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Written in real time, as the Nazis consolidated their power over the winter of 1933, The Oppermanns captures the fall of Weimar Germany through the eyes of one bourgeois Jewish family, shocked and paralyzed by an ideology they cannot comprehend. In the foment of Weimar-era Berlin, the Oppermann brothers represent tradition and stability. One brother oversees the furniture chain founded by their grandfather, one is an eminent surgeon, one a respected critic. They are rich, cultured, liberal, and public spirited, proud inheritors of the German enlightenment. They don’t see Hitler as a threat. Then, to their horror, the Nazis come to power, and the Oppermanns and their children are faced with the terrible decision of whether to adapt—if they can—flee, or try to fight. Written in 1933, nearly in real time, The Oppermanns captures the day-to-day vertigo of watching a liberal democracy fall apart. As Joshua Cohen writes in his introduction to this new edition, it is “one of the last masterpieces of German-Jewish culture.” Prescient and chilling, it has lost none of its power today.
Gustav Oppermann, who runs a chain of furniture stores, and the other members of his Jewish family face the terrifying rise of Nazism in Germany.
On August 4, 1940, an unassuming American journalist named Varian Fry made his way to Marseilles, France, carrying in his pockets the names of approximately two hundred artists and intellectuals – all enemies of the new Nazi regime. As a volunteer for the Emergency Rescue Committee, Fry's mission was to help these refugees flee to safety, then return home two weeks later. As more and more people came to him for assistance, however, he realized the situation was far worse than anyone in America had suspected – and his role far greater than he had imagined. He remained in France for over a year, refusing to leave until he was forcibly evicted. At a time when most Americans ignored the World War II atrocities in Europe, Varian Fry engaged in covert operations, putting himself in great danger, to save strangers in a foreign land. He was instrumental in the rescue of over two thousand refugees, including the novelist Heinrich Mann and the artist Marc Chagall.
From one of The New Yorker’s most revered writers comes “a brilliant collection” (The New York Times Book Review) about women in love affairs, friendships, marriages, and families—from Virginia Woolf and Flaubert’s mistress to Russian novelist Nina Berberova and English naturalist Miriam Rothschild. In these fourteen essays, Fraser focuses on women in love affairs, friendships, marriages, and families; in relation to one another and to the talented men who so often rendered them invisible. In Ornament and Silence we see Virginia Woolf, haunted and eventually destroyed by the sexual secrets of her childhood. We meet Flaubert's theatrically importunate mistress, Louise Colet, the one woman who could briefly slip past the master's misogyny. Fraser offers vibrant portraits of the Russian novelist Nina Berberova and the English naturalist Miriam Rothschild. And here is Fraser herself, learning her craft at The New Yorker, tending her English garden and—on every page—delighting us with the manifold felicities of her prose.
Belligerent and evasive, Josef von Sternberg chose to ignore his illegitimate birth in Austria, deprived New York childhood, abusive father, and lack of education. The director who strutted onto the set in a turban, riding breeches, or a silk robe embraced his new persona as a world traveller, collected modern art, drove a Rolls Royce, and earned three times as much as the president. Von Sternberg traces the choices that carried the unique director from poverty in Vienna to power in Hollywood, including his eventual ostracism in Japan. Historian John Baxter reveals an artist few people knew: the aesthete who transformed Marlene Dietrich into an international star whose ambivalent sexuality and contradictory allure on-screen reflected an off-screen romance with the director. In his classic films The Blue Angel (1930), Morocco (1930), and Blonde Venus (1932), von Sternberg showcased his trademark visual style and revolutionary representations of sexuality. Drawing on firsthand conversations with von Sternberg and his son, Von Sternberg breaks past the classic Hollywood caricature to demystify and humanize this legendary director.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
In a gripping dystopian novel, four teenagers risk impossible odds to fight against tyranny in a world of dangerous choices -- and reemerging hope. (Age 14 and up) Escape. Milena, Bartolomeo, Helen, and Milos have left their prison-like boarding schools far behind, but their futures remain in peril. Fleeing across icy mountains from a terrifying pack of dog-men sent to hunt them down, they are determined to take up the fight against the despotic government that murdered their parents years before. Only three will make it safely to the secret headquarters of the resistance movement. The fourth is captured and forced to participate in a barbaric game for the amusement of the masses -- further proof of the government’s horrible brutality. Will the power of one voice be enough to rouse a people against a generation of cruelty? Translated from the French, this suspenseful story of courage, individualism, and freedom has resonated with young readers across the globe.
To readers familiar with Lars Gustafsson's work, the playful philosophizing of Sigsmund will come as no surprise, as he leisurely pulls together seeming fragments into a narrative of 1970s Berlin that at once looks back to Homer, Dante, and the Faust legend and ahead to space warfare and intergalactic travel, childhood memories of Sweden, Marxist-Leninism, sports competition, art, epistemology, daydreams--nothing is excluded from the purview of Gustafsson's lighthearted humanism. And behind it all broods the restless spirit of the author's alter ego, the warring king, Sigismund III of Poland (d. 1632).
The return of a “superb” forgotten masterpiece about a young couple living in Weimar Germany during the Nazi’s rise to power (Graham Greene) Written just before the Nazis came to power, this darkly enchanting novel tells the simple story of a young couple trying to eke out a devent life amidst an economic crisis that’s transforming their country into a place of anger and despair. It was an international bestseller upon its release, and made into a Hollywood movie—by Jewish producers, which prompted the rising Nazis to begin paying ominously close attention to Hans Fallada, even as his novels held out stirring hope for the human spirit. Ultimately, it is the book that led to Hans Fallada’s downfall with the Nazis. It is presented here in its first-ever uncut translation, by Susan Bennett, and with an afterword by Philip Brady that details the calamitous background of the novel, its worldwide reception, and how it turned out to be, for the author, a dangerous book. “Painfully true to life . . . I have read nothing so engaging as Little Man, What Now? for a long time.” —Thomas Mann