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Trickery is magic until you figure out how it’s done. Richard Harjo’s job is to counsel death row inmates in Oklahoma’s notorious McAlester Prison. That usually consists of convincing them heaven is a sort of afterlife work release program, and God is the most gullible parole officer ever. All they’ve got to do to qualify is have faith as they walk quietly to the execution chamber. No wonder Richard has lost faith in all things supernatural. Everything changes when he meets a Choctaw murderer named Holabi Minco. Native guards say the inmate is a witch… and they might be right. He keeps a popsicle stick calendar in his cell that tells when people are going to die and does so more accurately than the DOC roster. Minco befriends Richard and sends him on a series of extralegal missions to give him insight into the lives of the other death row inmates. The chaplain crosses paths with a pole dancer, white supremacists, and a secret town full of outlaws that isn’t on any official map. What’s alway been a humdrum, hypocritical life is suddenly an adventure. When Holabi Minco’s beautiful daughter, Kinta, enters the picture, Richard is hooked. He quickly finds himself drawn into a complicated plot to break her father out of prison. It involves a slice of something called Dead’n’berried pie, a shoot out on the prison parking lot, and a disappearing act that looks too much like magic. Who could possibly resist?
With virtually every poll in America citing crime as one of the public's biggest concerns, in late 1994 and early 1995, the Dallas Morning News sent a questionnaire to every man and woman in the country on Death Row, asking some 75 questions about their crimes, their experiences, their attitudes, etc. The survey was drafted by the News with input from a veteran capital murder prosecutor, a Death Row appeals lawyer, a criminologist, a forensic psychiatrist, a Death Row warden and a former Death Row inmate. The paper received received more than 700 responses.The result is the first in-depth, comprehensive national survey of Death Row inmates. This book is an expansion of the paper's four-installment series that appeared in 1997.
Trickery is magic until you figure out how it's done.... Richard Harjo's job is to counsel death row inmates in Oklahoma's notorious McAlester Prison. That usually consists of convincing them heaven is a sort of afterlife work release program, and God is the most gullible parole officer ever. All they've got to do to qualify is have faith as they walk quietly to the execution chamber. No wonder Richard has lost faith in all things supernatural. Everything changes when he meets a Choctaw murderer named Holabi Minco. Native guards say the inmate is a witch... and they might be right. He keeps a popsicle stick calendar in his cell that tells when people are going to die and does so more accurately than the DOC roster. Minco befriends Richard and sends him on a series of extralegal missions to give him insight into the lives of the other death row inmates. The chaplain crosses paths with a pole dancer, white supremacists, and a secret town full of outlaws that isn't on any official map. What's alway been a humdrum, hypocritical life is suddenly an adventure. When Holabi Minco's beautiful daughter, Kinta, enters the picture, Richard is hooked. He quickly finds himself drawn into a complicated plot to break her father out of prison. It involves a slice of something called Dead'n'berried pie, a shoot out on the prison parking lot, and a disappearing act that looks too much like magic. Who could possibly resist?
A man’s obsession with a beautiful woman leads to danger in this psychological thriller by the author of The Talented Mr. Ripley and The Price of Salt. In a small Pennsylvania town, Robert Forrester is recuperating from a nasty divorce and a bout of psychological trouble. One evening, while driving home, he sees a pretty, young woman framed by her bright kitchen window. Soon, he can’t keep himself away. But when Robert is inevitably discovered, obsession is turned on its head, and he finds himself unable to shake the young woman, nor entirely sure whether he should. From Patricia Highsmith, once called “the balladeer of stalking” by The New Yorker, The Cry of the Owl is a modern classic ready to be reborn. Praise for The Cry of the Owl “Kafka with a vengeance.” —The Spectator (London) “Highsmith generates suspense out of a different sort of fear: not the fear of death, which drives most crime-centered entertainment, but the pettier, more intimate dread of humiliation, of being caught on the street with nothing on. . . . There’s something else here, hard to identify, pulling us along relentlessly, as thrillers do—an undertow, a surge of third-rail current.” —The New Yorker “The Cry of the Owl is a deceptively easy stroll toward personal chaos and destruction. It is thoroughly chilling because nothing seems farfetched. Odd, yes, but believable. . . . The Cry of the Owl is creepy and unsettling, a taut psychological thriller.” —Linnea Lannon, Detroit Free Press “One of her lesser-known works . . . and one of her most unsettling. Which is saying plenty. . . . The crime writer Elmore Leonard has written a host of novels with the same basic plot: Plans go wrong. The story message driving all of Highsmith’s work is similarly simple and clear: We live on thin ice. Highsmith revolts some readers, yet hypnotizes many others. She’s sui generis, a writer of almost occult power.” —Richard Rayner, Los Angeles Times
This book provides a comprehensive overview of capital punishment in the Australian colonies for the very first time. The author illuminates all aspects of the penalty, from shortcomings in execution technique, to the behaviour of the dying criminal, and the antics of the scaffold crowd. Mercy rates, execution numbers, and capital crimes are explored alongside the transition from public to private executions and the push to abolish the death penalty completely. Notions of culture and communication freely pollinate within a conceptual framework of penal change that explains the many transformations the death penalty underwent. A vast array of sources are assembled into one compelling argument that shows how the ‘lesson’ of the gallows was to be safeguarded, refined, and improved at all costs. This concise and engaging work will be a lasting resource for students, scholars, and general readers who want an in-depth understanding of a long feared punishment. Dr. Steven Anderson is a Visiting Research Fellow in the History Department at The University of Adelaide, Australia. His academic research explores the role of capital punishment in the Australian colonies by situating developments in these jurisdictions within global contexts and conceptual debates.
This authoritative, balanced, and accessible reference resource provides readers with a wide-ranging survey of capital punishment in America, including its history, its legal and cultural foundations, and racial and economic factors in its application. This carefully crafted primer on the history and present state of capital punishment in the United States examines cultural, political, and legal factors and developments, as well as key figures, groups, and movements, by consolidating a wide variety of material into a single, convenient source. Utilizing a rich and varied array of scholarship and primary sources, this work examines historical, political, cultural, and legal factors and developments that have shaped the contours of capital punishment throughout American history. It examines key figures and organizations who have played pivotal roles in debates over the death penalty; provides readers with illuminating coverage of laws, cases, and the people involved; discusses the experiences of death row inmates; and explores questions and controversies revolving around the socioeconomic factors that influence the use of capital punishment.
Classic Books Library presents this brand new edition of the short story, “An Occurrence at Owl Creek Bridge” (1890) by Ambrose Bierce. In this text Bierce creatively uses both structure and content to explore the concept of time, from present to past, and reflecting its transitional and illusive qualities. The story is one of Bierce’s most popular and acclaimed works, alongside “The Devil’s Dictionary” (1911). Bierce (1842-c. 1914) was an American writer, journalist and Civil War veteran associated with the realism literary movement. His writing is noted for its cynical, brooding tones and structural precision.
Owls are incredible creatures. They can see in the dimmest light, hear the faintest of sounds, fly silently and rotate their heads to look straight backward. Most owls are nocturnal, more often heard than seen. Even those that are active during the day stay largely out of sight. Owls: Who Gives a Hoot? reveals the secrets of these mysterious birds and the important role they play in our lives and their ecosystems. Learn about the 19 species that live in Canada and the United States—from the tiny elf owl to the hefty great horned owl. And meet the scientists, activists and young people who are working to keep these iconic birds in flight and turning heads for years to come. The epub edition of this title is fully accessible.
Fifteen years ago when Jack Delaney was a beat cop not long out of Hendon, two children went missing from Carlton Row, a small residential street in Harrow. They were never seen alive again. Two years later Delaney rescued a young girl from the boot of an abandoned car, leading to the capture of Peter Garnier, one of the most horrific child rapists and murderers in recent history. Although the bodies were never found, Garnier admitted to murdering the two children and many, many more. He was sent to prison for the rest of his natural life. Jack had thought the case was closed. But he couldn't have been more wrong. This morning ... another young boy is taken from Carlton Row. Peter Garnier sends Jack the chilling message that they are both at the heart of the mystery, and Delaney has no time to figure out why, or how. Because tonight, the killings begin again ...
The New York Times Bestseller Set in the Appalachian wilderness and blending legends and folklore with high suspense, this stellar novel, The Ballad of Frankie Silver, is considered one of McCrumb's crowning achievements. In 1833 Frankie Silver was an eighteen-year-old girl convicted of murder in Burke County, North Carolina. Through a detailed investigation, the local sheriff, and soon all the townsfolk, discover reason to question her guilt---but the wheels of justice were mercilessly unstoppable, and she was hanged. Now, more than a century later, another woman is convicted of murder in the lush hills of Tennessee. Her life is in the hands of Spencer Arrowood, a man who begins to discover that the convictions of these two women have deep and haunting parallels. Although Frankie's fate cannot be changed, there is still time to alter the fate of another innocent woman. In a voice that could only be Sharyn McCrumb's, the worlds of these two murders, these two women, intersect in this densely plotted and lyrical novel—and characters, generations, and history are breathlessly painted against an Appalachian canvas.