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An actionable guide to mindfulness and practical ethics for any creative professional who wants to make a living without selling their soul. It can be difficult to live according to our values in a complicated world. At a time when capitalism seems most unforgiving but the need for paying work remains high, it is important to learn how we can be more mindful and intentional about our impact — personal, social, economic, and environmental. As designer and creative director Kelly Small had to do to navigate a crisis of ethics and burnout in their career in advertising, we can admit our complicity in problematic systems and take on the responsibility of letting our own conscience guide our decisions. Start with one or many of these 100+ rigorously researched, ultra-practical action steps: Co-create and collaborate Get obsessed with accessibility Demand diverse teams Commit to self-care Make ethics a competitive edge Be mindful of privilege Create for empowerment, not exploitation With a humorous and irreverent tone, Small reveals how when we release unnecessary judgement and become action-oriented, we can clarify the complicated business of achieving an ethical practice in the creative industries. Discover the power of incremental, positive changes in our daily work-lives and the fulfillment of purposeful work.
In an era of blurred generic boundaries, multimedia storytelling, and open-source culture, creative writing scholars stand poised to consider the role that technology-and the creative writer's playful engagement with technology-has occupied in the evolution of its theory and practice. Composition, Creative Writing Studies and the Digital Humanities is the first book to bring these three fields together to open up new opportunities and directions for creative writing studies. Placing the rise of Creative Writing Studies alongside the rise of the digital humanities in Composition/Rhetoric, Adam Koehler shows that the use of new media and its attendant re-evaluation of fundamental assumptions in the field stands to guide Creative Writing Studies into a new era. Covering current developments in composition and the digital humanities, this book re-examines established assumptions about process, genre, authority/authorship and pedagogical practice in the creative writing classroom.
A collection of critical essays on the writing and films of American Indian author Sherman Alexie.
Beyond Maximus shows how field poetics influenced the construction of the public voices of five Black Mountain poets (Charles Olson, Robert Creeley, Robert Duncan, Denise Levertov, and Ed Dorn) in order to explain their association in the 1950s and 60s as well as their break-up as a result of the political and poetic crises of the Vietnam War era.
Simultaneously a handbook and a critique of one, Beyond Craft combines an orientation to the field of creative writing with an insight into current scholarship surrounding creative writing pedagogy. A much-needed alternative to the traditional craft guide, this text pairs advice and exercises on composition with an illuminating commentary on the issues surrounding these very techniques. Teaching the craft whilst apprising students of the issues of craft pedagogy, this book allows them to gain an awareness of how current pedagogy comes at the expense of larger and increasingly relevant cultural concerns. Westbrook and Ryan bring emerging writers into the larger conversations that define the field, inviting them to: - Contextualize their own writing practices and educational experiences in relation to the history of creative writing as an academic discipline. - Determine how New Critical lore and Romantic mythology may affect-even distort-their understanding of literary production. - Critically examine their notions of authorship, collaboration, and invention in relation to contemporary literary and rhetorical theory. - Understand and evaluate the economic, social, political, and professional challenges facing creative writers today. - Analyze the contemporary literary marketplace not only to identify potential publication contexts but also to understand how issues of diversity and bias affect writing communities. - Reflect on how increasingly rapid technological developments may affect their own writing and the future of literature. Earnestly self-aware throughout, Beyond Craft both inducts new writers into the field of creative writing and infuses them with an understanding of the wider dialogue surrounding their craft.
Ivory Tower is a campus crime thriller about Margolis Santos, a charismatic film professor in her prime, who risks her career and life to uncover sexual corruption inside her university’s football program where rich boosters pay sorority girls to have sex with star recruits. Embroiled in a sex scandal of her own, Margolis’s life goes into a tailspin. She unthinkingly sleeps with a student from another school, and when the parents find out, they threaten to sue her University. To protect its reputation, the conniving university president, Art ‘Lightning’ Lane, takes revenge on Margolis and has her fired. At rock bottom, Margolis decides to make a documentary to expose the exploitation and violence at “The U.” The trouble is, her husband, Frank Sinoro, is the head football coach, while her daughter, Brie, loves the sorority. So Margolis has to make a choice: she has to find a way to protect her family, while also saving the women on campus and, eventually, her own soul. Publisher's Weekly made Ivory Tower and Editor's Pick and said that it is "a smoothly written first novel…Jenkins has made an impressive start as a novelist.” “A fast-paced thriller that tackles contemporary issues with confidence and insight. Jenkins gives voice to a wide variety of characters, demonstrating how complex real-world conflicts often are. This is a book you won't want to put down, won't want to end, and will be glad you read.” –William Bernhardt, author of The Last Chance Lawyer and the Ben Kinkaid series "This is an engrossing, evenly paced drama about how a woman lost in her own world discovers a real sense of purpose in helping other women. Suspense fans with an interest in current events will thrill to this riveting, insightful deep dive into corruption at an elite university." –Booklife “Timely and fearless, Ivory Tower is a resonant meditation on power, family, and sexual predation that rings particularly poignant in today's social climate. Tackling many of today's most controversial and essential issues facing collegiate campuses and broader society, Ivory Tower pulls no punches, painting an at-times scathing picture of authority, corruption, and modern morality. A hard-hitting and insightful work of contemporary fiction.” –Self-Publishing Review
"Art has not always had the same salience in philosophical discussions of ethics that many other elements of our lives have. There are well-defined areas of "applied ethics" corresponding to nature, business, health care, war, punishment, animals, and more, but there is no recognized research program in "applied ethics of the arts" or "art ethics." Art often seems to belong to its own sphere of value, separate from morality. The first questions we ask about art are usually not about its moral rightness or virtue, but about its beauty or originality. However, it is impossible to do any serious thinking about the arts without engaging in ethical questions"--
This volume considers innovations, transitions, and traditions in both familiar and unfamiliar texts and moments in 1960s African American literature and culture. It interrogates declarations of race, authenticity, personal and collective empowerment, political action, and aesthetics within this key decade. It is divided into three sections. The first section engages poetry and music as pivotal cultural form in 1960s literary transitions. The second section explains how literature, culture, and politics intersect to offer a blueprint for revolution within and beyond the United States. The final section addresses literary and cultural moments that are lesser-known in the canon of African American literature and culture. This book presents the 1960s as a unique commitment to art, when 'Black' became a political identity, one in which racial social justice became inseparable from aesthetic practice.