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Originally published in 1975. The French Revolution generated a wave of popular piety and religious excitement in both France and England, where millenarians—prophets of the millennium—attempted to interpret the Revolution as the fulfillment of the predictions of Daniel and St. John the Divine. This study discusses the millenarian ideal in the context of the intellectual and religious attitudes of the time. Rejecting interpretations of millenarianism that chalk it up to class struggle or mass hysteria, Garrett stresses the interaction between politics and religion, viewing the phenomenon as the interpretation, by a varied assortment of individuals, of coincident political events in eschatological terms. Faced with a change as significant as the French Revolution, people found in the prophetic books of the Bible an understanding of what was happening to them. If the Revolution was God's will, if its development had been foretold, then surely the final outcome would be beneficial, at least for the faithful. Political events became eschatological events, and dangers and misfortunes became simply the chastisements that a fallen world must undergo before the Second Coming of Jesus Christ can redeem it. Although some of the beliefs may now seem bizarre, Garrett shows that, at the time, they attracted many followers for whom these ideas were both reasonable and respectable. Focusing on the careers of three millenarians—Suzette Labrousse, Catherine Théot, and Richard Brothers—Garrett tries to understand these prophets as persons rather than dismiss them as fanatics. Their prominence resulted from their success in transmitting a new political consciousness through familiar religious imagery. While the Revolution gave urgency and tangible reality to millenarian convictions, Labrousse, Théot, and others were convinced, well before the Revolution, that they were the bearers of divine revelations and thus welcomed the Revolution as confirmation of their own missions.
Patterns in Twentieth-Century European Thought contains interpretive essays in the history of the century's Marxism, psychoanalysis, quantum physics, logic, language theory, philosophy, art, literature, and theology. A concluding essay argues that the philosophy and social theory - not to mention the physics and theology - constitute a twentieth-century Counter-Enlightenment that has replaced the Cartesian- and Newtonian-based Enlightenment of the eighteenth century.
A fascinating glimpse into the history of sexual perversions and diversions including fetishism, cross-dressing, 'effeminate' men and 'masculinized' women, sodomy, tribadism, masturbation, necrophilia, rape, paedophilia, flagellation, and sado-masochism, asking how these sexual inclinations were viewed at a particular time in history.
Vice and the Victorians explores the ways the Victorian world gave meanings to the word 'vice', and the role this complex notion played in shaping society. Mike Huggins provides a richer and more nuanced understanding of a term that, despite its vital importance to the Victorians, has thus far lacked a clear definition. Each chapter explores a different facet of vice. Firstly, the book seeks to define exactly what vice meant to the Victorians, exploring how the language of vice was used as a tool to beat down opposition and dissent. It considers the cultural geography and spatial dimensions of vice in the public and private spheres, before moving on to look at specific vices: the unholy trinity of drink, sex and gambling. Finally, it shifts from vice to virtue and the efforts of moral reformers, and reassesses the relationship between vice and respectability in Victorian life. In his lively and engaging discussion, Mike Huggins draws on a range of theory and exploits a wide variety of texts and representations from the periodical press, parliamentary reports and Acts, novels, obscene publications, paintings and posters, newspapers, sermons, pamphlets and investigative works. This will be an illuminating text for undergraduates studying Victorian Britain as well as anyone wishing to gain a more nuanced understanding of Victorian society.
High unemployment rates, humiliating relief policy, and the spectre of eviction characterized the experiences of many Ontario families in the Great Depression. Respectable Citizens is an examination of the material difficulties and survival strategies of families facing poverty and unemployment, and an analysis of how collective action and protest redefined the meanings of welfare and citizenship in the 1930s. Lara Campbell draws on diverse sources including newspapers, family and juvenile court records, premiers' papers, memoirs, and oral histories to uncover the ways in which the material workings of the family and the discursive category of 'respectable' citizenship were invested with gendered obligations and Anglo-British identity. Respectable Citizens demonstrates how women and men represented themselves as entitled to make specific claims on the state, shedding new light on the cooperative and conflicting relationships between men and women, parents and children, and citizen and state in 1930s Canada.
A taboo-breaker and a great provocateur, George L. Mosse (1918–99) was one of the great historians of the twentieth century, forging a new historiography of culture that included brilliant insights about the roles of nationalism, fascism, racism, and sexuality. Jewish, gay, and a member of a culturally elite family in Germany, Mosse came of age as the Nazis came to power, before escaping as a teenager to England and America. Mosse was innovative and interdisciplinary as a scholar, and he shattered in his groundbreaking books prevalent assumptions about the nature of National Socialism and the Holocaust. He audaciously drew a link from bourgeois respectability and the ideology of the Enlightenment—the very core of modern Western civilization—to the extermination of the European Jews. In this intellectual biography of George Mosse, Karel Plessini draws on all of Mosse's published and unpublished work to illuminate the origins and development of his groundbreaking methods of historical analysis and the close link between his life and work. He redefined the understanding of modern mass society and politics, masterfully revealing the powerful influence of conformity and political liturgies on twentieth-century history. Mosse warned against the dangers inherent in acquiescence, showing how identity creation and ideological fervor can climax in intolerance and mass murder—a message of continuing relevance.
This landmark work by George L. Mosse, first published in 1985, examines the history of sexuality through the lens of bourgeois respectability and nationalism. Using a daring breadth of German and English sources, Nationalism and Sexuality pioneered the use of gender stereotypes as a methodology for studying the history of sexuality in mainstream European history. Mosse’s innovative inquiries on gender remain central to discussions about modern constructions of national belonging and the workings of the state. This edition of Mosse’s classic volume includes a new critical introduction by Mary Louise Roberts, whose books include What Soldiers Do: Sex and the American GI in World War II France.
Edward Bulwer-Lytton was an English novelist, poet, playwright and politician. He wrote in a variety of genres, including historical fiction, mystery, romance, the occult, and science fiction. Bulwer-Lytton's literary works were highly popular and bestselling novels at the time. Novels & Novellas: The Last Days of Pompeii The Pilgrims of the Rhine Rienzi, the last of the Roman tribunes Falkland Pelham The Disowned Devereux Paul Clifford Eugene Aram Godolphin Asmodeus at Large Ernest Maltravers Alice, or The Mysteries (A sequel to Ernest Maltravers) Calderon, the Courtier Leila, or The Siege of Granada Zicci: A Tale (A prequel to Zanoni) Zanoni Night and Morning The Last of the Barons Lucretia Harold, the Last of the Saxons The Caxtons: A Family Picture A Strange Story My Novel, or Varieties in English Life The Haunted and the Haunters, or The House and the Brain What Will He Do With It? The Coming Race, or Vril: The Power of the Coming Race Kenelm Chillingly The Parisians Pausanias, the Spartan Short Stories: The Incantation The Brothers Historical Works: Athens: Its Rise and Fall Plays: The Lady of Lyons, or Love and Pride Poetry
A revised and updated edition of this established cultural history examines the interplay between eighteenth-century rationalism and nineteenth-century romanticism as they meshed and modified one another to shape the prominent trends of the twentieth century.A new chapter, The Changing Pace of Life," skillfully bridges an analysis of romanticism and its link with nationalism by outlining the effects of the Industrial Revolution on all elements of society with particular attention to politics, economics, class identity and conflict, transportation, communication, religion and morality, family structure, medicine, and art.A new conclusion interweaves analysis of the postwar effects of social psychology, the return to liberalism, the emergence of civil rights movements, and the persistence of nationalism beyond the bounds of World War II.
New perspectives on the greatest Finnish composer of all time Perhaps no twentieth-century composer has provoked a more varied reaction among the music-loving public than Jean Sibelius (1865–1957). Originally hailed as a new Beethoven by much of the Anglo-Saxon world, he was also widely disparaged by critics more receptive to newer trends in music. At the height of his popular appeal, he was revered as the embodiment of Finnish nationalism and the apostle of a new musical naturalism. Yet he seemingly chose that moment to stop composing altogether, despite living for three more decades. Providing wide cultural contexts, contesting received ideas about modernism, and interrogating notions of landscape and nature, Jean Sibelius and His World sheds new light on the critical position occupied by Sibelius in the Western musical tradition. The essays in the book explore such varied themes as the impact of Russian musical traditions on Sibelius, his compositional process, Sibelius and the theater, his understanding of music as a fluid and improvised creation, his critical reception in Great Britain and America, his "late style" in the incidental music for The Tempest, and the parallel contemporary careers of Sibelius and Richard Strauss. Documents include the draft of Sibelius's 1896 lecture on folk music, selections from a roman à clef about his student circle in Berlin at the turn of the century, Theodor Adorno's brief but controversial tirade against the composer, and the newspaper debates about the Sibelius monument unveiled in Helsinki a decade after the composer's death. The contributors are Byron Adams, Leon Botstein, Philip Ross Bullock, Glenda Dawn Goss, Daniel Grimley, Jeffrey Kallberg, Tomi Mäkelä, Sarah Menin, Max Paddison, and Timo Virtanen.