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'Grand Tours and Cook's Tours' is the story of intellectuals and the very rich, the not so rich, the infamous and the anonymous seeking adventure and satisfying ways of exploring the world, from the mid-18th century to World War One.
For members of the social elite in 18th-century England, extended travel for pleasure came to be considered part of an ideal education as well as an important symbol of social status. Italy, and especially Rome - a fashionable, exciting, and comfortable city - became the focus of such early tourists' interest. In this book, historian Jeremy Black recreates the actual tourist experiences of those who travelled to Italy on a Grand Tour. Relying on the private diaries and personal letters of travellers, rather than on the self-conscious accounts of literary travellers who wrote for wider audiences, the book presents an authentic picture of how British tourists experienced Italy, its landscapes, women, food, music, Catholicism, and more. illustrations, the book highlights the discrepancy between the idealised view of the Grand Tour and its reality: what people were meant to do was not necessarily what they did, what the guide books described as splendid was not always so perceived. Black quotes British visitors as they reflect on their trips, and he discusses what their Italian experiences meant to them. And he considers the intriguing effects of tourism on British culture during this most exciting of centuries.
First published in 1985, this is a history of the Grand Tour, undertaken by young men in the eighteenth century to complete their education - a tour usually to France, Italy and Switzerland, and sometimes encompassing Germany. Rather than being another popular treatment of the theme, this is a scholarly analysis of the motives, purposes, activities and achievements of those who made the Grand Tour. The book considers to what extent the Grand Tour did fulfil its theoretical educational function, or whether travellers merely parroted the observations of their guidebooks. It also indicates the importance of the Grand Tour in introducing foreign customs into Britain and extending the cosmopolitanism of the European upper classes.
Sex and travel have always been intertwined, and never more so than on the classic Grand Tour of Europe in the eighteenth and nineteenth centuries. Today the Continent is still littered with salacious remnants of that golden age, where secret boudoirs, notorious dungeons, and forbidden artifacts lured travelers all the way from London to Capri. In The Sinner’s Grand Tour, celebrated historian and travel writer Tony Perrottet sets off to discover a string of legendary sites and relics that are still kept far from public view. In southern France, an ancient text leads him inside the château of the Marquis de Sade, now owned by fashion icon Pierre Cardin. In Paris, an 1883 prostitute guide helps him discover the Belle Époque fantasy brothel Le Chabanais and the lost “sex chair” of King Edward VII. Renaissance documents in the Vatican Secret Archives point the way to the Pope’s very own apartments in Vatican City, wherein lies the fabled Stufetta del Bibbiena, a pornography-covered bathroom painted by Raphael in 1516. With his unique blend of original research, sharp wit, and hilarious anecdotes, Perrottet brings us a romping travel adventure through the scandalous backrooms of historical Europe.
The Grand Tour has become a subject of major interest to scholars and general readers interested in exploring the historic connections between nations and their intellectual and artistic production. Although traditionally associated with the eighteenth century, when wealthy Englishmen would complete their education on the continent, the Grand Tour is here investigated in a wider context, from the decline of the Roman Empire to recent times. Authors from Chaucer to Erasmus came to mock the custom but even the Reformation did not stop the urge to travel. From the mid-sixteenth century, northern Europeans justified travel to the south in terms of education. The English had previously travelled to Italy to study the classics; now they travelled to learn Italian and study medicine, diplomacy, dancing, riding, fencing, and, eventually, art and architecture. Famous men, and an increasing proportion of women, all contributed to establishing a convention which eventually came to dominate European culture. Documenting the lives and travels of these personalities, Professor Chaney's remarkable book provides a complete picture of one of the most fascinating phenomena in the history of western civilisation.
The topos of the journey is one of the oldest in literature, and even in this age of packaged tours and mediated experience, it still remains one of the most compelling. This volume examines the ways in which the legacy of the Grand Tour is still evident in works of travel and literature. From its aristocratic origins and the permutations of sentimental and romantic travel to the age of tourism and globalization, the Grand Tour still influences the destinations tourists choose and shapes the ideas of culture and sophistication that surround the act of travel. The essays in this collection examine a wide variety of literature—travel, memoir, and fiction—and explore the ways travel and ideas of “culture” have evolved since the heyday of the Grand Tour in the 18th century. The sites of the Grand Tour remain a powerful cultural draw, and they continue to define ideas of taste and learning for those who visit them.
Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. In this fascinating travelogue of the prolific author's yearlong trip around the British Empire in 1922, Christie provides the clues to the origins of the plots and locales of some of her bestselling mystery novels. Containing never-before-published letters and photos from her travels, and filled with intriguing details about the exotic locations she visited, The Grand Tour is a must-have for Agatha Christie fans, revealing an unexpected side to the world's most renowned mystery writer. In 1922 Agatha Christie set sail on a ten-month voyage around the world. Her husband, Archibald Christie, had been invited to join a trade mission to promote the British Empire Exhibition, and Christie was determined to go with him. It was a life-changing decision for the young novelist, a true voyage of discovery that would inspire her future writing for years to come. Placing her two-year-old daughter in the care of her sister, Christie set sail at the end of January and did not return home until December. Throughout her journey, she kept up a detailed weekly correspondence with her mother, describing the exotic places and the remarkable people she encountered as the mission traveled through South Africa, Australia, New Zealand, Hawaii, and Canada. Reproduced here for the first time, the letters are full of tales of seasickness and sunburn, motor trips and surfboarding, glamor and misery. The Grand Tour also brings to life the places and people Christie encountered through the photos she took on her portable camera, as well as some of the original postcards, newspaper cuttings, and memorabilia she collected on her trip. Edited and introduced by Agatha Christie's grandson, Mathew Prichard, and accompanied by reminiscences from her own autobiography, this unique travelogue reveals a new adventurous side to Agatha Christie, one that would ultimately influence the stories that made her a household name.
__________________________ 'Seductive, decadent, cruel and utterly thrilling - just like Horace Lavelle himself. This is The Talented Mr Ripley for the twenty-first century.' Emma Flint, author of Little Deaths 'An enjoyable dip into decadence.' Observer __________________________ Brothers Benjamin and Edgar have so far led a quiet life, but change is afoot as they enter a world of glorious sights and People of Quality on their Grand Tour of Europe. But a trunk full of powdered silver wigs and matching suits isn't enough to embed them into high society. As Edgar clings on to conventions, Benjamin pushes against them. And when the charming, seductive Horace Lavelle promises Benjamin a real adventure, it's only a matter of time before chaos and love ensue. __________________________ 'A fizzing, seductive queer romance.' i Paper 'Wildly entertaining and painfully heartbreaking ... Neil Blackmore writes with a fizzy wit that bounds his characters off the page.' Ben Aldridge
This catalogue looks at the Grand Tour, a vital aspect of European civilisation in the age of the Enlightenment, from the point of view of several countries and includes the work of foremost artists of the period.