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Sir Robin Dunstead returns from India after his father’s death to find that he has inherited two of the largest ancestral houses in England, but no money to restore them. Amazed to find both houses empty of servants and in a state of disrepair he berates himself for not returning home earlier.Stunned to learn that his father has sold everything of value that is not entailed to future generations and squandered the family fortune on selfish pursuits, Robin is left with no income and not even enough money to buy food for himself and his lovely sister, Alena.In complete despair Robin commissions a forger to copy two lesser-known priceless paintings and raise enough money to launch Alena and himself in society in the hope of attracting rich American’s dazzled by her beauty and his title. Robin is adamant; they must both marry for money to save the family estate, forgetting any dreams of true love.Their plan seems set to work, until Alena meets a charming artist, Vincent, who shares her appreciation of art but has no fortune. Can she really quash the blossoming feelings she has for Vincent in order to marry a millionaire?Meanwhile, Robin has his own dilemma as he chases a hugely wealthy heiress. Uncomfortable with his new role as a penniless fortune hunter, Robin finds it much harder to compromise his personal values than he ever imagined.As brother and sister struggle with the realities of their decision both are forced to reconsider their choices – personal happiness and poverty, or the financial security that only a wealthy spouse can offer.
In this novel set in early 20th-century Boston, a family of Italian immigrants work hard to attain their dream- a farm in the country- but their son Joey can't bear to leave the city.
“In the beginning we were happy. And we were always excessive. So in the beginning we were happy to excess.” With these opening lines Sean Wilsey takes us on an exhilarating tour of life in the strangest, wealthiest, and most grandiose of families. Sean's mother is a 1980s society-page staple, regularly entertaining Black Panthers and movie stars in her marble and glass penthouse. His enigmatic father uses a jet helicopter to drop Sean off at the video arcade and lectures his son on proper hygiene in public restrooms. When Sean, "the kind of child who sings songs to sick flowers," turns nine years old, his father divorces his mother and marries her best friend. Sean's life blows apart. His mother has a "vision" of salvation that requires packing her Louis Vuitton luggage and traveling the globe, a retinue of multiracial children in tow. Follow Sean as he candidly recounts his life growing up in a wealthy family all while discovering who he is amongst San Francisco's social elite.
INSTANT NEW YORK TIMES BESTSELLER WINNER OF THE 2020 NAACP IMAGE AWARD FOR OUTSTANDING LITERARY WORK — BIOGRAPHY/AUTOBIOGRAPHY NOW OPTIONED FOR DEVELOPMENT AS A TV SERIES BY PARAMOUNT TELEVISION STUDIOS AND ANONYMOUS CONTENT “The millennial Becoming . . . Inspiring and empowering.” —Entertainment Weekly “An essential read for women in the workplace today.” —Refinery29 Part-manifesto, part-memoir, from the revolutionary editor who infused social consciousness into the pages of Teen Vogue, an exploration of what it means to come into your own—on your own terms Throughout her life, Elaine Welteroth has climbed the ranks of media and fashion, shattering ceilings along the way. In this riveting and timely memoir, the groundbreaking journalist unpacks lessons on race, identity, and success through her own journey, from navigating her way as the unstoppable child of an unlikely interracial marriage in small-town California to finding herself on the frontlines of a modern movement for the next generation of change makers. Welteroth moves beyond the headlines and highlight reels to share the profound lessons and struggles of being a barrier-breaker across so many intersections. As a young boss and often the only Black woman in the room, she’s had enough of the world telling her—and all women—they’re not enough. As she learns to rely on herself by looking both inward and upward, we’re ultimately reminded that we’re more than enough.
Only thirty-three days after his election, Pope John Paul I,Albino Luciani, died in strange circumstances. Almost immediately rumours of a cover-up began to circulate around the Vatican. In his researches David Yallop uncovered an extraordinary story: behind the Pope's death lay a dark and complex web of corruption within the Church that involved the Freemasons, Opus Dei and the Mafia and the murder of the 'Pope's Banker' Roberto Calvi. When first published in 1984 In God's Name was denounced by the Vatican yet became an award-winning international bestseller. In this new edition, Yallop brings the story up to date and reveals new evidence that has been long buried concerning the truth behind the Vatican cover-up. This is a classic work of investigative writing whose revelations will continue to reverberate around the world.
_________________________________Two women - desperate to unlock the truth.How far will they go to lay the past to rest?ANNAhas been taught that virtue is the path to God. But on her eighteenth birthday she defies her Mamma?s rules and visits Florida?s biggest theme park. She has never been allowed to go - so why, when she arrives, does everything seem so familiar? And is there a connection to the mysterious letter she receives on the same day?ROSIEhas grown up in the shadow of the missing sister she barely remembers, her family fractured by years of searching without leads.Now, on the fifteenth anniversary of her sister?s disappearance, the media circus resumes in full flow, and Rosie vows to uncover the truth. But will she find the answer before it tears her family apart?
"Grisly and atmospheric…[these] stories feature small worlds of animal amorality in which the sweet taste of revenge leaves no aftertaste of guilt." —Publishers Weekly Nowhere is Patricia Highsmith's affinity for animals more apparent than in The Animal-Lover's Book of Beastly Murder, for here she transfers the murderous thoughts and rages most associated with humans onto the animals themselves. You will meet, for example, in "In the Dead of Truffle Season," a truffle-hunting pig who tries to whet his own appetite for a while; or Jumbo in "Chorus Girl's Absolutely Final Performance," a lonely, old circus elephant who decides she's had enough of show business and cruel trainers for one lifetime. In this satirical reprise of Kafka, cats, dogs, and breeding rodents are no longer ordinary beings in the happy home, but actually have the power to destroy the world in which we live.
Whether they're starting high school for the first time, devising their own Winter Olympics, or working out ways to foil their parents, the three Fox kids never fail to create pandemonium. Since FoxTrot hit syndication in 1988, the strip has rewarded its millions of faithful readers with daily doses of family fun.Now established as one of America's most popular comic strips, FoxTrot cleverly conveys the identifiably goofy goings-on in this crazy household. At the core of much of the strip's wild humor is whiz kid Jason, age 10, who tortures his parents, Roger and Andy, and two teenage siblings, Peter and Paige, with his computer skills and his pet Iguana, Quincy. One strip in FoxTrot's newest collection, Your Momma Thinks Square Roots Are Vegetables, illustrates the family dynamics especially well: When Peter makes a racy call to girlfriend Denise on his cell phone, he's shocked to find out he's actually dialed his mother. As he enters the living room, Jason not-so-innocently says, "Oh, dear. Did someone reprogram your speed-dial list again?"Day after day, FoxTrot continues to deliver fresh, irreverent, and wacky humor. You're Momma Thinks Square Roots Are Vegetables continues the tradition with its look at family life through the eyes of Bill Amend.