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In Italy, the rate of foreign immigration is among one of the major cultural shifts after World War II. Increased immigration rates account not only for people fleeing from countries during the war or times of unstable political situations (170,000 in 2014), but also for people relocating for work or family-related reasons. The immigrants were fewer than 150,000 in 1970, but currently count for 5 million (8% of the total population, not including those who have become Italian citizens), and are more numerous than Italian citizens residing abroad (4.5 million). This book proposes to introduce foreign readers to this phenomenon, which is in some respects problematic. Translation of texts written for Italian readers was avoided and the authors made choices to include original themes that could be interesting to readers outside Italy. The book's conclusions were entrusted to three immigrants: an Albanian sociologist, an Eritrean researcher and an Algerian novelist. According to the forecasts of demographers, the future Italy will be a country of large-scale immigrations, accounting for more than 10 million people by mid-century. Will Italy only be a country with many immigrants or a country with an adequate migration policy? Although society is still divided on the subject of newcomers, this book hopes to solve this issue in a positive manner and stimulate greater interest abroad.
The Other Side is a sensitive, candid portrait of an immigrant culture from a third-generation perspective. Vincent Panella portrays his family in Italian villages and American neighborhoods, and what emerges is a critical but loving view of the Italian-American experience: its cloying love, intense frugality, obsession with security, and its strong sense of family cohesion. He writes of his boyhood in Queens, New York, his father's efforts to shape his life, and of the fact that “to be a member of an Italian family is never to be simply yourself.” The Other Side is also Vincent Panella’s personal journey, from rejection of his family to a realization that he cannot escape or deny his origins. This final recognition emerges after an extended visit to Italy, where he comes to know those in his family who remained behind. Thus Vincent Panella has written a book of journeys: a family’s journey from southern Italy to Hell’s Kitchen and the New York suburbs, a young man’s journey to a sense of identity. The story is given an added dimension by the author’s wife, Susan Sichel: Through her own photographs, and through her selection of photographs from family albums, Ms. Sichel further evokes the life and times of three generations of an immigrant family.
A New York Times Notable Book of the Year: A deliciously entertaining account of expatriate life in a small village just outside Verona, Italy. Tim Parks is anything but a gentleman in Verona. So after ten years of living with his Italian wife, Rita, in a typical provincial Italian neighborhood, the novelist found that he had inadvertently collected a gallery full of splendid characters. In this wittily observed account, Parks introduces readers to his home town, with a statue of the Virgin at one end of the street, a derelict bottle factory at the other, and a wealth of exotic flora and fauna in between. Via Colombare, the village’s main street, offers an exemplary hodgepodge of all that is new and old in the bel paese, a point of collision between invading suburbia and diehard peasant tradition. It is a world of creeping vines, stuccoed walls, shotguns, security cameras, hypochondria, and expensive sports cars. More than a mere travelogue, Italian Neighbors is a vivid portrait of the real Italy and a compelling story of how even the most foreign people and places gradually assume the familiarity of home. “One of the most delightful travelogues imaginable . . . so vivid, so packed with delectable details.” —Los Angeles Times Book Review
When Maria gets a job at Anthonys donut and coffeehouse in New York City, shes thrilled to be working. Things change quickly when she falls in love with Anthony, a married (and much older) man and father. Even though Maria is a woman of good morals she cant get Anthony out of her system. She knows right from wrong, but she is mesmerized by him and cant let go. After Maria gets pregnant and has Anthonys baby, she moves everything she owns into his place, a low-rent apartment that is infested with cockroaches and mice. She couldnt be happier: Shes seventeen and finally has her man. The couple eventually get married and have three more children, but that doesnt stop Anthony from gambling and chasing other women. Through it all, Maria finishes her education to become a Registered Nurse, and works hard to support her children. When Maria finally realizes Anthony will never change, the two separate, then shortly afterwards she begins suffering neurological symptoms, and she discovers she has early-onset Parkinsons. Just like that, she must start dealing with life as a patient on The Other Side.
Newly retired and looking for more than a vacation, John and Nancy Petralia intrepidly pack a few suitcases and head to the "perfect" Italian city for a year. Within days their dream becomes a nightmare. After residing in two Italian cities, negotiating the roads and health care, discovering art, friends, food and customs, the Petralias learn more than they anticipate -- about Italy, themselves, what it means to be American, and what's important in life.
Via rigorous study of the legal arguments Spain developed to justify its acts of war and conquest, The Other Side of Empire illuminates Spain's expansionary ventures in the Mediterranean in the late fifteenth and early sixteenth centuries. Andrew Devereux proposes and explores an important yet hitherto unstudied connection between the different rationales that Spanish jurists and theologians developed in the Mediterranean and in the Americas. Devereux describes the ways in which Spaniards conceived of these two theatres of imperial ambition as complementary parts of a whole. At precisely the moment that Spain was establishing its first colonies in the Caribbean, the Crown directed a series of Old World conquests that encompassed the Kingdom of Naples, Navarre, and a string of presidios along the coast of North Africa. Projected conquests in the eastern Mediterranean never took place, but the Crown seriously contemplated assaults on Egypt, Greece, Turkey, and Palestine. The Other Side of Empire elucidates the relationship between the legal doctrines on which Spain based its expansionary claims in the Old World and the New. The Other Side of Empire vastly expands our understanding of the ways in which Spaniards, at the dawn of the early modern era, thought about religious and ethnic difference, and how this informed political thought on just war and empire. While focusing on imperial projects in the Mediterranean, it simultaneously presents a novel contextual background for understanding the origins of European colonialism in the Americas.
“Our lives are Swiss,” Emily Dickinson wrote in 1859, “So still—so cool.” But over the Alps, “Italy stands the other side.” For Dickinson, as for many other writers and artists, Italy has been the land of light, a seductive source of invention, enchantment, and freedom. So it was for Helen Barolini, who, as a student in Rome after World War II, wrote her first poetry and gave birth to her own creative life, reinvigorating her mother tongue. In this book, Barolini celebrates the lives of other women whose imaginations succumbed to the lure of Italy. Here Barolini profiles six gifted women transformed by Italy’s mythic appeal. Unlike Barolini herself, they were not daughters of the great Italian diaspora. Rather, they were drawn to an idea of “Italy” and its gifts—in whose welcome a new self could be created. Or discovered. Emily Dickinson traveled to Italy only in the imaginative genius of her verse. Margaret Fuller struggled alongside her Italian lover in the political revolutions that gave birth to the Italian Republic, while the novelist and short-story writer Constance Fennimore Woolson found her home in Venice and Florence. Here, too, is the flamboyant artist Mabel Dodge Luhan, entertaining at her villa near Florence; and Marguerite Chapin of Connecticut, who married an Italian prince and in Rome founded the premier literary review of the mid-century, Botteghe Oscure. Finally, here is Iris Cutting Origo, the Anglo-American heiress who, with her Italian nobleman husband, built a Tuscan estate, where she wrote acclaimed biographies—and created a refuge from Mussolini’s fascism. Linking these lives, Barolini shows, is the transforming catalyst of change in a new land. Their Other Side is a wise, warm, and deeply felt literary journey that brilliantly captures the enduring effects of Italy as a place, a culture, and an experience.
A moving and illuminating memoir about a singular woman's relationship with a fascinating and complex country A fresh, nuanced perspective on a profoundly perplexing country: this is what Wallis Wilde-Menozzi's unique, captivating narrative promises—and delivers. The Other Side of the Tiber brings Italy to life in an entirely new way, treating the peninsula as a series of distinct places, subjects, histories, and geographies bound together by a shared sense of life. A multifaceted image of Italy emerges—in beautiful black-and-white photographs, many taken by Wilde-Menozzi herself—as does a portrait of the author. Wilde-Menozzi, who has written about Italy for nearly forty years, offers unexpected conclusions about one of the most complex and best-loved countries in the world. Beginning her story with a hitchhiking trip to Rome when she was a student in England, she illuminates a passionate, creative, and vocal people who are often confined to stereotypes. Earthquakes and volcanoes; a hundred-year-old man; Siena as a walled city; Keats in Rome; the refugee camp of Manduria; the Slow Food movement; realism in Caravaggio; the concept of good and evil; Mary the Madonna as a subject—from these varied angles, Wilde-Menozzi traces a society skeptical about competition and tolerant of contradiction. Bringing them together in the present, she suggests the compensations of the Italians' long view of time. Like the country, this book will inspire discussion and revisiting.
Story covering one woman’s struggles in Germany during WWII
This completely revised and expanded edition of English Prepositions Explained (EPE), originally published in 1998, covers approximately 100 simple, compound, and phrasal English prepositions of space and time – with the focus being on short prepositions such as at, by, in, and on. Its target readership includes teachers of ESOL, pre-service translators and interpreters, undergraduates in English linguistics programs, studious advanced learners and users of English, and anyone who is inquisitive about the English language. The overall aim is to explain how and why meaning changes when one preposition is swapped for another in the same context. While retaining most of the structure of the original, this edition says more about more prepositions. It includes many more figures – virtually all new. The exposition draws on recent research, and is substantially founded on evidence from digitalized corpora, including frequency data. EPE gives information and insights that will not be found in dictionaries and grammar handbooks.