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On the face and the self in Mark Flood's early work This book investigates a crucial period for the Houston-based artist Mark Flood (born 1957), from 1987 to 1992, during which he was still making and exhibiting work using his birth name, John Peters. Artist and editor Adam Marnie explores Flood's motif of the face and his use of personae, aliases and surrogates.
The United States has one of the largest and costliest flood control systems in the world, even though only a small proportion of its land lies in floodplains. Rivers by Design traces the emergence of the mammoth U.S. flood management system, which is overseen by the federal government but implemented in conjunction with state governments and local contractors and levee districts. Karen M. O’Neill analyzes the social origins of the flood control program, showing how the system initially developed as a response to the demands of farmers and the business elite in outlying territories. The configuration of the current system continues to reflect decisions made in the nineteenth century and early twentieth. It favors economic development at the expense of environmental concerns. O’Neill focuses on the creation of flood control programs along the lower Mississippi River and the Sacramento River, the first two rivers to receive federal flood control aid. She describes how, in the early to mid-nineteenth century, planters, shippers, and merchants from both regions campaigned for federal assistance with flood control efforts. She explains how the federal government was slowly and reluctantly drawn into water management to the extent that, over time, nearly every river in the United States was reengineered. Her narrative culminates in the passage of the national Flood Control Act of 1936, which empowered the Army Corps of Engineers to build projects for all navigable rivers in conjunction with local authorities, effectively ending nationwide, comprehensive planning for the protection of water resources.
The recent translation of a Babylonian tablet launches a groundbreaking investigation into one of the most famous stories in the world, challenging the way we look at ancient history. Since the Victorian period, it has been understood that the story of Noah, iconic in the Book of Genesis, and a central motif in Judaism, Christianity and Islam, derives from a much older story that existed centuries before in ancient Babylon. But the relationship between the Babylonian and biblical traditions was shrouded in mystery. Then, in 2009, Irving Finkel, a curator at the British Museum and a world authority on ancient Mesopotamia, found himself playing detective when a member of the public arrived at the museum with an intriguing cuneiform tablet from a family collection. Not only did the tablet reveal a new version of the Babylonian Flood Story; the ancient poet described the size and completely unexpected shape of the ark, and gave detailed boat building specifications. Decoding this ancient message wedge by cuneiform wedge, Dr. Finkel discovered where the Babylonians believed the ark came to rest and developed a new explanation of how the old story ultimately found its way into the Bible. In The Ark Before Noah, Dr. Finkel takes us on an adventurous voyage of discovery, opening the door to an enthralling world of ancient voices and new meanings.
Ever notice on a world map how all the continents look to have once fit together in one large piece that has since broken up? Pangaea Flood Mystery Solved sets out a long overdue picture of Earth’s ancient history. Taken from global historic records, archaeology, geology, oceanography, and fossil record, it strips away the nonscientific beliefs that have previously obscured the real facts, allowing a more comprehensive picture to emerge from the genuine puzzle pieces that once composed Earth’s single continent of Pangaea. From the dawn of time, man has asked where we came from and why we are here. Why have no definitive answers ever been found for these questions? And why do religious and evolutionary beliefs constantly clash? Could both be wrong?Without accurate historical records, humanity loses its true sense of identity. So what is the real scientific answer for man’s origin and earth’s ancient history?
The sequel to The Ark takes us back to the period afterood. Beautiful full-color etchings trace the establishment and development of communities on Earth. The scenes alternate between panoramic views and details of the people and animals as they rehabitate the world.
Presents the comprehensive evidence of a global Flood, yet is not overly technical. Explains "the true significance of the year-long, mountain-covering Deluge that buried and fossilized trillions of marine and land animals and plants only a few thousand years ago"--Page 11 (foreword by John C. Whitcomb).