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"In honor of the Oriental Institute's centennial celebration, this special edition guide to 100 select highlights of the collections of the Oriental Institute Museum at the University of Chicago presents objects from ancient Mesopotamia, Syro-Anatolia, the Levant, Egypt, Nubia, and Persia. The guide features a history of the collections, new photography, provenance information, and a brief description of each object"--
Emily Teter, research associate at the Institute, has selected 62 works from the over 25,000 in the Egyptian collection at the Oriental Institute at the U. of Chicago to provide the general reader and visitor with a sample of the breadth and significance of this little published collection. In addition to the royal portraits and relief sculpture commonly associated with Egyptian art, some more unusual works are included, such as lamps, grooming implements, and games. A history of the collection, especially the role of James Henry Breasted, begins the volume. A glossary, bibliography, map, chronology, and three indexes are included. Distributed in the US by the David Brown Book Company. Annotation ♭2004 Book News, Inc., Portland, OR (booknews.com).
Hope for life after death is evidenced even in prehistoric times in Upper Egypt. The first written aids for attaining and supporting life in the hereafter were the Pyramid Texts inscribed within royal tombs towards the end of the Old Kingdom. In the Middle Kingdom, many texts were borrowed from the pyramid chambers and mingled with new spells; this new form, which today we call Coffin Texts, was usually written inside coffins. These eventually gave way to what we now know as the Book of the Dead. The collections of spells were usually written on rolls of papyrus, that is, in the form of an Egyptian book. Presented here are seventy Book of the Dead documents housed in the Oriental Institute Museum at the University of Chicago. These documents, represented in whole or in part - all Eighteenth Dynasty or later - include seven papyri, three coffins, a shroud, a statuette, three stelae or similar and fifty-five ushabties. This is the first digital reprint of the 1960 publication.
Discover how the ancient Egyptians controlled their immortal destiny! This book, edited by Foy Scalf, explores what the Book of the Dead was believed to do, how it worked, how it was made, and what happened to it.
In the winter of 1978, an extensive archaeological campaign was launched in the Hamrin Basin area in the east-central part of Iraq to salvage many archaeological sites before their flooding, due to the construction of a large dam. This volume documents the excavations carried out in two of the sites-Tell Abada and Tell Rashid-dating back to the Ubaid period in the fifth millennium BC. The first site (Tell Abada) is of particular importance; it is an almost complete village with three occupational levels unearthed. Several residential houses and buildings with distinctive architectural features are exposed. Industrial workshops dedicated to the manufacture of pottery vessels are present. Of express interest was the first-time discovery of pottery-making equipment, notably the potter's wheel. An equally exciting discovery is the presence of many fire installations dedicated to pottery vessels' ?burning. The pottery products are enormous, varied, and richly decorated, reflecting aesthetic features and agility. The presence of the pottery in a very well stratified sequence enhances our understanding of Ubaid pottery, clarifies its chronological classifications, and establishes cultural links with other Ubaid sites in the region. Among other remarkable discoveries are many infant burial urns, granaries, water ducts, and proto-tablets. The varied aspects of the cultural material revealed throughout the excavations provides significant insight into daily life, settlement patterns, craft specialization, religious practices, and socioeconomic status, and sheds new light on the Ubaid period in general in Mesopotamia.
This fully illustrated catalogue of essays, descriptions, and commentary accompanies the Oriental Institute special exhibit Picturing the Past: Imaging and Imagining the Ancient Middle East (on exhibit February 7 through September 2, 2012). Picturing the Past presents paintings, architectural reconstructions, facsimiles, models, photographs, and computer-aided reconstructions that show how the architecture, sites, and artifacts of the ancient Middle East have been documented. It also examines how the publication of those images have shaped our perception of the ancient world, and how some of the more "imaginary" reconstructions have obscured our real understanding of the past. The exhibit and catalog also show how features of the ancient Middle East have been presented in different ways for different audiences, in some cases transforming a highly academic image into a widely recognized icon of the past.
"This volume ... commemorates the OI at its centennial. ..."--Page xii.
First published in its English translation during World War II in 1944, the first part of this book is composed of lectures originally delivered (in German) during the pre-war period, whilst the second part of the book represents author Franz Werfel’s present point of view, arriving at the difficult conclusion that “complete human detachment is the first psychological symptom of spirituality...” “The outstanding contribution of this book is its frank rejection of the materialistic philosophy and an emphasis in favor of the spiritual interpretation of life. There are beautiful passages written with characteristic artistry.”—Kirkus Review