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The pictures are so nice, that the book would also be useful as a source of artistic reference pictures. All of the images are of birds in standing poses, rather than in a range of positions, however the images are skillfully drawn and reproduced on good paper, using what appears to be artist's colouring pencils.
“It’s wild writing: sexy, unguarded, raw, and ardent … highly recommended.”—The Millions After a decade of heavy partying and hard drinking in London, Amy Liptrot returns home to Orkney, a remote island off the north of Scotland. The Outrun maps Amy’s inspiring recovery as she walks along windy coasts, swims in icy Atlantic waters, tracks Orkney’s wildlife, and reconnects with her parents, revisiting and rediscovering the place that shaped her. A Guardian Best Nonfiction Book of 2016 Sunday Times Top Ten Bestseller New Statesman Book of the Year
The Orkney Islands are a place of mystery and magic, where the past and the present meet, ancient standing stones walk and burial mounds are the home of the trows. Orkney Folk Tales walks the reader across invisible islands that are home to fin folk and mermaids, and seals that are often far more than they appear to be. Here Orkney witches raise storms and predict the outcome of battles, ghosts seek revenge and the Devil sits in the rafters of St Magnus Cathedral, taking notes! Using ancient tales told by the firesides of the Picts and Vikings, storyteller Tom Muir takes the reader on a magical journey where he reveals how the islands were created from the teeth of a monster, how a giant built lochs and hills in his greed for fertile land, and how the waves are controlled by the hand of a goddess.
The British Isles are remarkable for the extraordinary diversity of seabird life that they support: spectacular colonies of charismatic Arctic terns, elegant fulmars and stoic eiders, to name just a few.
'The best Norwegian novel ever' Karl Ove Knausgaard Mattis doesn't understand much about the world. He doesn't understand why others call him simple. Or why his sister Hege, who has cared for him in their peaceful lakeside cottage since they were young, gets so frustrated. But he knows that the woodcock which starts to fly over their house every day is a sign something is about to change. And when Hege falls in love, disrupting their familiar existence and unbalancing his thoughts, he decides he must face his fate. Translated by Torbjørn Støverud and Michael Barnes 'A masterpiece' Literary Review 'Mattis, absurd and boastful, but also sweet, pathetic and even funny, is shown with great insight' Sunday Times
“A haunting novel” about sex and obsession, set off the coast of Scotland and “full of otherworldly emotion and strange impulses” (Marie Claire). A professor marries his prize student, a woman forty years his junior, and at her request, he takes her to the sea for their honeymoon. His life’s work is a book about enchantment–narratives in literature, most of them involving strange girls and women—but soon he finds himself distracted by his own enchantment with his new white–haired young wife. They travel to the Orkney Islands, the ancient Mesolithic and Neolithic site north of the Scottish coast, a barren place of extraordinary beauty known as “the Seal Islands.” And as the days of their honeymoon pass, his desire and his constant, yearning contemplation become his normality. His mysterious bride becomes his entire universe. He is consumed . . . From the author of The Still Point, a winner of the John Llewellyn Rhys Memorial Prize, this is a novel that “will appeal to literature aficionados: a Lolita–esque love, a romance born out of academia, and folklore come to life” (Booklist). “What begins as a familiar, almost fairytale–like narrative ends as something more fragmented, unsettling, and odd . . . Providing a brooding, bruised, ever–changing backdrop to all this is Orkney, the book’s most compelling character of all. In a tribute to Virginia Woolf’s experimental masterpiece, The Waves, the sea in Orkney functions as a kind of rhythmic talisman, its ebb and flow mirrored in the actions, ideas, and themes of the book. More than anything, Sackville’s Orkney is a breathtaking place in the most literal of senses.” —The Scotsman
Howard Norman's The Bird Artist, the first book of his Canadian trilogy, begins in 1911. Its narrator, Fabian Vas is a bird artist: He draws and paints the birds of Witless Bay, his remote Newfoundland coastal village home. In the first paragraph of his tale Fabian reveals that he has murdered the village lighthouse keeper, Botho August. Later, he confesses who and what drove him to his crime--a measured, profoundly engrossing story of passion, betrayal, guilt, and redemption between men and women. The Bird Artist is a 1994 National Book Award Finalist for Fiction.
THE SUNDAY TIMES BESTSELLER SHORTLISTED FOR THE WAINWRIGHT PRIZE FOR NATURE WRITING Wishing to leave behind the isolation of her Orkney life, Amy Liptrot books a one-way flight to Berlin. She rents a loftbed in a shared flat and starts to look for work – and for love – through the screen of her phone. The Instant tells of the momentous year that follows, encountering the city’s wildlife in the most unexpected places, tracing the cycles of the moon, the flight paths of migratory birds and surrendering to the addictive power of love and lust.
Tracing the magico-religious beliefs surrounding birds as far back in time as is possible, to the cultures in which these beliefs arose. This edition is exclusive to newnaturalists.com