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DramaCharacters: 3 male, 3 female Simple Set Zelda Preston inherits her father's pecan farm located just steps from the U.S. border with Mexico and struggles to maintain it without help from undocumented workers. Ines Sandoval, a dangerously ill young mother-to-be, and her sister Angie lobby for the return of their recently deported family member Tia Rosita. Angie's husband, Carlos, defends to his community and family his choice to work for the Border Patrol. And Cooper Daniels, an industrial pecan grower and head of the civilian border surveillance group, Citizens United, forges ahead with the building of a volunteer fence. These forces collide in Ground, which examines the very human costs of our immigration issues, and the strength of personal beliefs about family, home, and civil human rights in the face of our shifting political and social landscape. Two acts."Breathtaking in every way." -- Charles Whaley, TotalTheater.com..".Tackles the hot-button issue of illegal immigration." -- David Shreward, Back Stage
Wily peasants, feisty pessimists, frustrated rural sophists, and the entire masquerade of a sadly comic humanity-without-props make up this delightful and valuable collection of all 13 one-act plays by the Italian master.
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In Luigi Pirandello's thought-provoking novel, One, No One and One Hundred Thousand, the protagonist, Vitangelo Moscarda, undergoes a profound identity crisis after a casual remark from his wife. This sets him on a journey of self-discovery, questioning the nature of reality, identity, and the multifaceted perceptions others have of him. Through a series of philosophical musings and encounters with various characters, Moscarda grapples with the fragmented nature of the self and the illusions that shape our understanding of the world.
Suicide, the act of killing oneself voluntarily and intentionally, is clearly one of the most important themes developed by Pirandello during his long literary career. Although he never focused on self-destruction as an end in itself, he made ample use of it to dramatise his tragic view of the human condition. Indeed, this theme recurs with astonishing frequency in his short stories, play and novels. It even appears sporadically in his poetry.
This special one-volume edition features five great plays by one of the most celebrated and fascinating dramatists of the twentieth century. Pirandello, awarded the Nobel Prize in 1934, was the playwright par excellence of the conflict between illusion and reality. His modern and sensationally original plays dramatize with force and eloquence the isolation of the individual from society and from himself. The editor, Eric Bentley, is an international theater authority. In addition to the Introduction and the biographical and bibliographical material in the Appendices, Mr. Bentley has prepared for this volume the first English translations of the play Liolà and Pirandello’s important “Preface” to Six Characters in Search of an Author. Included Plays: Liolà It Is So! (If You Think So) Henry IV Six Characters in Search of an Author Each in His Own Way
It's Rome 1910, and the Ponza family's tendency to swap identities shows the truth to be a highly subjective commodity. Franco Zeferelli's production of Luigi Pirandello's brilliant comedy was a West End hit in 2003 and is scheduled to open on Broadway. Luigi Pirandello achieved acclaim for plays such as Absolutely Perhaps and Six Characters in Search of an Author, winning the Nobel Prize for literature in 1934. He died in Rome in 1936.
In this poignant and personal history of one of America’s oldest theaters, Leslie Stainton captures the story not just of an extraordinary building but of a nation’s tumultuous struggle to invent itself. Built in 1852 and in use ever since, the Fulton Theatre in Lancaster, Pennsylvania, is uniquely ghosted. Its foundations were once the walls of a colonial jail that in 1763 witnessed the massacre of the last surviving Conestoga Indians. Those same walls later served to incarcerate fugitive slaves. Staging Ground explores these tragic events and their enduring resonance in a building that later became a town hall, theater, and movie house—the site of minstrel shows, productions of Uncle Tom’s Cabin, oratory by the likes of Thaddeus Stevens and Mark Twain, performances by Buffalo Bill and his troupe of “Wild Indians,” Hollywood Westerns, and twenty-first-century musicals. Interweaving past and present, private anecdote and public record, Stainton unfolds the story of this emblematic space, where for more than 250 years Americans scripted and rescripted their history. Staging Ground sheds light on issues that continue to form us as a people: the evolution of American culture and faith, the immigrant experience, the growth of cities, the emergence of women in art and society, the spread of advertising, the flowering of transportation and technology, and the abiding paradox of a nation founded on the principle of equality for “all men,” yet engaged in the slave trade and in the systematic oppression of the American Indian.