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The Grimms Tales as you have never experienced them before - complete, accurate, and authentic - exactly as the Grimms wrote them 200 years ago. A completely new, cover-to-cover translation with extensive notes and commentary for the 200th anniversary translated in a new style that preserves the original texts in a way that has never been done before. There are 34 stories in the original 1812 edition that never appear in any of the later editions. In the 1812 first edition of the tales, the Grimms also included an extensive 60 page appendix which discussed the oral and literary sources of the tales and often times one or more other versions of the stories. The 1812 appendix was never published in any English versions, so the 60 "new" stories and fragments found therein have been almost entirely unknown to English readers for last 200 years. The appendix is a lost "gem" and arguably as important as the stories themselves.
The Grimms Tales as you have never experienced them before – complete, accurate, and authentic - exactly as the Grimms wrote them 200 years ago. A completely new, cover to cover translation with extensive notes and commentary for the 200th anniversary translated in a new style that preserves the original texts in a way that has never been done before. There are 34 stories in the original 1812 edition that never appear in any of the later editions. In the 1812 first edition of the tales, the Grimms also included an extensive 60 page appendix which discussed the oral and literary sources of the tales and often times one or more other versions of the stories. The 1812 appendix was never published in any English versions, so the 60 “new” stories and fragments found therein have been almost entirely unknown to English readers for last 200 years. The appendix is a lost “gem” and arguably as important as the stories themselves.
Once upon a time in a fairy tale world, There were magical mirrors and golden slippers;Castles and fields and mountains of glass,Houses of bread and windows of sugar.Frogs transformed into handsome Princes,And big bad wolves into innocent grandmothers.There were evil queens and wicked stepmothers;Sweethearts, true brides, and secret lovers. In the same fairy world, A poor boy has found a golden key and an iron chest, and " We must wait until he has quite unlocked it and opened the lid . . ." A classic collection of timeless folk tales by Grimm Brothers, Grimm' s Fairy Tales are not only enchanting, mysterious, and amusing, but also frightening and intriguing. Delighting children and adults alike, these tales have undergone several adaptations over the decades. This edition with black-and-white illustrations is a translation by Margaret Hunt.
The stories in the Grimm brothers' Kinder- und Hausmärchen (Children's and Household Tales), first published in 1812 and 1815, have come to define academic and popular understandings of the fairy tale genre. Yet over a period of forty years, the brothers, especially Wilhelm, revised, edited, sanitized, and bowdlerized the tales, publishing the seventh and final edition in 1857 with many of the sexual implications removed. However, the contributors in Transgressive Tales: Queering the Grimms demonstrate that the Grimms and other collectors paid less attention to ridding the tales of non-heterosexual implications and that, in fact, the Grimms' tales are rich with queer possibilities. Editors Kay Turner and Pauline Greenhill introduce the volume with an overview of the tales' literary and interpretive history, surveying their queerness in terms of not just sex, gender and sexuality, but also issues of marginalization, oddity, and not fitting into society. In three thematic sections, contributors then consider a range of tales and their queer themes. In Faux Femininities, essays explore female characters, and their relationships and feminine representation in the tales. Contributors to Revising Rewritings consider queer elements in rewritings of the Grimms' tales, including Angela Carter's The Bloody Chamber, Jeanette Winterson's Twelve Dancing Princesses, and contemporary reinterpretations of both "Snow White" and "Snow White and Rose Red." Contributors in the final section, Queering the Tales, consider queer elements in some of the Grimms' original tales and explore intriguing issues of gender, biology, patriarchy, and transgression. With the variety of unique perspectives in Transgressive Tales, readers will find new appreciation for the lasting power of the fairy-tale genre. Scholars of fairy-tale studies and gender and sexuality studies will enjoy this thought-provoking volume.
Can you imagine having a father who would give you to the Devil in exchange for riches and wealth? The poor girl in our story had to endure not only this but getting her hands cut off as well. Her will was so strong that she decided to not fall victim of the Devil. So she headed out in the woods, wandering around, not having anything, not even food. Surprisingly enough she survived and she became a queen. Her misfortunes did not end with this however. Many more difficulties followed. Because, you know, the Devil does not forget so easily. Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 210 fairy tales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.
A poor man meets a dead end when he cannot decide on a godfather for his thirteenth child. He sees first the Lord but he does not think He will be a suitable godfather. Then he meets the Devil but this option does not suit him. The last one is the Death. The father finally decides. The Death treats equally both rich and poor so he will be the perfect godfather for his son. The gift that the Death gives to his godson is the power of seeing if a person can be cured or not. The gift is however to be used reasonably because otherwise it may lead to greater dangers. Will the thirteenth child follow his godfather’s words or he will try to trick him? What will follow? Find out in "Godfather Death". Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 200 fairytales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.
Before the Brothers Grimm published their now world famous "Childrens and Household Tales" in 1812, they had sent their manuscript containing approximately 51 tales to their friend Clemens Brentano, who also wanted to publish children's tales. The brothers asked him to return their manuscript when he was finished with it, but he never did. While they went on to publish their tales, their own copies of the original manuscripts for the first volume of the tales do not exist anymore. By accident or fortunate circumstance, the manuscript they sent to Brentano survived and can be read today. "The 1810 Grimm Manuscripts" is the first English language translation of the Grimms "Kinder- und Hausmärchen" as they were in the Fall of 1810. It is the first written documentation of the tales as the brothers heard and saw them. It shows the very first written documentation of the Grimms versions of Snow White, Sleeping Beauty, The Frog King and many other tales.
This collection of exemplary essays by internationally recognized scholars examines the fairy tale from historical, folkloristic, literary, and psychoanalytical points of view. For generations of children and adults, fairy tales have encapsulated social values, often through the use of fixed characters and situations, to a far greater extent than any other oral or literary form. In many societies, fairy tales function as a paradigm both for understanding society and for developing individual behavior and personality. A few of the topics covered in this volume: oral narration in contemporary society; madness and cure in the 1001 Nights; the female voice in folklore and fairy tale; change in narrative form; tests, tasks, and trials in the Grimms' fairy tales; and folklorists as agents of nationalism. The subject of methodology is discussed by Torborg Lundell, Stven Swann Jones, Hans-Jorg Uther, and Anna Tavis.
The stories collected by Jacob and Wilhelm Grimm in the early 19th century reflected life as known to the German people of the time - fantastic, yet often unpredictable and pernicious. Patriotic folklorists, they began their collection of tales with the intent of preserving the endangered German oral tradition from a Napoleonic rule intent on suppressing local culture. From their earliest release and translation, conservative parents and ecclesiastics disparaged the tales for their vestigial, raw, Gothic content and the brothers and a myriad of editors began to soften them to demure morality and sweetness to make appeal to the upper classes what began as earthy peasant fare. This is no such revision, sanitized of objectionable material; these are the grimmest. Cannibalism, child abuse, dismemberment, slaughter of innocents, the walking dead & deals with the devil are all prevalent in these lesser-known works of the brothers Grimm, here lushly illustrated for the sick little monkey that is your inner child. Featuring 94 illustrations by Terry Beal, Benchacco, Jon Ferril, Luc Hebert, Kelly Levy, Kathryn McLaughlin, Karen Petroff, Katy Rose & Cyrus Rua.
One mother put her child to sleep and decided to go to the woods and fetch some strawberries. She found a magically beautiful bush with strawberries and just as she was going to gather some, she saw a venomous snake. The mother ran, the snake followed her. Eventually the poor frightened mother got to a hazel bush and hid herself there. Can the hazel branch save her? Will the snake give up waiting for so long? Find out in Brothers Grimm’s folktale "The Hazel Branch". Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 210 fairy tales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.