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Inspiration for the Netflix series Chico Bon Bon! Whether you need a beebersaw or a chisel, Chico Bon Bon's your monkey. He can build or fix just about anything—from a dock for the ducks to a clock for the Clucks, even a small roller coaster for local chipmunks. But will his tools and his sharp wit save him when an organ grinder sets his sights on making Chico a circus star? Chris Monroe's quirky hero and detailed illustrations will absorb readers in an entertaining adventure that shows there is an inventive way out of every problem—if you have the right tools.
A riveting saga of deceit, scandal, sex, greed and power I've traveled all over the world. I've stayed in the best hotels and eaten in the best restaurants. But that isn't me. I'm a simple man. I have simple tastes and I live in a simple house. But people who knew of my past life still want to know . . . what's it like? What's it like to work for the richest family on earth, the Royal Family of Brunei? "Well they have money and they spend it," I answer them. I tire of the subject. I know once they get a taste of the story, the questions will keep coming. "No," they answer. "That's not what I mean. What's it like to travel with the Royal Family? What are they like?" How can I answer that? What are they like? They are one of the last true monarchies here on earth. They still rule with a word and with a wave of their hand, no different than they did centuries ago. I worked for a true monarchy, which could have been taken straight out of the movie, "The King and I". There is not enough time in a day or even a week to tell them all there is to tell. Yet this story is true. It is no movie nor is it a fairy tale. I lived it. For a simple man like me who lives in a simple house, to become a slave of the highest order and to have lived in their world is still surreal. I see you interrupting me, "A slave you say. There are no longer any slaves." I scoff at you. I was indeed a slave. What do you call a person who has no life other than what the prince or princess gives them as their daily morsel. What do you call a man who does not sleep but maybe three hours a night waiting by the phone for orders or instructions for twelve years on end? Shall I tell those who ask that the work almost killed me several times over? Shall I tell them that I was indeed a slave who lost his wife because of years of neglecting her and who did not get to see his own children grow up? Shall I tell them of the deceit, lies, and backstabbing which were the normal part of my everyday existence. Shall I tell them that maybe only one out of ten thousand men could have done my job because of the miracles that they expected me to perform? No slaves indeed! Welcome to my life.
DigiCat Publishing presents to you this special edition of "Child Songs of Cheer" by Evaleen Stein. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Lowenkopf and Greeley are called in on a gruesome murder in a psychiatric facility in the Bronx, where the victim has had an internal organ removed and damaged, like other victims of the same killer. Lowenkopf goes undercover in the hospital and learns that a patient in a locked ward is taking credit for the crimes, sending out his spirit to avenge an old injury from a past life. Unwilling to believe his incredible story, but confronted with details only the killer should know, Lowenkopf and Greeley investigate the people around the boasting patient—his doctor, a social worker, and the staff of the hospital. But none of the candidates could possibly have committed the crimes, and Lowenkopf must solve a locked-room puzzle with a madman insisting on his guilt. The Organ Grinder’s Monkey is the 3rd book in the Allerton Avenue Precinct Novels, but you may enjoy reading the series in any order.
A schoolmaster in the heart of Africa takes his best and most attentive student, a chimp, to England. The chimp, Emily, has learned to read and obtained a classically trained mind. We listen as her thoughts become a searchlight upon the English culture of the 1920s. A remarkable social satire, and a best seller.
A young college grad buys a house in Detroit for $500 and attempts to restore it—and his new neighborhood—to its original glory in this “deeply felt, sharply observed personal quest to create meaning and community out of the fallen…A standout” (Kirkus Reviews, starred review). Drew Philp, an idealistic college student from a working-class Michigan family, decides to live where he can make a difference. He sets his sights on Detroit, the failed metropolis of abandoned buildings, widespread poverty, and rampant crime. Arriving with no job, no friends, and no money, Philp buys a ramshackle house for five hundred dollars in the east side neighborhood known as Poletown. The roomy Queen Anne he now owns is little more than a clapboard shell on a crumbling brick foundation, missing windows, heat, water, electricity, and a functional roof. A $500 House in Detroit is Philp’s raw and earnest account of rebuilding everything but the frame of his house, nail by nail and room by room. “Philp is a great storyteller…[and his] engrossing” (Booklist) tale is also of a young man finding his footing in the city, the country, and his own generation. We witness his concept of Detroit shift, expand, and evolve as his plan to save the city gives way to a life forged from political meaning, personal connection, and collective purpose. As he assimilates into the community of Detroiters around him, Philp guides readers through the city’s vibrant history and engages in urgent conversations about gentrification, racial tensions, and class warfare. Part social history, part brash generational statement, part comeback story, A $500 House in Detroit “shines [in its depiction of] the ‘radical neighborliness’ of ordinary people in desperate circumstances” (Publishers Weekly). This is an unforgettable, intimate account of the tentative revival of an American city and a glimpse at a new way forward for generations to come.
This read will take you on a real-life journey as peace officers are getting shot and desperately fight for their lives. These are not made up stories, but you will live the events as they actually happened. These stories are told by those officers who were shot, in a millisecond by millisecond, and bullet by bullet sequence. You will experience fear, anger, sadness, and happiness in the triumph of the human spirit, as you go through a profound emotional roller coaster ride that is extremely compelling. If you've ever wondered what it is really like to be in a gunfight, this is a must-read book. Many of these storytellers have received the Medal of Valor from their respective departments for their actions. One storyteller received the Congressional Badge of Bravery, an award that is rarely bestowed. All the locations are listed so the reader can access Internet maps, go to the street view and see the actual places where the shootings occurred. This is a one of kind read that will chill you, make you cry, and at the same time give you a new sense of respect for peace officers because of what they go through and the values they embrace.
From Tin Pan Alley to grand opera, player-pianos to phonograph records, David Suisman’s Selling Sounds explores the rise of music as big business and the creation of a radically new musical culture. Around the turn of the twentieth century, music entrepreneurs laid the foundation for today’s vast industry, with new products, technologies, and commercial strategies to incorporate music into the daily rhythm of modern life. Popular songs filled the air with a new kind of musical pleasure, phonographs brought opera into the parlor, and celebrity performers like Enrico Caruso captivated the imagination of consumers from coast to coast. Selling Sounds uncovers the origins of the culture industry in music and chronicles how music ignited an auditory explosion that penetrated all aspects of society. It maps the growth of the music business across the social landscape—in homes, theaters, department stores, schools—and analyzes the effect of this development on everything from copyright law to the sensory environment. While music came to resemble other consumer goods, its distinct properties as sound ensured that its commercial growth and social impact would remain unique. Today, the music that surrounds us—from iPods to ring tones to Muzak—accompanies us everywhere from airports to grocery stores. The roots of this modern culture lie in the business of popular song, player-pianos, and phonographs of a century ago. Provocative, original, and lucidly written, Selling Sounds reveals the commercial architecture of America’s musical life.
"If you wished you had someone like Larry David in Curb Your Enthusiasm in comics, then Mr. Butterchips is for you." - Shean Mohammed, Graphic Policy A collection of comic strips by Alex Schumacher featuring the maniacal monkey himself Mr. Butterchips
The very letters of the two words seem, as they are written, to redden with the blood-stains of unavenged crime. There is Murder in every syllable, and Want, Misery and Pestilence take startling form and crowd upon the imagination as the pen traces the words." So wrote a reporter about Five Points, the most infamous neighborhood in nineteenth-century America, the place where "slumming" was invented. All but forgotten today, Five Points was once renowned the world over. Its handful of streets in lower Manhattan featured America's most wretched poverty, shared by Irish, Jewish, German, Italian, Chinese, and African Americans. It was the scene of more riots, scams, saloons, brothels, and drunkenness than any other neighborhood in the new world. Yet it was also a font of creative energy, crammed full of cheap theaters and dance halls, prizefighters and machine politicians, and meeting halls for the political clubs that would come to dominate not just the city but an entire era in American politics. From Jacob Riis to Abraham Lincoln, Davy Crockett to Charles Dickens, Five Points both horrified and inspired everyone who saw it. The story that Anbinder tells is the classic tale of America's immigrant past, as successive waves of new arrivals fought for survival in a land that was as exciting as it was dangerous, as riotous as it was culturally rich. Tyler Anbinder offers the first-ever history of this now forgotten neighborhood, drawing on a wealth of research among letters and diaries, newspapers and bank records, police reports and archaeological digs. Beginning with the Irish potato-famine influx in the 1840s, and ending with the rise of Chinatown in the early twentieth century, he weaves unforgettable individual stories into a tapestry of tenements, work crews, leisure pursuits both licit and otherwise, and riots and political brawls that never seemed to let up. Although the intimate stories that fill Anbinder's narrative are heart-wrenching, they are perhaps not so shocking as they first appear. Almost all of us trace our roots to once humble stock. Five Points is, in short, a microcosm of America.