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A leading figure in the Theosophical Society, Leadbeater was a prolific author, writing on subjects ranging from Buddhism, Masonic history and the origins of Christianity through to the power of thought and the fourth dimension. Leadbeater was also the force behind Annie Besant, the discoverer and educator if Krishnamurti, and became Presiding Bishop of the Liberal Catholic Church. For all his influence Charles Leadbeater remains largely unknown as a man. This biography, first published in 1982, dispels many of the mysteries surrounding his life, and Leadbeater emerges as neither evil degenerate or infallible saint, but as a complex and eccentric adventurer into the realm of the occult. This title will be of particular interest to students of history and theology.
2nd Edition with new Foreword by Wendy & Victor Zammit. 21st Century Reports from the Afterlife Through Contemplative, Intuitive, and Physical Mediumship; The primary message of this book is ""there is no death."" The primary means by which this is accomplished is through the gradual raising of the reader's vibration, towards making contact with their own Risen loved ones.
Since the late nineteenth century, the Theosophical Society has been a central force in the movement now known as the New Age. Just as the Communist Party was considered 'old hat' by peace activists in the '60s, so the Theosophical Society was looked upon by many in the 'spiritual revolution' of those years as cranky, uninteresting, and passé. But the Society, like the Party, was always there, and-despite its relatively few members-always better organized than anybody else. Since then, the Society's influence has certainly not waned. It plays an important role in today's global interfaith movement, and, since the flowering of the New Age in the '70s, has established increasingly intimate ties with the global elites. And its various spinoffs, such as Elizabeth Clare Prophet's Summit Lighthouse, and Benjamin Crème's continuing attempt to lead a 'World Teacher Maitreya' onto the global stage-just as the Society tried to do in the last century with Krishnamurti-continue to send waves through the sea of 'alternative' spiritualities. Guénon shows how our popular ideas of karma and reincarnation actually owe more to Theosophy than to Hinduism or Buddhism, provides a clear picture of the charlatanry that was sometimes a part of the Society's modus operandi, and gives the early history of the Society's bid for political power, particularly its role as an agent of British imperialism in India. It is fitting that this work should finally appear in English just at this moment, when the influence of pseudo-esoteric spiritualities on global politics is probably greater than ever before in Western history.
A spiritual adventurer chronicles his most interesting travel experiences in search of bliss, from a pilgrimage to the Himalayas to see the Dalai Lama; to Germany, where an Indian girl is rumored to be the "the Divine Mother"; to a famous ashram, where miracles are still possible. Original.
The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.
Thomas Rice compellingly argues that James Joyce's work resists postmodernist approaches of ambiguity: Joyce never abandoned his conviction that reality exists, regardless of the human ability to represent it. Placing Joyce in his cultural context, Rice first traces the influence of Euclidean and non-Euclidean geometries on Dubliners and A Portrait of the Artist as a Young Man. He then demonstrates that, when later innovations in science transformed entire worldviews, Joyce recognized conventional literary modes of representation as offering only arbitrary constructions of this reality. Joyce responded in Ulysses by experimenting with perspective, embedding design, and affirming the existence of reality. Rice contends that Ulysses presages the multiple tensions of chaos theory; likewise, chaos theory can serve as a model for understanding Ulysses. In Finnegans Wake Joyce consummates his vision and anticipates the theories of complexity science through a dynamic approximation of reality.
Reina is smart, irreverent, and wise beyond her years. At age sixteen, she dies. Shortly after seeing her physical body buried, Reina enters the astral world and meets her higher self. Her life just lived is reviewed instantly in detail. Afterward, she is led to a brightly lit city where Reina meets some of her family and friends, now all deceased, and her pal, Omar, who assists in her astral travels. Reina relearns her skills as an astral agent to help others in a variety of situations, both on the physical and astral planes. These acts of benefit, sometimes dangerous, are instigated and supervised by her teacher and guru, Master Eli. Reina attends a class taught by Eli designed to increase her awareness and spiritual evolution. She then discovers her soul mate, Ian, who has been dead for five years. Ian was a monk in his past life and is a gifted guitar player. Reina is also a musician, so they share their love of music. At the end of their time on the astral plane, Reina and Ian plan out the lives to be experienced for their next incarnation. They proceed thereafter to the mental plane for suspected years of blissful existence.
"To investigate the unexplained laws of Nature and the powers latent in humanity" is one object of the Theosophical Society. Annie Besant (1847–1933), outspoken feminist, political activist, and early president of the TS, thought that psychic and spiritual development should be available to everyone, not just a chosen few. In her many books and articles providing guidelines, her goal was not to help students develop supernormal powers, but to help them increase consciousness in order to receive instruction from the ascended Masters. Besant believed this work had positively changed her life and wanted others to enjoy the same benefit. Although penned a century ago, Besant’s wisdom on the subject is still germane. Her prose is clear and inspiring, and Kurt Leland’s introduction and notes are well-informed. He helpfully divides Besant’s writings into four parts — Occultism Light and Dark, Higher Life Training, the Investigation of Different Worlds, and the Science of the Superphysical.