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In New York Revisited, first published in Harper's Monthly Magazine in 1906, Henry James describes turn-of-the-century New York in vivid detail. Although written in 1904-1905, when James returned to the U.S. after living abroad for more than 20 years, the essay is as pertinent today as it was 100 years ago. The text appears as it was originally published and is enhanced with period illustrations and photographs. Beautifully bound and with a spectacular view of the Flatiron building on the cover, this book is a literary treasure.
***2019 NATIONAL BOOK AWARD FINALIST*** Winner of the Arab American Book Award in Fiction Finalist for the Kirkus Prize in Fiction Finalist for the California Book Award Longlisted for the Aspen Words Literary Prize A Los Angeles Times bestseller Named a Best Book of the Year by The Washington Post, Time, NPR, Minneapolis Star Tribune, Dallas Morning News, The Guardian, Variety, and Kirkus Reviews Late one spring night in California, Driss Guerraoui—father, husband, business owner, Moroccan immigrant—is hit and killed by a speeding car. The aftermath of his death brings together a diverse cast of characters: Guerraoui's daughter Nora, a jazz composer returning to the small town in the Mojave she thought she'd left for good; her mother, Maryam, who still pines for her life in the old country; Efraín, an undocumented witness whose fear of deportation prevents him from coming forward; Jeremy, an old friend of Nora’s and an Iraqi War veteran; Coleman, a detective who is slowly discovering her son’s secrets; Anderson, a neighbor trying to reconnect with his family; and the murdered man himself. As the characters—deeply divided by race, religion, and class—tell their stories, each in their own voice, connections among them emerge. Driss’s family confronts its secrets, a town faces its hypocrisies, and love—messy and unpredictable—is born. Timely, riveting, and unforgettable, The Other Americans is at once a family saga, a murder mystery, and a love story informed by the treacherous fault lines of American culture.
The classic and deeply prescient collection that explores the multifaceted nature of race, class, and identity in America, from one of our most insightful and iconoclastic intellectuals Hailed by Publishers Weekly for its “forceful” and “bracing opinions on race and politics,” Class Notes is a collection of critic Adolph Reed Jr.’s clearest thinking on matters of race, class, and other American dilemmas. With barbed wit, Reed takes aim against the solipsistic, individualistic approaches of identity politics, and in favor of class-based political interpretation and action. Reed leaves no topic untouched, from the myth that there exists a particular kind of “Black Anti-Semitism,” to the grift perpetuated by commentators who claim to speak for groups solely based on their identity categories. Adolph Reed Jr. remains one of our most controversial and necessary interpreters of American politics. These essays illustrate why Reed is “the smartest person of any race, class, or gender writing on race, class, and gender” (Katha Pollitt). Class Notes is a classic text that signposts a path for the Left—out of essentialist gridlock and into meaningful, goal-oriented mass politics.
The paintings, murals, and graphics of Ben Shahn (1898-1969) have made him one of the most heralded American artists of the twentieth century, but during the 1930s he was also among the nation's premier photographers. Much of his photographic work was sponsored by the New Deal's Farm Security Administration, where his colleagues included Dorothea Lange and Walker Evans. Ben Shahn's American Scene: Photographs, 1938 presents one hundred superb photographs from his most ambitious FSA project, a survey of small-town life in the Depression. John Raeburn's accompanying text illuminates the thematic and formal significance of individual photographs and reveals how, taken together, they address key cultural and political issues of the years leading up to World War II. Shahn's photographs highlight conflicts between traditional values and the newer ones introduced by modernity as represented by the movies, chain stores, and the tantalizing allure of consumer goods, and they are particularly rich in observation about the changes brought about by Americans' universal reliance on the automobile. They also explore the small town's standing as the nation's symbol of democratic community and expose the discriminatory social and racial practices that subverted this ideal in 1930s America.
Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of African Americans in urban centers.
Will American Jews survive their success? Or will the United States' uniquely hospitable environment lead inexorably to their assimilation and loss of cultural identity? This is the conundrum that Seymour Lipset and Earl Raab explore in their wise and learned book about the American Jewish experience. Jews, perhaps more than any ethnic or religious minority that has immigrated to these shores, have benefited from the country's openness, egalitarianism, and social heterogeneity. This unusually good fit, the authors argue, has as much to do with the exceptionalism of the Jewish people as with that of America. But acceptance for all ancestral groups has its downside: integration into the mainstream erodes their defining features, diluting the loyalties that sustain their members. The authors vividly illustrate this paradox as it is experienced by American Jews today--in their high rates of intermarriage, their waning observance of religious rites, their extraordinary academic and professional success, their commitment to liberalism in domestic politics, and their steadfast defense of Israel. Yet Jews view these trends with a sense of foreboding: "We feel very comfortable in America--but anti-Semitism is a serious problem"; "We would be desolate if Israel were lost--but we don't feel as close to that country as we used to"; "More of our youth are seeking some serious form of Jewish affirmation and involvement--but more of them are slipping away from Jewish life." These are the contradictions tormenting American Jews as they struggle anew with the never-dying problem of Jewish continuity. A graceful and immensely readable work, Jews and the New American Scene provides a remarkable range of scholarship, anecdote, and statistical research--the clearest, most up-to-date account available of the dilemma facing American Jews in their third century of citizenship.