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The most complete history of Western divinatory geomancy in English plus detailed instructions for its practice.
In the Geomancer's Handbook the renowned contemporary mage and geomancer John Michael Greer explains this ancient divinatory art clearly and succinctly, allowing the practitioner quick mastery of this precise and accurate method of prediction. Because geomancy uses a good deal of astrological technique, it is an excellent predictive method for astrologers without requiring the arduous effort necessary to learn traditional horary astrology.Greer combines teachings from traditional texts with his own deep knowledge of geomancy, distilling the essence of geomancy. A fascinating explanation of divinatory geomancy by the leading contemporary geomancer!
Here is a complete guide to the lost art of geomancy - one of the major divination systems that are part of the Western magical tradition.Geomancy is simple, quick, and direct - anyone can get answers to any question in a matter of moments by learning how to read the patterns revealed by the 16 symbolic figures formed of single and double points. During the Middle Ages and Renaissance, geomancy was used by everyone from popes to peasants because it provided practical, useful results.Often mistaken for feng shui or ley lines, or hidden within poorly explained tables and charts, geomancy has become something of a lost art - until now. Earth Divination, Earth Magic provides a fascinating look into the history, theory, and practice of geomancy, including a thorough set of instructions for both casting and interpreting a chart for yourself, or a friend.
Geomancy, or "divining by means of the earth," was originally carried out by making marks in the dirt with a divining stick and then determining the geomantic symbols from these marks. It's based on the idea that our movement is influenced by the energies in circulation within and around us. This book explains the modern method of geomancy using just a writing tool and a piece of paper to obtain incredibly in-depth information. There are 16 geomantic symbols that correspond to planetary energies and zodiacal signs. The book explains the symbols, how to compile them, and how to read them. The three geomancy methods described herein are very simple but provide different levels of information. Included are 2,048 answers to 16 common questions and blank geomantic charts that you can photocopy to use for your divinations.
This practical book shows you how to use Geomancy to tell the future, find out hidden things and answers to perplexing questions, as well as helping in everyday decisions and solving of major life-changing dilemmas. Like the I Ching, geomancy gives counsel concerning the right action or the most profitable action. As long as the initial figure is derived from earth, then the answers will be sound. This means that pencil dashes on paper are not enough, the initial figure must be generated with a wand used with a bed of earth or sand. Astrology divines by the stars, geomancy by the earth. Taken together as astro-geomancy (see chapter 10) they form a unique practical system for delving into the configurations of the present and their likely outcomes in the future.
Self-initiation into practical magic with clear instructions on how to perform invocation and evocations, achieve astral projection, make effective talismans, or practice divination using either geomancy, tarot or I Ching. Useful for a complete beginner or those further along the path.
Explains the fundamentals of feng shui with instructions, diagrams, and photographs, revealing how simple changes to the home can improve romance, health, and prosperity.
This is a re-release of Stephen Skinner's first book on magic (written jointly with Nevill Drury) which is organised as a collection of essays. At the time it broke a lot of new ground, and was enthusiastically reviewed by Colin Wilson who wrote, The authors of this book represent a new phenomenon: the serious study of the practice of magic. ... What is so interesting about this latest wave of occultism is it is more sober and rational than any of its predecessors. These practicing magicians have decided that there is something in magic, something as objective as radio waves. They have set out to investigate it in a spirit in which Yeats romanticism combines with scientific empiricism. They seem determined to get to the bottom of it, or at least, to go further in understanding it than any of their predecessors have attempted. After setting the scene with essays on the Gnostics, the Rosicrucians and the Hermetic Order of the Golden Dawn, the book moves on to modern magicians such as Austin Osman Spare. In fact, apart from one privately printed monograph, this was the first book to explain Spare's genius and his system of sigil magic, long before his Zos-Kia cultus became popular in the occult world. The connection between magic and the hippie culture is examined in the context of Carlos Casteneda, and original material on Surrealist art and astral projection rounds off the book.
Have you ever lost an important object? Are you taking on a new job? Looking for buried treasure? The Art and Practice of Geomancy teaches readers how to divine the answers to life’s everyday questions about health, luck, new jobs, and love, as well as those less mundane tasks such as finding buried treasure, predicting the weather, being released from prison, and identifying secret enemies. Greer delivers to readers an ancient system of divination in an easy-to-use form requiring little more than a pen and a piece of paper. Using a system of counting odd and even numbers—from a deck of cards, a roll of the dice, or even by hitting sand or dirt with a stick to generate patterns—readers learn how to cast their own geomantic chart. And for those who wish to delve further, he offers exercises for geomantic meditation and ritual magic. The Art and Practice of Geomancy will appeal to pagans, followers of the Western Mystery tradition, scholars of folk magic and divination, and anyone who wants to take their past, present, and future into their own hands.
Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR