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Southeastern Europe under Ottoman Rule, 1354-1804 provides an over-all picture of the least studied and most obscured part of Balkan history, the Ottoman period. The book begins with the early history of the Ottomans and with their establishment in Europe, describing the basic Muslim and Turkish features of the Ottoman state. The author goes on in subsequent sections to show how these features influenced every aspect of life in the European lands administered directly by the Ottomans (the "core" provinces) and left a permanent mark on states that were vassals of or paid tribute to the empire. Whether dealing with the "core" provinces of Rumelia or with the vassal and tribute-paying states (Moldavia, Wallachia, Transylvania, and Dubrovik), the author offers fresh insights and new interpretations, as well as a wealth of information on Balkan political, economic, and social history not available elsewhere. The appendixes include lists of dynasties and rulers with whom the Ottomans dealt, as well as data for the House of Osman and some of the grand viziers; a chronology of major military campaigns, peace treaties, and territory gained and lost by the Ottoman Empire in Europe from 1354 to 1804; and glossaries of geographical names and foreign terms.
This Handbook re-examines the concept of early modern history in a European and global context. The term 'early modern' has been familiar, especially in Anglophone scholarship, for four decades and is securely established in teaching, research, and scholarly publishing. More recently, however, the unity implied in the notion has fragmented, while the usefulness and even the validity of the term, and the historical periodisation which it incorporates, have been questioned. The Oxford Handbook of Early Modern European History, 1350-1750 provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with some suggestions as to how the field is developing. It aims both to interrogate the notion of "early modernity" itself and to survey early modern Europe as an established field of study. The overriding aim will be to establish that 'early modern' is not simply a chronological label but possesses a substantive integrity. Volume II is devoted to "Cultures and Power", opening with chapters on philosophy, science, art and architecture, music, and the Enlightenment. Subsequent sections examine 'Europe beyond Europe', with the transformation of contact with other continents during the first global age, and military and political developments, notably the expansion of state power.
This major new history of the Ottoman dynasty reveals a diverse empire that straddled East and West. The Ottoman Empire has long been depicted as the Islamic, Asian antithesis of the Christian, European West. But the reality was starkly different: the Ottomans’ multiethnic, multilingual, and multireligious domain reached deep into Europe’s heart. Indeed, the Ottoman rulers saw themselves as the new Romans. Recounting the Ottomans’ remarkable rise from a frontier principality to a world empire, historian Marc David Baer traces their debts to their Turkish, Mongolian, Islamic, and Byzantine heritage. The Ottomans pioneered religious toleration even as they used religious conversion to integrate conquered peoples. But in the nineteenth century, they embraced exclusivity, leading to ethnic cleansing, genocide, and the empire’s demise after the First World War. The Ottomans vividly reveals the dynasty’s full history and its enduring impact on Europe and the world.
Despite the fact that its capital city and over one third of its territory was within the continent of Europe, the Ottoman Empire has consistently been regarded as a place apart, inextricably divided from the West by differences of culture and religion. A perception of its militarism, its barbarism, its tyranny, the sexual appetites of its rulers and its pervasive exoticism has led historians to measure the Ottoman world against a western standard and find it lacking. In recent decades, a dynamic and convincing scholarship has emerged that seeks to comprehend and, in the process, to de-exoticize this enduring realm. Dan Goffman provides a thorough introduction to the history and institutions of the Ottoman Empire from this new standpoint, and presents a claim for its inclusion in Europe. His lucid and engaging book - an important addition to New Approaches to European History - will be essential reading for undergraduates.
In the formation of the modern law of nations, peace treaties played a pivotal role. Many basic principles and rules that governed and still govern relations between states were introduced and elaborated in the great peace treaties from the Renaissance onwards. Nevertheless, until recently few scholars have studied these primary sources of the law of nations from a juridical perspective. In this edited collection, specialists from all over Europe, including legal and diplomatic historians, international lawyers and an International Relations theorist, analyse peace treaty practice from the late fifteenth century to the Peace of Versailles of 1919. Important emphasis is given to the doctrinal debate about peace treaties and the influence of older, Roman and medieval concepts on modern practices. This book goes back further in time beyond the epochal Peace of Treaties of Westphalia of 1648 and this broader perspective allows for a reassessment of the role of the sovereign state in the modern international legal order.
This unique, comparative description of the Hungarian, Habsburg, and Ottoman military frontiers in the fifteenth-seventeenth centuries provides fascinating reading to those interested in military history. It concentrates on the administration, finance, manpower problems, and aspects of the military revolution in the marches.
From the «Terror of the World» to the «Sick Man of Europe» sheds new light on the hotly debated issue of Orientalism by looking at the European images of the Ottoman Empire and society over three centuries. Through a careful examination of the European intellectual discourse, this book claims that there was no coherent and constant Europewide vision of the Turks until the eighteenth century and clearly demonstrates that the Age of Reason has not rendered reasonable images of the Turks. Indeed, once inspiring awe, the European opinion of Ottomans was held in contempt during this period.
While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.
Second edition of an authoritative text on the Ottoman Empire.