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The Italian Resistance in World War II began as a spontaneous rebellion against Nazi oppression in the days following Italy's unconditional surrender to the Allies on September 8, 1943. The story of the underground battle of the Italians against the Nazis and Fascisti, largely unknown outside Italy, was, unlike the French Resistance, a spontaneous city-by-city, region-by-region uprising. This book traces the growth of the wartime resistance from its birth in 1943 against overwhelming odds to its dramatic triumph two years later. Here are Neapolitan youngsters fighting German tanks; patriots operating an underground radio station inside Nazi occupied Florence; Romans ambushing a Nazi patrol; mountain fighters blasting enemy convoys; peasants who hid partisan and Allied escapees; and priests and nuns who outfoxed Nazi and Fascist patrols. It was a moving episode, a lesson for all of us who live so easily in the kind of society dreamed of by the partisans. This is a story of courage, sacrifice and individual heroism - a noble episode in the history of a great people. "A valuable contribution to the history of World War II, which was as much a "peoples war" - a revolution - as it was a gigantic struggle between the armies of the Allies and those of the Axis powers. The book demonstrates with a wealth of facts and anecdotes drawn from survivors and memoirs that given a cause to fight for the Italians are as capable of reckless courage as the bravest. And in Word War II their cause was freedom from the Fascism that had crushed their civil rights for a generation that dominated them after the Italo-Allied Armistice of September 1943. "Particularly valuable are Mrs. Wilhelm's chapters on the often ambiguous role of the Catholic Church; the participation of Jews in the armed resistance; the price they paid in deportations to the German concentration camps, where most of the 3000 Jews perished; and finally the important role of the women of Italy in the liberation as Resistance fighters."
I simply want to live in the place with the best food in the world. This dream led Eric Dregni to Italy, first to Milan and eventually to a small, fog-covered town to the north: Modena, the birthplace of balsamic vinegar, Ferrari, and Luciano Pavarotti. Never Trust a Thin Cook is a classic American abroad tale, brimming with adventures both expected and unexpected, awkward social moments, and most important, very good food. Parmesan thieves. Tortellini based on the shape of Venus's navel. Infiltrating the secret world of the balsamic vinegar elite. Life in Modena is a long way from the Leaning Tower of Pizza (the south Minneapolis pizzeria where Eric and his girlfriend and fellow traveler Katy first met), and while some Italians are impressed that "Minnesota" sounds like "minestrone," they are soon learning what it means to live in a country where the word "safe" doesn't actually exist-only "less dangerous." Thankfully, another meal is always waiting, and Dregni revels in uncorking the secrets of Italian cuisine, such as how to guzzle espresso "corrected" with grappa and learning that mold really does make a good salami great. What begins as a gastronomical quest soon becomes a revealing, authentic portrait of how Italians live and a hilarious demonstration of how American and Italian cultures differ. In Never Trust a Thin Cook, Eric Dregni dishes up the sometimes wild experiences of living abroad alongside the simple pleasures of Italian culture in perfect, complementary proportions.
Magnificent natural beauty, rich culture and longstanding traditions, Basilicata packs an incredible diversity into the unassuming instep of the Italian boot. From the renowned Sassi di Matera to the smallest village, this in-depth travel essay uncovers a land, its people, their past and present, sharing the joys and challenges of the experience.
The remarkable true story of a couple on the brink of separation who finds love again while spending a year in Italy with their family now including an update five years later. Tired, empty, and disillusioned with married life, Susan Pohlman was ready to call it quits. As soon as she and her husband, Tim, completed their business trip to Italy, she planned to break the news that she wanted to end their eighteen-year marriage. During their last day as they walked along the Italian Rivera, Tim fantasised aloud that, perhaps, they could live there. After initially dismissing the idea, Susan realised that she wanted to give their marriage another try and that maybe life in such a beautiful place could bring them back to each other. Together with their fourteen-year-old daughter and eleven-year-old son, they leave the hectic life in Los Angeles for a more intimate lifestyle in Italy. Susan's funny, touching story reveals how stepping out of their normal day-to-day lives truly united her family in a whole new way. In this expanded paperback edition of Halfway to Each Other, readers will be able to enjoy the original story of-their adventures -- no cars, no television -- and find out where they are today. When they returned to the United States, they went not to California, but to Arizona -- and to a brand-new life.
Magisterial analysis of human history, from the first hominid to the Great Recession of 2008. Written from the perspective of ordinary men and women.
Co-published by: Centre for Reformation and Renaissance Studies.
In Italy, the rate of foreign immigration is among one of the major cultural shifts after World War II. Increased immigration rates account not only for people fleeing from countries during the war or times of unstable political situations (170,000 in 2014), but also for people relocating for work or family-related reasons. The immigrants were fewer than 150,000 in 1970, but currently count for 5 million (8% of the total population, not including those who have become Italian citizens), and are more numerous than Italian citizens residing abroad (4.5 million). This book proposes to introduce foreign readers to this phenomenon, which is in some respects problematic. Translation of texts written for Italian readers was avoided and the authors made choices to include original themes that could be interesting to readers outside Italy. The book's conclusions were entrusted to three immigrants: an Albanian sociologist, an Eritrean researcher and an Algerian novelist. According to the forecasts of demographers, the future Italy will be a country of large-scale immigrations, accounting for more than 10 million people by mid-century. Will Italy only be a country with many immigrants or a country with an adequate migration policy? Although society is still divided on the subject of newcomers, this book hopes to solve this issue in a positive manner and stimulate greater interest abroad.
The first story in this book is retold from the "Fioretti" of St. Francis of Assisi. "Calandrino and the pig" is from the "Decameron" of Boccaccio. The last three stories are adapted from "Legends of Florence" by C.G. Leland.
This title offers a cultural translation of modern Italian intellectual and philosophical history, a development book-ended by Giambattista Vico and Antonio Gramsci. It shows Italian philosophy to have emerged during the age of the Risorgimento in reaction to 18th century French revolutionary and rationalist standards in politics and philosophy and in critical assimilation of the German reaction to the same, mainly Hegelian idealism and, eventually, Heideggerian existentialism. This is the story of modern Italian philosophy told through the lens of Renaissance scholarship.
"A major, on-the-ground look at antiquities looting in Italy. More looting of ancient art takes place in Italy than in any other country. Ironically, Italy trades on the fact to demonstrate its cultural superiority over other countries. And, more than any other country, Italy takes pains to prevent looting by instituting laws, cultural policies, export taxes, and a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In fact, Italy is widely regarded as having invented the discipline of art policing. In 2006 the then-president of Italy declared his country to be "the world's greatest cultural power." Why do Italians believe this? Why is the patria, or "homeland," so frequently invoked in modern disputes about ancient art, particularly when it comes to matters of repatriation, export, and museum loans? Fiona Greenland's Ruling Culture addresses these questions by tracing the emergence of antiquities as a key source of power in Italy from 1815 to the present. Along the way, it investigates the activities and interactions of three main sets of actors: state officials (including Art Squad agents), archaeologists, and illicit excavators and collectors"--