Download Free The Othering Book in PDF and EPUB Free Download. You can read online The Othering and write the review.

Zusammenfassung: The term "othering" refers to a persistent Us and Them dynamic between museums and their participating public. To reframe this historically paternalistic subject-positioning, over the last decade or so many museums have made firm attempts to address this by attempting to move from being "providers" of engagements to facilitating access to cultural right by embedding co-curatorial techniques and participation. Through the analysis of three co-curated participatory case studies, this book examines how power performs in co-curatorial museum practice. It discusses how it is not just how the participatory process is enacted that is necessary to create this shift to a more socially just profile, but systemic pressures of vulnerability and responsibility found in the political economy of the museum and its participants. This book will chart how this dynamic performs in museums when working with different groups of people, such as volunteers, community participants, and professional artists, presented with differing levels of co-curatorial decision making. The book further investigates whether performances of power are relational to who the participants are, how the processes of participation are constructed, and where the participation takes place, what language is used when conducting these relationships and what the funded institutional responsibilities do to the co-curators (the community and museum staff) when traditional co-curation and co-curation in transition to non-selective curation is applied. Grounding this discussion is the development of this test method of non-selective curation which further illuminates some of these challenges and aims to successfully mitigate them through a radically open and inclusive approach to co-curation. Dr Carrie Westwater is a Lecturer (Teaching & Research) in the field of Creative and Cultural Industries at Cardiff University, UK. Her research has a special focus on Human and Cultural Rights, spatial and social justice and participatory arts. She is most interested in theatre and film that either function as tools to address trauma and complex societal issues, or represents them
Othering is a word used in academic circles, but it may be unfamiliar to many laypersons. This work introduces the word, which is a refined way of describing prejudice, discrimination, and scapegoating. The book addresses what othering is, how it has been practiced in varied contexts, and how it prepares the way for violence. Dimensional anthropology is introduced, which is the idea that there are three main dimensions of reality as it is inhabited by human beings: the vertical axis (the Great Chain of Being), the horizontal plane (society), and individual selfhood. Othering can be present within all three of these dimensions, with slavery being an example of vertical axis othering, ethnic violence being an example of horizontal othering, and lone wolf or psychotic shooters being an example of individual othering. The most thought-provoking aspect of the book for many readers will be its application to the culture wars in our current individualistic age. Rights language is also addressed at length, since it can function as anti-othering rhetoric or as rhetoric that supports othering. The largest framework for the book is its argument that othering is a way of illuminating what the theological tradition has understood as original sin.
Growing up in Southern Illinois in the 1960s, Addison Albright appears to be a typical mischievous teen - even though the manner in which birds flit from branch to branch in the placid suburb troubles him. Oddities in his childhood memories also cause him to wonder if things are really as they seem in "Little Egypt"? The one person who might know is the town villain, Maxx "Molewhisker" Schaufler - a former undertaker with a hotrod hearse who Addison encounters in a private cemetery with curious grave markers. Not only is the old codger's appearance unusual, there's something peculiar about his ramshackle Victorian that Addison soon comes to realize. As a series of perplexing events has him teetering on the brink of insanity, someone else is attracted to Molewhisker's afflicted mirror: a scholarly biker named Zerrill who claims to be a member of an epigraphic society. After involving himself in the strange relationship between the enigmatic Schaufler and the boy struggling to free himself from his mysterious control, his true agenda is called into question. Exploiting the town folk to achieve his cryptic objective, the narrative darkens when Addison becomes infatuated with a gorgeous college girl with esoteric interests. As the three match wits while attempting to unravel a local legend that could revise world history, their lives will be forever changed when they discover the shocking truth revealed in the othering.
Challenges us to replace attitudes and institutions that promote and perpetuate social suffering with those that foster relationships
What is race and why does it matter? Why does the presence of Others make us so afraid? America’s foremost novelist reflects on themes that preoccupy her work and dominate politics: race, fear, borders, mass movement of peoples, desire for belonging. Ta-Nehisi Coates provides a foreword to Toni Morrison’s most personal work of nonfiction to date.
This book analyses the politics of othering in the USA and Canada from the nineteenth century to the present day. It outlines the basis in human behaviour for ‘disliking the unlike’, which can take the form of ethnocentrism, racism and xenophobia, and shows how politicians take advantage of this human tendency. Seven case studies explore the use of political othering towards minority groups: Indigenous peoples, Jews, Japanese, those with left-wing views, LGBTQ individuals, Blacks, and Muslims. The book argues that prior to World War II, and with the significant exception of Blacks, the politics of othering was stronger in Canada than in the USA. After World War II, the situation reversed and the politics of othering was practiced more in the USA than in Canada. Lastly, the book explains how public policy and international issues prompted this change, discusses future trends in political othering, and offers ideas for promoting inclusion over othering.
Historicizing Fear is a historical interrogation of the use of fear as a tool to vilify and persecute groups and individuals from a global perspective, offering an unflinching look at racism, fearful framing, oppression, and marginalization across human history.The book examines fear and Othering from a historical context, providing a better understanding of how power and oppression is used in the present day. Contributors ground their work in the theory of Othering—the reductive action of labeling a person as someone who belongs to a subordinate social category defined as the Other—in relation to historical events, demonstrating that fear of the Other is universal, timeless, and interconnected. Chapters address the music of neo-Nazi white power groups, fear perpetuated through the social construct of black masculinity in a racially hegemonic society, the terror and racial cleansing in early twentieth-century Arkansas, the fear of drug-addicted Vietnam War veterans, the creation of fear by the Tang Dynasty, and more. Timely, provocative, and rigorously researched, Historicizing Fear shows how the Othering of members of different ethnic groups has been used to propagate fear and social tension, justify state violence, and prevent groups or individuals from gaining equality. Broadening the context of how fear of the Other can be used as a propaganda tool, this book will be of interest to scholars and students of history, anthropology, political science, popular culture, critical race issues, social justice, and ethnic studies, as well as the general reader concerned with the fearful framing prevalent in politics. Contributors: Quaylan Allen, Melanie Armstrong, Brecht De Smet, Kirsten Dyck, Adam C. Fong, Jeff Johnson, Łukasz Kamieński, Guy Lancaster, Henry Santos Metcalf, Julie M. Powell, Jelle Versieren
In The Othering of Women in Silent Film: Cultural, Historical, and Literary Contexts, Barbara Tepa Lupackexplores the rampant racial and gender stereotyping depicted in early cinema, demonstrating how those stereotypes helped shape American attitudes and practices. Using social, cultural, literary, and cinema history as a focus, this book offers insights into issues of Othering, including discrimination, exclusion, and sexism, that are as timely today as they were a century ago. Lupack not only examines the ways that dominant cinema of the era imprinted indelible and pejorative images of women—including African Americans, Native Americans, Asians, Hispanics, and New Women/Suffragists—but also reveals the ways in which a number of pioneering early filmmakers and performers attempted to counter those depictions by challenging the imagery, interrogating the stereotypes, and re-politicizing the familiar narratives. Scholars of film, gender, history, and race studies will find this book of particular interest.
This new dictionary provides clear and accessible definitions of a range of terms from within the fast-developing field of gender studies. It covers terms which have emerged out of gender studies, such as cyber feminism, double burden, and male gaze, and gender-focused definitions of more general terms, such as housework, intersectionality, and trolling, It also covers major historical figures including Hélène Cixous, bell hooks, Mary Wollstonecraft, as well as groups and movements from votes for women to Reclaim the Night. It is an invaluable reference resource for students taking gender studies courses, at undergraduate or postgraduate level, and for those applying a gender perspective within other subject areas.
This book takes a fresh look at the brutal story of the war between the sons of Israel and the sons of Benjamin in Judges 19-21. Relying on archaeological and survey data largely overlooked by biblical scholars, Krisel engages critically with the predominant scholarly view that Judges 19-21 uses “irony” to cast the explicit heroes in the narrative, the sons of Israel, as the implicit villains.