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"In The Opposite of Desire, Tonya Krouse argues that explicit depictions of sex and sexuality operate as central sites of modernist aesthetic experimentation. To explore the aesthetic repercussions of these scenes in the novels of Virginia Woolf, D. H. Lawrence, and James Joyce, Krouse resists the common critical approach of reading such representations through theories of desire, obscenity, or pornography. Instead, she examines these depictions in terms of "the opposite of desire," or pleasure, and this approach allows Krouse to historicize these novelists' preoccupations with entering into discourses on sex and sexuality." "Examining explicit representations of sex and sexuality in modernist novels, Krouse asserts that these scenes provide a lens through which to examine modernist aesthetic interests as well as the centrality of issues surrounding sex, sexuality, and gender in the modernist period. Approaching scenes of sex and sexuality with the aid of Michel Foucault's theories about sexual discourses, The Opposite of Desire thoroughly examines modernist attempts to put pleasure into representation."--BOOK JACKET.
Most people have wondered whether anything really matters, some have temporarily thought that nothing really matters, and some philosophers have defended the view that nothing really matters. However, if someone thinks that nothing matters--if they are a "nihilist about value"--then it seems that it is irrational for them to care about anything. It seems that nihilism about value mandates total indifference. This is the "problem of nihilism" Allan Hazlett addresses in The Epistemology of Desire and the Problem of Nihilism. Hazlett argues that the problem of nihilism arises because desire--and thus caring--is a species of evaluation that admits of irrationality. This contradicts the influential Humean view that desire does not admit of irrationality, which has a ready solution to the problem of nihilism: since desire does not admit of irrationality, it cannot be irrational to care about something that you believe does not matter. However, following G.E. Anscombe, Hazlett argues that desire has the same relationship to goodness as belief has to truth: just as truth is the accuracy condition for belief, goodness is the accuracy condition for desire. This reveals desire as an appropriate target of epistemological inquiry, in the same way that belief is an appropriate target of epistemological inquiry. Desires can amount to knowledge (in the same way that beliefs can amount to knowledge) and, crucially for the problem of nihilism, desire admits of irrationality (in the same way that belief admits of irrationality). Nevertheless, although it is obviously irrational to believe something that you believe is not true, Hazlett argues that it is not irrational to desire something you believe is not good, despite the fact that goodness is the accuracy condition for desire. This provides a solution to the problem of nihilism, and shows that nihilism about value can coherently be combined with the anti-Humean view that desire is a species of evaluation.
The Enigma of Desire: Sex, Longing and Belonging in Psychoanalysis, introduces new perspectives on desire and longing, in and outside of the analytic relationship. This exciting volume explores the known and unknown, ghosts and demons, sexuality and lust. Galit Atlas discusses the subjects of sex and desire and explores what she terms the Enigmatic and the Pragmatic aspects of sexuality, longing, female desire, sexual inhibition, pregnancy, parenthood and creativity. The author focuses on the levels of communication that take place in the most intimate settings: between mothers and their babies; between lovers; in the unconscious bond of two people— in the consulting room, where two individuals sit alone in one room, looking and listening, breathing and dreaming. Atlas examines the ways in which different languages, translations and integrations focus on birth, death, sexuality, and human bonds. In The Enigma of Desire each chapter opens with a narrative, a therapeutic story which illustrates both the analyst’s and patient’s desires and the ways these interact and emerge in the consulting room. This book will be of interest to anyone who is interested in the intricacies of sex and desire and of great appeal to psychoanalysts, therapists and mental health professionals.
14-year-old born blind Luciana and 28-year-old Russian emigrant Max; two romantic, intelligent and disadvantaged people in Australia, who struggle to find their place in society, but find themselves in rather awkward situations instead. They enjoy communicating with each other by email, but fail to meet in person, although the vicissitudes of fate confront them again and again... The book consists of two parts; Part One is narrated by Luciana, while Part Two contains Max's notes. The humour of the characters is sad and ironic, sometimes rising to outright sarcasm. Their comments are honest, though not void of certain controversy, bias and exaggeration. Complementing each other, they allow to observe the described events from different viewpoints and obtain impartial judgment about the heroes and their actions. The novel contains nude scenes and references to adult themes, however its scope is far wider than that.
Ad hoc and interdisciplinary, the field of interaction design claims no unified theory. Yet guidelines are needed. In essays by 26 major thinkers and designers, this book presents the rich mosaic of ideas which nourish the lively art of interaction design. The editors introduction is a critical survey of interaction design with a debt and contribut
A masterpiece of Arabic love poetry in a new and complete English translation The Translator of Desires, a collection of sixty-one love poems, is the lyric masterwork of Muhyiddin Ibn ‘Arabi (1165–1240 CE), one of the most influential writers of classical Arabic and Islamic civilization. In this authoritative volume, Michael Sells presents the first complete English translation of this work in more than a century, complete with an introduction, commentary, and a new facing-page critical text of the original Arabic. While grounded in an expert command of the Arabic, this verse translation renders the poems into a natural, contemporary English that captures the stunning beauty and power of Ibn ‘Arabi’s poems in such lines as “A veiled gazelle’s / an amazing sight, / her henna hinting, / eyelids signalling // A pasture between / breastbone and spine / Marvel, a garden / among the flames!” The introduction puts the poems in the context of the Arabic love poetry tradition, Ibn ‘Arabi’s life and times, his mystical thought, and his “romance” with Niẓām, the young woman whom he presents as the inspiration for the volume—a relationship that has long fascinated readers. Other features, following the main text, include detailed notes and commentaries on each poem, translations of Ibn ‘Arabi’s important prefaces to the poems, a discussion of the sources used for the Arabic text, and a glossary. Bringing The Translator of Desires to life for contemporary English readers as never before, this promises to be the definitive volume of these fascinating and compelling poems for years to come.
In this book, Professor Jeanine Grenberg defends the idea that Kant's virtue theory is best understood as a system of eudaemonism, indeed, as a distinctive form of eudaemonism that makes it preferable to other forms of it: a system of what she calls Deontological Eudaemonism. In Deontological Eudaemonism, one achieves happiness both rationally conceived (as non-felt pleasure in the virtually unimpeded harmonious activity of one's will and choice) and empirically conceived (as pleasurable fulfilment of one's desires) only via authentic commitment to and fulfilment of what is demanded of all rational beings: making persons as such one's end in all things. To tell this story of Deontological Eudaemonism, Grenberg first defends the notion that Kant's deontological approach to ethics is simultaneously (and indeed, foundationally, and most basically) teleological. She then shows that the realization of an aptitude for the virtuous fulfilment of one's obligatory ends provides the solid basis for simultaneous realization of happiness, both rationally and empirically conceived. Along the way, she argues both that Kant's notion of happiness rationally conceived is essentially identical to Aristotle's conception of happiness as unimpeded activity, and that his notion of happiness empirically conceived is best realized via an unwavering commitment to the fulfilment of one's obligatory ends.