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The definitive work on the structure and capabilities of the organ throughout history, presenting a discussion of the organ's wind collecting and sound-producing portions as well as tuning and pitch and the individual characteristics of hundreds of organs in existence in famous cathedrals and elsewhere. The book also includes details on the structure and capabilities of the organ, with specifications and suggestive details for instruments of all sizes, intended as a handbook for the organist and the amateur. Edward J. Hopkins was Organist to the Honourable Societies of the Inner and Middle Temple. When originally published in 1877 this work contained an introduction, New History of the Organ by Edward F. Rimbault, which has now been published as a separate book instead of being included in this edition.
Hardcover reprint of the original 1870 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Hopkins, E. J. (Edward John). The Organ, Its History And Construction. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Hopkins, E. J. (Edward John). The Organ, Its History And Construction, . London, R. Cocks; New York, H. Bailiere, 1870. Subject: Organ Musical Instrument
The definitive work on the structure and capabilities of the organ throughout history, presenting a discussion of the organ's wind collecting and sound-producing portions as well as tuning and pitch and the individual characteristics of hundreds of organs in existence in famous cathedrals and elsewhere. The book also includes details on the structure and capabilities of the organ, with specifications and suggestive details for instruments of all sizes, intended as a handbook for the organist and the amateur. Edward J. Hopkins was Organist to the Honourable Societies of the Inner and Middle Temple. When originally published in 1877 this work contained an introduction, New History of the Organ by Edward F. Rimbault, which has now been published as a separate book instead of being included in this edition.
The definitive work on the structure and capabilities of the organ throughout history, presenting a discussion of the organ's wind collecting and sound-producing portions as well as tuning and pitch and the individual characteristics of hundreds of organs in existence in famous cathedrals and elsewhere. The book also includes details on the structure and capabilities of the organ, with specifications and suggestive details for instruments of all sizes, intended as a handbook for the organist and the amateur. Edward J. Hopkins was Organist to the Honourable Societies of the Inner and Middle Temple. When originally published in 1877 this work contained an introduction, New History of the Organ by Edward F. Rimbault, which has now been published as a separate book instead of being included in this edition.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1855 edition. Excerpt: ...by which means they are supported and steadied, without the touch being made heavier or more sluggish. A key down without 815. Occasionally a key will be found to have sunk, i. e. producing any sound....., ., .... TM, it will be down, without, however, causing any ciphering, lhis will arise from some connecting portion of the key movement having slipped or given way. For instance, it will occur if either of the tracker-hooks is broken; and it can, in that case, soon be remedied with a fresh piece of wire. Or, if the rollers are provided with wooden roller-arms, and the union of the roller-arms with the trackers is effected by means of tapped-wires and buttons, it will sometimes arise from the button slipping down the tapped-wire. In this case, all that is necessary to correct the disarrangement, is to screw the button up again, which is done by turning it to the right. The tracker, however, should be held firmly, immediately above the tapped-wire, to prevent its twisting, or a cause of second derangement may arise while the first is being removed. A dumb key will sometimes be caused by the breaking of a square, a casualty to which squares are very liable, if they are formed of one piece of wood only, so that the grain of the wood necessarily crosses one of the arms. To cure this fault thoroughly, and prevent its recurrence, a new and stronger square must be provided. The touch of the ma-816. In warm, dry weather, the touch sometimes becomes SntlS "shallow," and the pallets do not open sufficiently; contoo deep at others. sequently the pipes sound out of tune, from the inadequate supply of wind, particularly in the bass. In cold, wet weather, the touch, on the contrary, becomes " too deep;" which change renders the...
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Excerpt from The Organ, Its History and Construction Details for Instruments of All Sizes, Handbook for the Organist and the Amateur The Meaning of A Pair of Organs, 40. The Improved Key-board, and the Invention Monastic Organs in England, 43. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The definitive work on the structure and capabilities of the organ throughout history, presenting a discussion of the organ's wind collecting and sound-producing portions as well as tuning and pitch and the individual characteristics of hundreds of organs in existence in famous cathedrals and elsewhere. The book also includes details on the structure and capabilities of the organ, with specifications and suggestive details for instruments of all sizes, intended as a handbook for the organist and the amateur. Edward J. Hopkins was Organist to the Honourable Societies of the Inner and Middle Temple. When originally published in 1877 this work contained an introduction, New History of the Organ by Edward F. Rimbault, which has now been published as a separate book instead of being included in this edition.
Excerpt from The Story of the Organ The object of this little work is to give an outline of the history of that wonderful outcome of human ingenuity and skill known as the organ, from documentary evidence, apart from the vague speculations of Kircher and others. The known history of the organ begins with the machine of Ctesibius, of Alexandria, in which air was forced into a trumpet by the efforts of water to "rise to its own level." In mediaeval times the force of gravity replaced that of water, weights being placed on a bellows, from which the air was thus driven into the pipes with the requisite strength. Speculations as to the nature of the organs mentioned in Genesis and elsewhere in the Scriptures have no bearing on the history of the instrument, for when, during the Reformation, the Bible was translated into various modern languages, the translators, knowing nothing of the instruments there mentioned, simply made use of musical terms familiar to them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."