Download Free The Ordeal Of Mrs Snow Book in PDF and EPUB Free Download. You can read online The Ordeal Of Mrs Snow and write the review.

This Edgar Award–winning collection from the author behind the Peter Duluth novels delivers “a dozen shock treatments for varying degrees of murder” (Kirkus Reviews). Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.” This Edgar Award–winning short story collection introduces multiple murderers with a myriad of motives: In the title story, which was adapted for an episode of The Alfred Hitchcock Hour, a wealthy woman trapped in a vault passes the hours pondering her life and her loves as time—and her oxygen supply—runs out . . . In post–World War II Sicily, a visiting American discovers that his charity toward a young boy has ensnared him in a trap only a child could have dreamed up . . . A cheating husband planning on killing his wife learns that even the best-laid plans can go astray—especially if your wife is a lot smarter than you . . . A child writes down what she’s going to say in a court case, revealing the honest, innocent heart of a little girl—and the cold, calculating mind of a monster . . . Quentin’s collection of crimes “produces a cool chill and a calculated thrill” (Kirkus Reviews) and includes: “The Ordeal of Mrs. Snow,” “A Boy’s Will,” “Portrait of a Murderer,” “Little Boy Lost,” “Witness for the Prosecution,” “The Pigeon-Woman,” “All the Way to the Moon,” “Mother, May I Go Out to Swim?,” “Thou Lord Seest Me,” “Mrs. Appleby’s Bear,” “Love Comes to Miss Lucy,” and “This Will Kill You.”
Alfred Hitchcock: cultural icon, master film director, storyteller, television host, foodie. And as Jan Olsson argues in Hitchcock à la Carte, he was also an expert marketer who built his personal brand around his rotund figure and well-documented table indulgencies. Focusing on Hitchcock's television series Alfred Hitchcock Presents (1955-1962) and the The Alfred Hitchcock Hour (1962-1965), Olsson asserts that the success of Hitchcock's media empire depended on his deft manipulation of bodies and the food that sustained them. Hitchcock's strategies included frequently playing up his own girth, hiring body doubles, making numerous cameos, and using food—such as a frozen leg of lamb—to deliver scores of characters to their deaths. Constructing his brand enabled Hitchcock to maintain creative control, blend himself with his genre, and make himself the multi-million-dollar franchise's principal star. Olsson shows how Hitchcock's media brand management was a unique performance model that he used to mark his creative oeuvre as strictly his own.
This first act of a mystery series by an Edgar Award winner, Broadway producer/amateur sleuth Peter Duluth delivers “your money’s worth of theatrics” (Kirkus Reviews). Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.” Peter Duluth was once an up-and-comer on the Great White Way. But after his wife died, he dove into a bottle and stayed there. It’s only when he’s about to hit rock bottom that he decides to dry out, admitting himself into rehab to save his life. Unfortunately, Peter’s new home turns out to be even more dangerous than the outside world when a staff member is murdered, and a patient soon checks out in a similar manner. Peter thinks he may have an idea of what’s going on, but isn’t sure what he’s hearing and seeing is real, or if the DTs are still playing with his head. When a beautiful fellow patient falls under suspicion, Peter realizes that the deadly mystery is offering him not only a new life, but also a new love. All he has to do now is find a crazed killer in a place where crazy is the norm . . .
A woman’s hateful ex is murdered in Bermuda, in this mystery by the Edgar Award–winning author who wrote the Peter Duluth Mysteries as Patrick Quentin. Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.” After three years away, Kay Winyard must return to Bermuda to stop her young niece from wedding wealthy Ivor Drake. Her family sees the marriage as a boon to their sagging fortunes. But Kay knows his true nature from her own dalliance with the man. After she left him, he married another woman—whom he abused, tormented, and drove to suicide out of pure malice. Before Kay can convince her family of the truth, Ivor ends up dead from suspicious causes. Apparently, Kay was not alone in her feelings toward the man. But just because the victim was despised doesn’t mean the killer can simply get away with it . . .
The country doctor takes his sleuthing into the spiritual realm when otherworldly goings-on strike close to home in this classic Golden Age mystery. Summer finds Dr. Hugh Westlake taking over another doctor’s patients and living in his house. His next-door neighbors are a wealthy and influential family in the community, including leading investment banker Bruce Bannister. And soon, Hugh is drawn into quite the family drama . . . A nurse has joined the Bannisters to take care of the ailing Bruce. Not only is she the niece of his late first wife, but she’s a psychic to boot. When one of her séances leads to Bruce’s death, it’s by a most unnatural cause: poison, pointing to either suicide or murder. As Hugh investigates this bizarre mystery, another one soon unfolds. He’s attacked by someone outside of their house in a thoroughly macabre manner: his neck is bitten. Now Hugh has to resurrect ghosts from the family’s past to uncover the truth about a potential murderer, a possible vampire, and a snake in the grass . . . “Spiritualism and a maniac provide high scented red herrings. Suspense well-handled and solution satisfactory.” —Kirkus Reviews
Winner of the Mystery Writers of America's 2021 Edgar Allan Poe Award for Best Critical/Biographical In 1933, Joan Harrison was a twenty-six-year-old former salesgirl with a dream of escaping both her stodgy London suburb and the dreadful prospect of settling down with one of the local boys. A few short years later, she was Alfred Hitchcock's confidante and one of the Oscar-nominated screenwriters of his first American film, Rebecca. Harrison had quickly grown from being the worst secretary Hitchcock ever had to one of his closest collaborators, critically shaping his brand as the "Master of Suspense." Harrison went on to produce numerous Hollywood features before becoming a television pioneer as the producer of Alfred Hitchcock Presents. A respected powerhouse, she acquired a singular reputation for running amazingly smooth productions— and defying anyone who posed an obstacle. She built most of her films and series from the ground up. She waged rough-and-tumble battles against executives and censors, and even helped to break the Hollywood blacklist. She teamed up with many of the most respected, well-known directors, writers, and actors of the twentieth century. And she did it all on her own terms. Author Christina Lane shows how this stylish, stunning woman became Hollywood's most powerful female writer-producer—one whom history has since overlooked.
It’s homicide on the high seas in this “A 1 mystery” by the Edgar Award–winning author who wrote the Peter Duluth Mysteries as Patrick Quentin (Kirkus Reviews). Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.” Cub reporter Mary Llewellyn is on a soothing sea cruise to help her recover after a minor operation. Her fellow passengers are pleasant enough, gathering to play a friendly game of bridge to pass the time. But the game turns considerably less so when a wealthy businessman samples a cocktail—and ends up dead at the table. The news that someone on board dumped a fatal dose of strychnine into the man’s drink sends a ripple of panic through the voyagers. All too soon, it becomes clear that the murder was not an isolated incident when another passenger is shoved overboard during a storm. Determined to stop a murderer, Mary decides to do some snooping above and below deck to get to the truth. If she doesn’t figure out the mystery of the seagoing slayer, she might not make it back to land alive.
Describes more than 80 full-length plays produced in the last quarter of the 20th century, with an emphasis on New York and London performances.