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What is it about the Australian outback? For nearly two centuries, narratives of outback journeys have been suffused with the aura of death. Why? It is not just that the desert is big, dry, hot and apparently empty. The outback is Australia’s “mythological crucible,” and journeys there have become rites of passage. It is where settler Australians go to die and perhaps be reborn. This book explores the landscape of this evolving national mythology. It argues that a more conscious engagement with the process of symbolic death and rebirth is needed for Australians to enter into a deeper understanding of themselves and their relationship to the land and its Indigenous people.
The tempestuous saga of AUtralia and the pioneers who risked everything to tame a continent.
At once the story of a twenty-seven-year-old Australian woman who sets off to cross the desolute Western Australia desert with her camels and dog; a fascinating pictorial journal by photographer Rick Smolan, taken while photographing her journey; and an inside look at the images and screenplay of the extraordinary movie based on the now-famous trek.
The concept of 'wilderness' as a foundational idea for environmentalist thought has become the subject of vigorous debates. Myths of Wilderness in Contemporary Narratives offers a taxonomy of the forms that wilderness writing has taken in Australian and Canadian literature, re-emphasizing both country's origins as colonies.
Because of tense conditions between moonsters and earthlings, moon man Looney is sent to establish a peaceful colony on a new planet. Sidetracked to Earth, he discovers that a bomb will soon destroy the world and decides to try to prevent the holocaust.
When Rebecca Lister and Tony Kelly move from Melbourne to Mount Isa to care for Rebecca's elderly mother, Diana, they have no idea what they've signed up for. The isolation, sweltering heat and limited employment opportunities make settling into the mining town a challenge. While Rebecca deals with her mother's declining health and delves into her own past, Tony takes on a new role in native title law.However, caring for Diana &– a witty, crossword-loving 92-year-old &– proves to be a more enriching experience than either Tony or Rebecca thought possible. As they make deeper connections to the land and community, they find themselves flourishing in a most unexpected place. Growing Pineapples in the Outback explores the highs and lows of caring for an ageing parent, while also celebrating the rewards of a simpler life.
The Routledge Handbook of Crime Fiction and Ecology is the first comprehensive examination of crime fiction and ecocriticism. Across 33 innovative chapters from leading international scholars, this Handbook considers an emergent field of contemporary crime narratives that are actively responding to a diverse assemblage of global environmental concerns, whilst also opening up ‘classic’ crime fictions and writers to new ecocritical perspectives. Rigorously engaged with cutting-edge critical trends, it places the familiar staples of crime fiction scholarship – from thematic to formal approaches – in conversation with a number of urgent ecological theories and ideas, covering subjects such as environmental security, environmental justice, slow violence, ecofeminism and animal studies. The Routledge Handbook of Crime Fiction and Ecology is an essential introduction to this new and dynamic research field for both students and scholars alike.
Presents the story of an Australian woman who set off to cross the outback, accompanied only by 4 camels and a dog. Photo CD contains photographs and narration. Apple CD contains an interactive program for the user to join the trip.
Alchemy in Contemporary Art analyzes the manner in which twentieth-century artists, beginning with French Surrealists of the 1920s, have appropriated concepts and imagery from the western alchemical tradition. This study examines artistic production from c. 1920 to the present, with an emphasis on the 1970s to 2000, discussing familiar names such as Andre Breton, Salvador Dali, Yves Klein, Joseph Beuys, and Anselm Kiefer, as well as many little known artists of the later twentieth century. It provides a critical overview of the alchemical tradition in twentieth-century art, and of the use of occultist imagery as a code for political discourse and polemical engagement. The study is the first to examine the influence of alchemy and the Surrealist tradition on Australian as well as on Eastern European and Mexican art. In addition, the text considers the manner in which women artists such as Leonora Carrington, Remedios Varo, and Rebecca Horn have critically revised the traditional sexist imagery of alchemy and occultism for their own feminist purposes.