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A moving exploration of what it means to be an American born and reared abroad
The Iraq War has unleashed such a torrent of opinion - impassioned polemic, neo-con apologia, world-weary cynicism - that it feels like the important truths are being lost in a media feeding-frenzy. Eliot Weinberger eschews the rehtoric of the soapbox in an extraordinary montage of facts, sound bites and testimonies. He assembles an uncompromising and blackly comic narrative, which permits the voices of the war to speak for themselves, and allows the protagonists to damn themselves in their own words. This pocket-sized volume is vast in scope, a work unlike any other you have read on Iraq, which finds an unexpected eloquence in its refusal to join in the facile grand-standing and selective amnesia of so much contemporary commentary.
Autobiography -- World War II Why did the German people tolerate the Nazi madness? Maria Ritter's life is haunted by the ever-painful, never-answerable German Question. Who knew? What was known? Confronting the profound silence in which most postwar Germans buried pain and shame, she attempts in this memoir to give an answer for herself and for her generation. Sixty years after the defeat of Nazi Germany, she reflects on the nation's oppressive burden and the persecution of the contemporary consciousness. 'We received what we deserved, ' my grandfather said after the war, and I believed him. His stare out the window spoke of bitterness and solemn resignation in the face of God's punishment and pity for us all. In probing the dark shadows of wartime, she reconstructs the voice of her childhood. With a determined search for remnants of her past during a visit to her homeland, Ritter retrieves memories and emotions from places, personal stories, and letters. As she interweaves them with events in her family's struggle to survive the war and its aftermath, she creates a tragic tapestry. She recalls the weary odyssey from Poland to Leipzig with refugees in 1943 and remembers being sheltered there beside her grandfather. She returns to Dresden to rekindle memories of the firebombing in 1945. She revisits the remote Saxony countryside where she and her mother crossed the border from East to West Germany in flight from the Communists in 1949. She relives the pain of learning that her father will never return from the war. On a Memorial Day many years later, Ritter's longstanding, unresolved grief overflows as she writes a posthumous letter to him. She suffers in the heartbreaking memory of her valiant mother, who overcame loss and grief along the road to freedom and a new home. Ritter's memoir sweeps through German history of the 1930s and '40s as she meditates on how she and her people figure in the tragic story of defeat and debacle. In her recollections, in listening to the voices of her kin, and in speaking out about the past, she finds the humane way to healing and reconciliation. Maria Ritter is a clinical psychologist in San Diego, California.
While undergoing routine surgery to remove a benign tumor, Ruby Elzy died. She was only thirty-five. Had she lived, she would have been one of the first Black artists to appear in grand opera. Although now in the shadows, she was a shining star in her day. She entertained Eleanor Roosevelt in the White House. She was Paul Robeson's leading lady in the movie version of The Emperor Jones. She starred in Birth of the Blues opposite Bing Crosby and Mary Martin. She sang at Harlem's Apollo Theater and in the Hollywood Bowl. Her remarkable soprano voice was known to millions over the radio. She was personally chosen by George Gershwin to create one of the leading roles in his masterpiece, that of Serena in the original production of Porgy and Bess. Her signature song was the vocally demanding “My Man's Gone Now.” From obscurity she had risen to great heights. Ruby Pearl Elzy (1908-1943) was born in abject poverty in Pontotoc, Mississippi. Her father abandoned the family when she was five, leaving her mother, a strong, devout woman, to raise four small children. Ruby first sang publicly at the age of four and even in childhood dreamed of a career on the stage. Good fortune struck when a visiting professor, overwhelmed upon hearing her beautiful voice at Rust College in Mississippi, arranged for her to study music at Ohio State University. Later, on a Rosenwald Fellowship, she enrolled at the Juilliard School in New York City. After more than eight hundred performances in Porgy and Bess, she set her sights on a huge goal, to sing in grand opera. She was at the peak of her form. While she was preparing for her debut in the title role of Verdi's Aida, tragedy struck. During her brief career, Ruby Elzy was in the top tier of American sopranos and a precursor who paved a way for Leontyne Price, Jessye Norman, Kathleen Battle, and other black divas of the operatic stage. This biography acknowledges her exceptional talent, recognizes her contribution to American music, and tells her tragic yet inspiring story.
At least one sibling in each family shown in this book has a disability. And like all siblings they play, squablle, and work together to solve their differences.
Documents the arc of Leibovitz's relationship with her companion, Susan Sontag, who died in 2004; the birth of her three daughters; and many events involving her large and robust family, including the death of her father. This book also features the portraits of public figures including the pregnant Demi Moore, and Nelson Mandela in Soweto.
Tennessee football is hundreds of victories, the giant stadium, passionate fans, sensational statistics, unforgettable plays, unbelievable stories--Jack Reynolds hacksawing his Jeep in half, Richmond Flowers racing a quarter-horse, Peyton Manning dropping his drawers. Tennessee football is the checkerboard end zone and the Pride of the Southland band and nicknames like Bad News and Wild Bull and Swamp Rat. It is that 1928 con job and the stunning triumph over Alabama. It is the series of miracles that produced the national championship of 1998. Tennessee football is long runs and long passes and long punts and 161 extra points in a row. It is a million memories of pancake blocks, knockout tackles, impossible interceptions, missed calls and fumbles lost and found. Tennessee football is fantastic comebacks and horrendous upsets and the wonderful, awful difference in winning and losing. What is Tennessee football? It's really the men who put on the pads, pull on the jersey and fasten the chin strap. Their names are carved in marble on the Tennessee wall of fame. The are unforgettable. A chosen few are bigger than life. They are the legends. It's easier to be a Tennessee legend if you could get your hands on the football--Johnny Majors, Hank Lauricella, Willie Gault. If you didn't run with it or throw it or catch it, next best thing was to chase it--Doug Atkins, Steve Kiner, Reggie White. The deck is stacked against offensive linemen. To qualify, they must be extra legendary. Generally speaking, legends, like good wine and cheese, need a little age. It is often said that the best football players get better and better at Tennessee, beginning about 10 years after eligibility expires. Thatsaid, three are in this book as young legends, so ordained without benefit of gray beards or rocking chairs. There hasn't been and may never be a more memorable quarterback than Peyton Manning. Al Wilson was the heart and soul of the national championship team of 1998. John Henderson was America's best defensive lineman in 2000. Three cheers for the legendary Volunteers, hip, hip, hooray...
Jamie describes her best friend Will, who has autism, and how he is the same as her and different from her.