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"San Francisco, 1968: Jeannie and Kip are lost and half-orphaned, their mother dead under mysterious circumstances, and their father - a decorated WWII veteran - consumed by guilt and losing sight of his teenage children. Kip, a dreamer and swaggerer prone to small-time trouble, enlists to fight in Vietnam; Jeannie finds a seemingly safe haven in early marriage and motherhood. But when Kip is accused of a terrible military crime, Jeannie is seduced - sexually, emotionally, politically - into joining an ambiguous anti-war organization. As Jeannie attempts to save her brother, her search for the truth leads her into two dangerous relationships, with a troubled young woman, and a grievously-wounded veteran, that might threaten her marriage, her child, and perhaps her life. An emotionally wrenching and morally complex novel in the vein of Tatjana Soli's The Lotus Eaters and Rachel Kushner's The Flamethrowers, The Outside Lands is a powerful, confident debut. "--
San Francisco, 1968: Jeannie and Kip are bereaved and adrift, their mother dead under mysterious circumstances, and their father--a decorated World War II veteran--consumed by guilt and losing control of his teenage children. Kip, a dreamer and swaggerer prone to small-time trouble, enlists with the Marines to fight in Vietnam. Jeannie finds a seemingly safe haven in early marriage to a doctor and motherhood. But when Kip is accused of a terrible military crime, Jeannie is seduced--sexually, emotionally, politically--into joining an underground antiwar organization. As Jennie attempts to save her brother, her search for the truth leads her into two dangerous relationships, with a troubled young woman and a grievously wounded veteran, that might threaten her marriage, her child, and perhaps her life. This is the story of a family caught in the maelstrom of sweeping change, where social customs and traditional values are overturned by events that will transform America. An emotionally wrenching and morally complex novel, The Outside Lands is Hannah Kohler's powerful, confident debut and announces her as a remarkable new literary talent.
Color x Color: The Sperry Poster Archive illustrates the 40 year career arc of renowned rock poster artist and master screen printer, Chuck Sperry. The 750+ page tome features over 800 color reproductions of Sperry's work, from his early years creating posters for Bill Graham's legendary Fillmore Auditorium, to his eye-arresting work for The Who, Eric Clapton, Pearl Jam, and the Black Keys. Sperry Introduces each chapter of Color x Color with fresh and insightful autobiographical detail, shedding light on his colorful art, life and career. As the artist prefaces his book: To show you everything, well, that's exactly what I set out to do two years ago. This book brings together every poster I have created. The impetus to create this exhaustively complete book originates with the creation of an extensive special permanent collection of Sperry's art to enter the archives of the Fort Wayne Museum of Art.
In Benjamin Percy's new thriller, a post-apocalyptic reimagining of the Lewis and Clark saga, a super flu and nuclear fallout have made a husk of the world we know. A few humans carry on, living in outposts such as the Sanctuary-the remains of St. Louis-a shielded community that owes its survival to its militant defense and fear-mongering leaders. Then a rider comes from the wasteland beyond its walls. She reports on the outside world: west of the Cascades, rain falls, crops grow, civilization thrives. But there is danger too: the rising power of an army that pillages and enslaves every community they happen upon. Against the wishes of the Sanctuary, a small group sets out in secrecy. Led by Lewis Meriwether and Mina Clark, they hope to expand their infant nation, and to reunite the States. But the Sanctuary will not allow them to escape without a fight.
NATIONAL BESTSELLER WINNER OF THE RBC TAYLOR PRIZE WINNER OF THE EDNA STAEBLER AWARD FOR CREATIVE NON-FICTION "Every day on a bike trip is like the one before--but it is also completely different, or perhaps you are different, woken up in new ways by the mile." As a teenager, Kate Harris realized that the career she most craved--that of a generalist explorer, equal parts swashbuckler and philosopher--had gone extinct. From her small-town home in Ontario, it seemed as if Marco Polo, Magellan and their like had long ago mapped the whole earth. So she vowed to become a scientist and go to Mars. To pass the time before she could launch into outer space, Kate set off by bicycle down a short section of the fabled Silk Road with her childhood friend Mel Yule, then settled down to study at Oxford and MIT. Eventually the truth dawned on her: an explorer, in any day and age, is by definition the kind of person who refuses to live between the lines. And Harris had soared most fully out of bounds right here on Earth, travelling a bygone trading route on her bicycle. So she quit the laboratory and hit the Silk Road again with Mel, this time determined to bike it from the beginning to end. Like Rebecca Solnit and Pico Iyer before her, Kate Harris offers a travel narrative at once exuberant and meditative, wry and rapturous. Weaving adventure and deep reflection with the history of science and exploration, Lands of Lost Borders explores the nature of limits and the wildness of a world that, like the self and like the stars, can never be fully mapped.
Hemmed in by steep hills, Glen Park is defined by its quintessentially San Franciscan topography. Only 120 years ago this area, as well as neighboring Diamond Heights, was part of the Outside Lands, so isolated that only farmers would settle here. Life revolved around Islais Creek, which ran through the canyon and provided water for the dairies. Then, in 1892, a German immigrant named Behrend Joost founded the citys first electric streetcar to shuttle residents to jobs downtown, and a neighborhood was born. As peak-roofed wooden cottages and houses began to fill in the valleys, the urban, homey, and decidedly livable Glen Park that we know today began to emerge.
James Mallery explores the implications of such social constructs as gender, race, and class for the development of San Francisco from the gold rush through World War I.
Rangeland, forests and riverine landscapes of pastoral communities in Eastern Africa are increasingly under threat. Abetted by states who think that outsiders can better use the lands than the people who have lived there for centuries, outside commercial interests have displaced indigenous dwellers from pastoral territories. This volume presents case studies from Eastern Africa, based on long-term field research, that vividly illustrate the struggles and strategies of those who face dispossession and also discredit ideological false modernist tropes like ‘backwardness’ and ‘primitiveness’.
In 1865, when San Francisco's Daily Evening Bulletin asked its readers if it were not time for the city to finally establish a public park, residents had only private gardens and small urban squares where they could retreat from urban crowding, noise, and filth. Five short years later, city supervisors approved the creation of Golden Gate Park, the second largest urban park in America. Over the next sixty years, and particularly after 1900, a network of smaller parks and parkways was built, turning San Francisco into one of the nation's greenest cities. In Building San Francisco's Parks, 1850-1930, Terence Young traces the history of San Francisco's park system, from the earliest city plans, which made no provision for a public park, through the private garden movement of the 1850s and 1860, Frederick Law Olmsted's early involvement in developing a comprehensive parks plan, the design and construction of Golden Gate Park, and finally to the expansion of green space in the first third of the twentieth century. Young documents this history in terms of the four social ideals that guided America's urban park advocates and planners in this period: public health, prosperity, social coherence, and democratic equality. He also differentiates between two periods in the history of American park building, each defined by a distinctive attitude towards "improving" nature: the romantic approach, which prevailed from the 1860s to the 1880s, emphasized the beauty of nature, while the rationalistic approach, dominant from the 1880s to the 1920s, saw nature as the best setting for uplifting activities such as athletics and education. Building San Francisco's Parks, 1850-1930 maps the political, cultural, and social dimensions of landscape design in urban America and offers new insights into the transformation of San Francisco's physical environment and quality of life through its world-famous park system.