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A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.
Many books have been written about the Bible, but few explain its origins. This volume provides a fascinating overview of how the Bible was first inspired, canonized, read as sacred literature, copied in ancient Hebrew and Greek manuscripts, and eventually translated into the languages of the world. No other one-volume work can match this wealth of information about the historical development of the Bible.
Contains entries that identify people whose names appear in the Bible, arranged alphabetically according to spellings in the New Living Translation, and includes more in-depth profiles of important men and women.
Callahan strictly interprets the Bible through the lens of comparative mythology, where the mythic content of Biblical stories is illustrated as a way to understand the purpose the stories served for the people who wrote them. Biblical history is merely a mythic representation of human psychology and meaning-making in human conscience. Callahan contends that most of the histories and stories were written and manipulated centuries after the events described. He cautions against literal interpetation of the Bible, but seeks to understand why society validates the myth.
The Bible in the English language is among the great achievements of all time, not only as a masterpiece of inspired writing but as a witness to the place of the Scriptures in the life of the English-speaking peoples, and Bruce's work, recognised for 30 years as the best on its subject, documents its history and shows the impact of some of the translations on the use and development of the English language. Formerly The English Bible, this comprehensive study of the various English translationsof the Bible is again available in paperback. The author traces the story from the earliest partial translations in Saxon times, through Wycliffe, Tyndale and The King James Version, to the publication of such contemporary versions as The New English Bible, The New American Standard Version, The Living Bible, and The Good News Bible. Authoritative and highly readable, this remains one of the standard works on its subject.
The authoritative new account of the BibleÕs origins, illuminating the 1,600-year tradition that shaped the Christian and Jewish holy books as millions know them today. The Bible as we know it today is best understood as a process, one that begins in the tenth century BCE. In this revelatory account, a world-renowned scholar of Hebrew scripture joins a foremost authority on the New Testament to write a new biography of the Book of Books, reconstructing Jewish and Christian scriptural histories, as well as the underappreciated contest between them, from which the Bible arose. Recent scholarship has overturned popular assumptions about IsraelÕs past, suggesting, for instance, that the five books of the Torah were written not by Moses but during the reign of Josiah centuries later. The sources of the Gospels are also under scrutiny. Konrad Schmid and Jens Schršter reveal the long, transformative journeys of these and other texts en route to inclusion in the holy books. The New Testament, the authors show, did not develop in the wake of an Old Testament set in stone. Rather the two evolved in parallel, in conversation with each other, ensuring a continuing mutual influence of Jewish and Christian traditions. Indeed, Schmid and Schršter argue that Judaism may not have survived had it not been reshaped in competition with early Christianity. A remarkable synthesis of the latest Old and New Testament scholarship, The Making of the Bible is the most comprehensive history yet told of the worldÕs best-known literature, revealing its buried lessons and secrets.
How did the Bible we have come to be? What do biblical scholars mean when they talk about canon, the Septuagint, the Apocrypha, or the Masoretic Text? All this biblical study is interesting, but does it really matter? Leading international scholars explain that it does. This thought-provoking and cutting-edge collection will help you go deeper in your understanding of the biblical writings, how those writings became canonical Scripture, and why canon matters. Beginning with an explanation of the different versions of the Hebrew Bible, scholars in different areas of expertise explore the complexities and issues related to the Old and New Testament canons, why different Jewish and Christian communities have different collections, and the importance of canon to theology.
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
An album which distilled a genre from the musical, cultural, and social ether, Portishead's Dummy was such a complete artistic achievement that its ubiquitous successes threatened to exhaust its own potential. RJ Wheaton offers an impressionistic investigation of Dummy that imitates the cumulative structure of the album itself, piecing together interviews, impressions of time and place, cultural criticism, and a thorough exploration of the music itself. The approach focuses as much on the reception and response that Dummy engendered as it does on the original production of the album. How is that so many people have, collectively, made a quintessential headphone album into a nightclub album? How have they made the product of a niche local scene into an international success? This is the story of how an innovative, experimental album became the iconic sound for the better part of a decade; and an aesthetic template for the experience of music in the digital age.