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The publication of this book in 1981 profoundly changed the way in which we understand the history of relations between indigenous Australians and European settlers. Describes in meticulous and compelling detail the ways in which Aborigines responded to the arrival of Europeans.
The Other Side of a Frontier is a celebration of the distinguished contribution which V.S. Pritchett has made to English letters over the past fifty years. Introduced by the author, the collection has been chosen from his short stories, literary criticism, biographies and travel writing, and includes extracts from his autobiographies. It provides a perfect introduction to a universally acknowledged master of the English language.
Arizona, 1948. Novelist François Combe has taken up residence with his wife, his son, and his mistress in the strange no man's land of the Santa Cruz Valley. His imagination is sparked by the surrounding desert, its ghost towns, and other vestiges of the pioneer past. The present, too, draws him in, especially in the border town of Nogales, where luxury and lust come together against a backdrop of misery and servitude... and where games of the flesh are paid for in blood. Sometimes the grass isn't always greener on the other side of the border.
Frontier Figures is a tour-de-force exploration of how the American West, both as physical space and inspiration, animated American music. Examining the work of such composers as Aaron Copland, Roy Harris, Virgil Thomson, Charles Wakefield Cadman, and Arthur Farwell, Beth E. Levy addresses questions of regionalism, race, and representation as well as changing relationships to the natural world to highlight the intersections between classical music and the diverse worlds of Indians, pioneers, and cowboys. Levy draws from an array of genres to show how different brands of western Americana were absorbed into American culture by way of sheet music, radio, lecture recitals, the concert hall, and film. Frontier Figures is a comprehensive illumination of what the West meant and still means to composers living and writing long after the close of the frontier.
Contrary to common understanding, in the backcountry at least, the American Revolution was fought over land rather than democratic ideals. In this book, historian Walter Dunn reveals the true nature of the conflicting interests on the frontier, demonstrating that the primary issues there, land and the fur trade, were, in fact, the basis of the conflict between the local colonists and Britain. Diverse Indian groups, wealthy land speculators, humbler settlers, fur traders, and the British government all had conflicting designs on the rich lands west of the Appalachian Mountains. The conflict on the frontier during the Revolution has been described as one of heroic settlers defending their farms against attacks by the British army, the Tories, and the Indians. In truth, the situation was far more complex. For many on the frontier, the primary motive for fighting was not defending farms, but acquiring vast tracts of land for later resale at enormous profit. Native Americans, in contrast, were motivated by the desire to retain control of their homeland, for without their hunting grounds and cornfields, they would starve. Going beyond accepted theory, Dunn explores why those on the frontier reacted to the conflict as they did. He demonstrates how the various economic groups were forced to decide whether they should side with Britain or the colonists or if possible remain neutral, and the forces that governed those choices. Finally, he reveals how the decisions made on the frontier during the Revolution had a lasting impact on the post-war situation in the West, delaying western expansion by nearly two decades.
The forty-year love affair between Rachel and Andrew Jackson parallels a tumultuous period in American history. Andrew Jackson was at the forefront of the American revolution—but he never could have made it without the support of his wife. Beautiful, charismatic, and generous, Rachel Jackson had the courage to go against the mores of her times in the name of love. As the wife of a great general in wartime, she often found herself running their plantation alone and, a true heroine, she took in and raised children orphaned by the war. Like many great love stories, this one ends tragically when Rachel dies only a few weeks after Andrew is elected president. He moved into the White House alone and never remarried. Andrew and Rachel Jackson's devotion to one another is inspiring, and here, in Patricia Brady's vivid prose, their story of love and loss comes to life for the first time.
A young boy guides a naturalist from Philadelphia on an expedition through the Tennessee wilderness.
A seasoned historian assembles a remarkable cadre of authors, who reveal forgotten, true stories of the American frontier.