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This volume provides a complete translation of, and historical and historiographical commentary on, the lives of the ten Attic orators given by Pseudo-Plutarch, Photius, and the Suda. Assessing these works as important historical sources for the individual lives and careers of the orators whose works have survived, this systematic study explores how these literary biographies were constructed, the information they provide, and their veracity. In-depth commentary notes offer contextual information, explain references and examine individual rhetorical phrases, and a glossary of technical terms provides a quick reference guide to the more obscure oratorical and political terms. The volume also includes a detailed introduction which discusses the evolution of Greek oratory and rhetoric; the so-called Canon of the Ten Orators; the authorship, dates, and sources of the biographies provided by Pseudo-Plutarch, Photius, and the Suda; and a brief consideration of orators whose speeches were either falsely attributed to Demosthenes or may be referenced in the ancient lives.
In this prize-winning book, Bruce Kimball provides a cogent study of the historical evolution of the idea of liberal education. Clearly and forcefully argued, the book portrays this evolution as a struggle between two contending points of view - one oratorical and the other philosophical - that have interacted, often controversially, from antiquity to the present.
This study reads Auden's poetry and plays through the shifts from modernism to postmodernism. It analyses the experiments in Auden's writings for their engagement with crucial contemporary problems: that of the individual in relation to others, loved ones, community, society, but also transcendental truths. It shows that rather than providing firm answers, Auden's poetry emphasises the absence of certainties. Yet far from becoming nihilistic, it generates hope, affection, and most importantly an ethical challenge of responsibility out of its discoveries.
A twelve-volume textbook on the theory and practice of rhetoric
Oratory emerged as the first major form of verbal art in early America because, as John Quincy Adams observed in 1805, "eloquence was POWER." In this book, Sandra Gustafson examines the multiple traditions of sacred, diplomatic, and political speech that flourished in British America and the early republic from colonization through 1800. She demonstrates that, in the American crucible of cultures, contact and conflict among Europeans, native Americans, and Africans gave particular significance and complexity to the uses of the spoken word. Gustafson develops what she calls the performance semiotic of speech and text as a tool for comprehending the rich traditions of early American oratory. Embodied in the delivery of speeches, she argues, were complex projections of power and authenticity that were rooted in or challenged text-based claims of authority. Examining oratorical performances as varied as treaty negotiations between native and British Americans, the eloquence of evangelical women during the Great Awakening, and the founding fathers' debates over the Constitution, Gustafson explores how orators employed the shifting symbolism of speech and text to imbue their voices with power.
This work is an in-depth analysis of the full breadth of Sojourner Truth's public discourse that places it in its proper historical context and explores the use of humor and narratives as primary rhetorical strategies used by this illiterate ex-slave to create a powerful public persona. The book provides a comprehensive survey of the life of Sojourner Truth, and includes a unique and authoritative compilation of primary rhetorical documents, such as speeches, songs, and public letters. This is the only major work to date that analyzes the breadth of Sojourner Truth's public discourse. The volume includes a complete and authoritative compilation of her extant rhetoric, including several versions of the same speech, reports of her speaking appearances, public letters published by Truth in newspapers, and songs written and performed by her as part of her public lectures. Three chapters address the rhetorical dimensions of Truth's public persona. First, an historical survey contextualizes her life and speaking from slave to reformer, placing into perspective the variety of experiences that comprised her background. Second, an analysis of Truth's use of humor focuses upon how she employed the strategies of superiority and incongruity in her refutation of opponents and the establishment of her own credibility. Third, a critique of Truth's use of narratives in her discourse reveals how both her speeches and songs rely upon three fundamental stories for their persuasive impact: her slave life and religious conversion, her use of the black jeremiad to portray race differences, and her tales of woman's strength and moral conviction. The volume concludes with a consideration of Truth's status as a folk legend and how she wished to be remembered.
When The Orators was originally published in 1932 it was described by Poetry Review as 'something as important as the appearance of Mr Eliot's poems fifteen years ago'. A long poem written in both prose and verse, it was a powerful addition to the canon of modernist poetry.
First systematic critique of the rhetoric of 21 presidents focusing on the nexus of oratory and politics.
Reprint of the original, first published in 1881.