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Reprint of the original, first published in 1877.
William Allan's Very Short Introduction provides a concise and lively guide to the major authors, genres, and periods of classical literature. Drawing upon a wealth of material, he reveals just what makes the 'classics' such masterpieces and why they continue to influence and fascinate today.
Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.
Excerpt from The Origin and Growth of the Roman Satiric Poetry The treatise of Casaubon and his edition of Persius, published in 1605, contained the first exhaustive account of the origin and growth of the Roman satiric poetry. His elaborate scrutiny and shrewd sense not only appreciated but answered all vital questions. So far was he in advance of his age, that more than two hundred years passed before his conclusions were questioned. Though many volumes were written in the seventeenth and eighteenth centuries, Ruperti, in 1801, simply reasserted on every essential point the judgment of Casaubon; and for the next thirty years his decisions were undisputed; so that in 1840 a learned critic found it "a weary task to revive discussions which had been handled and rehandled enough and more than enough." The last forty years, however, have changed the aspect of the subject. Hardly one of Casaubon's verdicts has been unassailed; hardly a year passes but some new light arises. The task may still be a weary one, but it is necessary; and the result is pleasant, for it throws us back on Casaubon, and shows that genius is as free of time in criticism as in philosophy or art. "Satira quidem," says Quintilian, "tota nostra est." Its root was as truly Roman as its growth. It arose in verse those rude outbursts in which the primitive Italians gave spontaneous expression to their mirth and mourning, to their gratitude and supplication. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Barbed and vivid details in Juvenal's satiric poetry reveal a highly complex critique of the breakdown of traditional Roman values