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Have you ever wondered why the same pattern in your life repeats again and again though you try to change it? Or why an emotion, thought or feeling occurs within you, out of proportion to the circumstance that ‘triggered’ it? Ever felt ‘beside yourself’ or ‘not yourself’ during stressful situations, when it seems almost as if another you emerges? What is it? If you are searching for an answer, this book is the one to read. Dr. Rajan Sankaran, an internationally renowned homoeopath, author, teacher, and innovator has delivered profound insights on the inner human experience. These insights have revolutionized homeopathic practice all over the world and are also universally applicable and highly valuable to any one who is seeking answers to these questions. Stress does not come from external reality but how each one of us experiences it. And we each experience it in a different, completely unique way. When we probe deeper and deeper into our own experience of stress, we traverse different levels of experience of the world, and all that is temporary fades as a level is reached of a constant inner pattern in our lives which underlies all of our experience. This pattern reveals itself as a pure sensation of the being, which is felt in both the mind as well as the body at the same time and eventually expressing in clinically recognisable disease. This pattern or sensation reveals itself as a pattern or energy of something in nature – a plant, an animal or a mineral. Along with our natural human song, another song plays within each of us. This other song drives our emotions, dreams, ambitions, work, relationships, illnesses and even our circumstances. In this book Dr. Sankaran guides us into a world of discovery of the inner world of our experience, where we can go beyond the story, the emotions, the situation, and discern the essence of something in nature, which is often concealed within the human expressions. By paying attention to hand gestures or doodles, unconscious paths of expression of the energy, you can perceive more and more the other song, the song that is causing stress or dis-ease. Awareness of this song’s theme is the beginning of healing
An illuminating history of the song for every kind of music lover Often today, the word ‘song’ is used to describe all music. A free-jazz improvisation, a Hindustani raga, a movement from a Beethoven symphony: apparently, they’re all songs. But they’re not. From Sia to Springsteen, Archie Roach to Amy Winehouse, a song is a specific musical form. It’s not so much that they all have verses and choruses – though most of them do – but that they are all relatively short and self-contained; they have beginnings, middles and ends; they often have a single point of view, message or story; and, crucially, they unite words and music. Thus, a Schubert song has more in common with a track by Joni Mitchell or Rihanna than with one of Schubert’s own symphonies. The Song Remains the Same traces these connections through seventy-five songs from different cultures and times: love songs, anthems, protest songs, lullabies, folk songs, jazz standards, lieder and pop hits; ‘When You Wish Upon a Star’ to ‘We Will Rock You’, ‘Jerusalem’ to ‘Jolene’. Unpicking their inner workings makes familiar songs strange again, explaining and restoring the wonder, joy (or possibly loathing) the reader experienced on first hearing. ‘As much about singing, musicianship and recording as it is about songwriting, this eclectic ride through a unique choice of songs (everyone will argue for alternatives) is cleverly curated and littered with intriguing details about the creators and their times, filled with loving cross-references to other songs and deft musical analysis. I defy anyone not to leap online to listen to the unfamiliar, or re-listen to old favourites in light of new detail. One of the best games in this book is figuring out why one song follows the other: there’s always an intelligent, often very funny, link.’ —Robyn Archer
We proudly present Book 2 of one of the most popular praise and worship collections in history. This spiral-bound, 6 inch. x 9 inch. edition features 253 songs in fake book notation with lyrics, including: Above All * Ancient of Days * As the Deer * At the Cross * Better Is One Day * Celebrate Jesus * Change My Heart, O God * Did You Feel the Mountains Tremble * Give Thanks * God Is the Strength of My Heart * God Will Make a Way * Grace Alone * Heart of Worship * Holy and Anointed One * I Could Sing of Your Love Forever * I Love You, Lord * I See the Lord * In the Secret * Knowing You * My Redeemer Lives * Open the Eyes of My Heart * Rock of Ages * The River Is Here * White as Snow * and more.
"Music is the second most important thing," I say. That was something my mother would always say. We've stopped saying it out loud, but I think it all the same. The most important thing is love. From the author of the New York Times and USA Today Bestselling If He Had Been With Me comes a captivating novel about navigating—and protecting—the loves and friendships that sustain us. Ramona fell for Sam the moment she met him. It was like she had known him forever. He's one of the few constants in her life, and their friendship is just too important to risk for a kiss. Though she really wants to kiss him... Sam loves Ramona, but he would never expect her to feel the same way-she's too quirky and cool for someone like him. Still, they complement each other perfectly, both as best friends and as a band. Then they meet Tom. Tom makes music too, and he's the band's missing piece. The three quickly become inseparable. Except Ramona's falling in love with Tom. But she hasn't fallen out of love with Sam either. How can she be true to her feelings and herself without losing the very relationships that make her heart sing? This Song is (Not) for You is perfect for readers looking for: Contemporary teen romance books Unputdownable & bingeworthy novels Complex emotional YA stories Novels that explore monogamy, polyamory, and asexuality Characters with a passion for music Performance art
A collection of poems that provide a look at some of the animals, insects, and plants that are found in ponds, with accompanying information about each.
'Jana Chan has produced a wonderfully lush and atmospheric odyssey of survival against all odds' Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, Other 'A strong picaresque element powers this saga' Daily Mail 'Michelle Jana Chan brings a world of equal peril and possibility to life with her rich, radiant prose' Tatler 'A beautifully told tale with fascinating historical insight' Vanity Fair Song is just a boy when he sets out from Lishui village in China. Brimming with courage and ambition, he leaves behind his impoverished broken family, hoping he’ll make his fortune and return home. Chasing tales of sugarcane, rubber and gold, Song embarks upon a perilous voyage across the oceans to the British colony of Guiana, but once there he discovers riches are not so easy to come by and he is forced into labouring as an indentured plantation worker. This is only the beginning of Song’s remarkable life, but as he finds himself between places and between peoples, and increasingly aware that the circumstances of birth carry more weight than accomplishments or good deeds, Song fears he may live as an outsider forever. This beautifully written and evocative story spans nearly half a century and half the globe, and though it is set in another century, Song’s story of emigration and the quest for an opportunity to improve his life is timeless.
Ten-year-old Missy Brown is surviving poverty and abuse in a drug-infested, Nashville trailer park. Sunlight comes into her life when, on TV, she sees the famous, beautiful country music star, Marty Abby, who sings a song about a mother's love. Missy's mother is a drug-addicted prostitute. The little girl writes to Marty, hoping and praying deep in her hear that her idol will take note and come for her. Her mother is so far gone in her addiction that she pimps her child to get money for her drugs and nearly kills Missy when she doesn't "perform." Her mother goes to jail; and Missy recovers because, and only because, her idol comes to the hospital, at the doctor's request, and sings to her little fan who is in deep coma Missy is placed in a loving foster home but was miserable and terrified of these strangers. She still aches to meet her idol, whose song in the hospital was only a dream to Missy. Will her prayer ever be answered? Will the two worlds ever come together? The world of fame, fortune, and romance on Nashville's country music stage and that of children thrown away by society.
This is the first publication of an annotated monograph by the noted composer and folksong scholar Ruth Crawford Seeger. Originally written as a foreword for the 1940 book Our Singing Country, it was considered too long and was replaced by a much shorter version. According to her stepson, Pete Seeger, when the original was not included "Ruth suffered one of the biggest disappointments of the last ten years of her life. It just killed her . . . She was trying to analyze the whole style and problem of performing this music." Along with her children Mike and Peggy Seeger, he has long desired to see this work in print as it was meant to be read. The manuscript has been edited from several varying sources by Larry Polansky, with the assistance of Seeger's biographer Judith Tick. It is divided into two sections: I. "A Note on Transcription" and II. "Notes on the Songs and on Manners of Singing." Seeger examines all aspects of the relationship between singer, song, notation, the eventual performer, and the transcriber. In Section I, Seeger develops a complex and well-organized system of notation for these songs which is meant to be both descritive (transcription as cultural preservation) and prescriptive (she intended that others would be able to perform these songs). In Section II, she provides an interpretive theory for performance of this music, and suggests how performers might make the songs "their own" through a deep knowledge of the original styles. Ruth Crawford Seeger considered this work to be both a major accomplishment and a central statement of her own ideas on the topic. Larry Polansky is Associate Professor of Music at Dartmouth College, and a well-known composer and theorist on American music. Judith Tick is Professor of Music at Northeastern University and author of the first major biography of Ruth Crawford Seeger.
The Gruffalo returns with his very own song to introduce a truly monster music session! As well as being the UK's most successful picture book author, Julia Donaldson is a gifted songwriter for children. The Gruffalo Song and Other Songs contains nine of her best-loved songs, including The Gruffalo, A Squash and a Squeeze and Monkey Puzzle, as well as a number of fun-filled action songs. Brilliantly illustrated throughout by household name and star illustrator, Axel Scheffler, each score includes piano accompaniment and guitar chords. The songs will be familiar to anyone who has heard them on TV or radio or enjoyed one of Julia's hugely popular live performances. Now everyone can sing along!
"A warm and expansive portrait of a woman’s mind that feels at once singular and universal," this collection of essays interweaves commentary on modern life, feminism, art, and sex with the author's own experiences of obsession, heartbreak, and vulnerability (BuzzFeed). Like a song that feels written just for you, Larissa Pham's debut work of nonfiction captures the imagination and refuses to let go. Pop Song is a book about love and about falling in love—with a place, or a painting, or a person—and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss—from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde—Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself. Pop Song is also a book about distances, near and far. As she travels from Taos, New Mexico, to Shanghai, China and beyond, Pham meditates on the miles we are willing to cover to get away from ourselves, or those who hurt us, and the impossible gaps that can exist between two people sharing a bed. Pop Song is a book about all the routes by which we might escape our own needs before finally finding a way home. There is heartache in these pages, but Pham's electric ways of seeing create a perfectly fractured portrait of modern intimacy that is triumphant in both its vulnerability and restlessness. "Each of the essays in this debut collection reads like a mini-memoir . . . in which the author reflects on her experiences of young love, trauma, and transcendence through discussions of art and music . . . with an intimacy that is at once tender and expansive." —New York magazine