owls Mirror is the compelling tale of one mans whimsical journey through a strange and nonsensical afterlife.
After something strange happens during a camping trip, twelve-year-old alien-obsessed Simon suspects he has been abducted, but was it real or just his overactive imagination?
The Transmigration of Timothy Archer, the final novel in the trilogy that also includes Valis and The Divine Invasion, is an anguished, learned, and very moving investigation of the paradoxes of belief. It is the story of Timothy Archer, an urbane Episcopal bishop haunted by the suicides of his son and mistress--and driven by them into a bizarre quest for the identity of Christ. From the Trade Paperback edition.
Twenty years past, the governors plotted murder. Ruled by avarice, they imprisoned the winged dragons of Taran Leigh in the black cells of a stone lair. Tormented by spine and spur the once peaceful creatures howl, immense webbed wings beating beneath iron bars. Those who raised their voices in protest were banished--skyriders, the men who rode the dragons--vanished to the distant mountains of the Mirror.Now, Treasa, the daughter of exiles, seeker of secrets, dreams with the lair's dragons, her heart torn by her love for the winged creatures and a man who masters them. She must choose her path with care. The lair's black -garbed riders sense the dragon's growing savagery. Yet one, Conall, longs to grasp their power, subdue them and soar, unaware that winged flight, merged in harmony, is his for the asking. Then, a curved talon rends Conall's flesh and dragon scale, rattling against white ribs and the world shifts. As hearts once parted bind, Terasa and Conall join forces to fight for the dragon's freedom. Alliances form, old myths are revealed and new myths are born.
Crossing the Owl’s Bridge uses the wisdom of worldwide folk tales to demonstrate how to share, ritualize, and transform grief. Each chapter describes psychological tasks as communicated through folk tales, offers stories about others, and provides guidelines for application. The premise is that although we do have to say goodbye to our material relationship, we are also being presented with a chance to say hello to a different type of relationship. Crossing the Owl’s Bridge illustrates creative outcomes to mourning that allow one to recognize, contain, release, and yet stay in relationship and keep loving. Kim Bateman, Ph.D., has facilitated grief workshops and taught courses in Death and Dying for over 20 years. Her research interests include bereavement, organizational psychology, and humor, and she has presented over 60 projects in the behavioral sciences at regional and national psychology conferences. Dr. Bateman has delivered many notable keynote addresses, including: “There’s a Fox Under My Bed and Pixie Dust in My Hair,” at the Developmental Psychology Conference, “The Psychology of Humor” at the Women’s Wellness Conference, and “College Culture Through the Song Lyrics of Bob Marley,” at the Community College League of California convention. She recently presented a TEDx talk called “Singing Over Bones.” Dr. Bateman serves as the executive dean of the Tahoe-Truckee Campus of Sierra College.
Chronicles the author's rescue of an abandoned barn owlet, from her efforts to resuscitate and raise the young owl through their nineteen years together, during which the author made key discoveries about owl behavior.
Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century Netherlands examines Bruegel's later paintings in the context of two contemporary discourses-art theoretical and convivial. Taking a multi-disciplinary approach, the author analyzes a variety of images, texts and historical records to offer a broader understanding of not only the artist, but also of the vibrant artistic dialogue occurring in the Netherlands during the sixteenth century.
Little Owl and Little Wolf have so many questions for their parents. “Why can’t we move our eyes?” “When will I no longer be a pup?” But owls don’t ask “Why?” They ask “Whooo?” And wolves don’t ask “When?” They ask “Hoooow?” Mom and Dad say it’s silly to even consider asking those sorts of questions. Feeling teased and misunderstood, Little Owl and Little Wolf decide to run away from home for good. After straying too far from the path, the pair discovers that they’re lost in the forest and begin to wonder if they’ve made the right decision by leaving the pack. Little Owl and Little Wolf realize that the only way to make it back to their families is to not be afraid to ask the right questions, their own way. This heartwarming tale of friendship from author Michelle Garcia Andersen and artist Ayesha Rubio will remind young readers that by staying true to yourself and embracing what makes you unique, good things come to you.
The Internet has had a profound effect on collecting--because of the Web, collectibles are now more readily available, collections more easily displayed for a wider audience, and collectors' online communities are larger and often quite intimate. In addition, the Web has added new items to the pantheon of collectibles, including digital bits that, whether considered virtual or material, are nevertheless collectible. In this work, essays discuss the age-old habit of collecting and its modern relationship with the Internet. Topics include individually authored websites, online auctions, watches, eyewear, Kelly dolls, the gambler's rush of online acquisition, mp3s, collecting friends via online social networking sites, and online museums, among others.
The fairy tales collected by the brothers Grimm are among the best known and most widely-read stories in western literature. In recent years commentators such as Bruno Bettelheim have, usually from a psychological perspective, pondered the underlying meaning of the stories, why children are so enthralled by them, and what effect they have on the the best-known tales (Hansel and Gretel, Little Red Riding Hood, Cinderella, Snow White, and Sleeping Beauty) and shows that the Grimms saw them as Christian fables. Murphy examines the arguments of previous interpreters of the tales, and demonstrates how they missed the Grimms' intention. His own readings of the five so-called "magical" tales reveal them as the beautiful and inspiring "documents of faith" that the Grimms meant them to be. Offering an entirely new perspective on these often-analyzed tales, Murphy's book will appeal to those concerned with the moral and religious education of children, to students and scholars of folk literature and children's literature, and to the many general readers who are captivated by fairy tales and their meanings.