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The Once and Future Muse presents the first major study of the life and work of Dominican-born bilingual American poet and translator Rhina P. Espaillat (b. 1932). Beginning with her literary celebrity as the youngest poet ever inducted into the Poetry Society of America, it traces her relative obscurity after 1952 when she married and took on family and employment responsibilities, to her triumphant return to the poetry spotlight decades later when she reclaimed her former prestige with a series of award-winning poetry collections. The authors define Espaillat's place in American letters with attention to her formalist aesthetics, Hispanic Caribbean immigrant background, poetic community building, bilingual ethos, and domestically minded woman-of-color feminism. Addressing the temporality of her oeuvre—her publishing before and after the splitting of American literature into distinct ethnic segments—this work also highlights the demands that the social transformations of the 1960s placed on literary artists, critics, and readers alike.
Rhina P. Espaillat’s And after All meditates on the passage of time. The perspective sweeps from the panorama of foreign landmarks to the close view of a lover’s feet in failing health, held and cared for. And after All displays the wit, wisdom, subtle voice, and supple mastery of forms that have established Espaillat as a contemporary master. This long-awaited collection from Espaillat is a treat not to be missed. PRAISE FOR AND AFTER ALL Rhina P. Espaillat’s And After All combines the formal fluency of Richard Wilbur, the precision of Elizabeth Bishop, and the easy conversational tones of Frank O’Hara, and yet her poems speak in a voice that is distinctively her own. They address the loss of loved ones and loved things of the world, but their extraordinary empathy and gentle wit keep them from becoming depressing or sentimental. Savor this book and share it with people you love. —A. M. Juster, author of Sleaze & Slander: New and Selected Comic Verse, 1995–2015 Rhina P. Espaillat, more than any living poet in English, gives ordinary language the glow of the sacred. Workaday words, trite with custom like thin coins, accrue new resonance and weight; plain objects are haloed with aureoles like figures in gold mosaics. Saints with their visions used to do this: wave away the veils that separate our shallow perceptions from a deeper reality. But not everyone is granted visions. How much harder it is to use the same words we all use and misuse, the same objects we all touch and ignore, common experiences we dismiss, and, by using words with precision, using the serendipity of rhyme, and the convention of metrical patterns, to give the reader the experience of revelation. Craft is not the opposite of inspiration, Espaillat reminds us, it is the only way to it. —A. E. Stallings, author of Olives For most of its poems And After All is, as the title indicates, deeply elegiac in tone. There are many poignant evocations of the past in the book, rich with quotidian surface detail but always suffused with undemonstrative but palpably real emotion. A poem about the poet’s grandmother, a tough no-nonsense farmer’s wife who described how cows inarticulately but unmistakably grieved when they realized their calves were to be slaughtered, ends with the line, “She told it simply, but she faltered there.” In its quiet pathos the line seems to sum up much of the book; exactness, no fuss, unforced fidelity to the anecdote, but the tremor of poignant empathy always present. A very eloquent collection of beautifully crafted poems, and one that it is hard to read dry-eyed. —Dick Davis, author of Love in Another Language
A memoir by the legendary cookbook editor who was present at the creation of the American food revolution and played a pivotal role in shaping it • “Engrossing. . . . The Tenth Muse lets you pull up a chair at the table where American gastronomic history took place.”—O, The Oprah Magazine Living in Paris after World War II, Jones broke free of bland American food and reveled in everyday French culinary delights. On returning to the States she published Julia Child's Mastering the Art of French Cooking. The rest is publishing and gastronomic history. A new world now opened up to Jones as she discovered, with her husband Evan, the delights of American food, publishing some of the premier culinary luminaries of the twentieth century: from Julia Child, James Beard, and M.F.K. Fisher to Claudia Roden, Edna Lewis, and Lidia Bastianich. Also included are fifty of Jones's favorite recipes collected over a lifetime of cooking-each with its own story and special tips. “Lovely. . . . A rare glimpse into the roots of the modern culinary world.”—Chicago Tribune
The Able Muse Anthology -- from the new Able Muse Press -- celebrates Able Muse's journey through its first decade and beyond, by showcasing the best of the published poetry, fiction, essays, interviews, book reviews, art and photography, including a foreword by Timothy Steele. This anthology has received high praise and acclaim from Dana Gioia, David Mason, Charles Martin, Catharine Savage-Brosman, X.J. Kennedy, Catharine Savage Brosman and others. PRAISE FOR THE ABLE MUSE ANTHOLOGY: . . . This book fills an important gap in understanding what is really happening in early twenty first century American poetry. - Dana Gioia. . . . You hold in your hands a remarkable anthology of poems, translations, an interview, essays, short stories and visual art. - David Mason. . . . This extraordinarily rich collection of fiction, poetry, essays and art by so many gifted enablers of the Muse is both a present satisfaction and a promise of future performance. - Charles Martin. . . . Neither unskilled, lethargic, nor distracted from their proper enterprise, the muses in the past decade have been singularly able, as this outstanding anthology of work from The Able Muse demonstrates. - Catharine Savage-Brosman. . . . Here's a generous serving of the cream of Able Muse, including not only formal verse but nonmetrical work that also displays careful craft, memorable fiction (seven remarkable stories), striking artwork and photography, and incisive critical prose. - X.J. Kennedy. CONTENTS: FOREWORD by Timothy Steele. INTRODUCTION by Alexander Pepple. FICTION -- Kristen Edwards, Thaisa Frank, Delaney Lundberg, Marge Lurie, Molly Malone, Dennis Must, Nina Schuyler. ESSAYS & BOOK REVIEWS -- Suzanne J. Doyle (on Turner Cassity), Daniel L. Corrie, Leslie Monsour (on Richard Wilbur). INTERVIEWS -- Kevin Durkin (with Timothy Steele). POETRY TRANSLATION -- Charles Baudelaire translated by Jennifer Reeser, translations from the Persian by Dick Davis, Hafiz translated by Jeffrey Einboden and John Slater, Louise Labé translated by Annie Finch, Petrarch translated by A.M. Juster, Giovanni Pascoli translated by Geoffrey Brock. POETRY -- Brian Culhane, Shekhar Aiyar, Rhina P. Espaillat, Geoffrey Brock, Kate Benedict, Turner Cassity, Cally Conan-Davies, Catherine Chandler, Maryann Corbett, Kevin Durkin, John Beaton, Stephen Edgar, Annie Finch, Jeff Holt, R.S. Gwynn, Rachel Hadas, Dolores Hayden, Beth Houston, Mark Jarman, Julie Kane, Julie Carter, Rose Kelleher, Robin Kemp, X.J. Kennedy, Len Krisak, Lyn Lifshin, April Lindner, Thomas David Lisk, Dennis Loney, Amit Majmudar, Ted McCarthy, Mebane Robertson, Richard Moore, Esther Greenleaf Mürer, Timothy Murphy, Estill Pollock, Aaron Poochigian, Jay Prefontaine, Chelsea Rathburn, Leslie Monsour, A.E. Stallings, Timothy Steele, Richard Wakefield, David Stephenson, Alan Sullivan, Marilyn L. Taylor, Diane Thiel, Deborah Warren, Geraldine Connolly, Robert West, Gail White, Bob Watts, Kim Bridgford, William Conelly. ART & PHOTOGRAPHY -- Üzeyir Lokman Çayci, Andrew Dolphin, Misha Gordin, Terri Graham, Solitaire Miles, Billy Monday, Royena Rasnat, Linda Spencer, Kamil Varga, Christopher Woods.
In this concise historical analysis of the Mexican Revolution, Gilbert M. Joseph and Jürgen Buchenau explore the revolution's causes, dynamics, consequences, and legacies. They do so from varied perspectives, including those of campesinos and workers; politicians, artists, intellectuals, and students; women and men; the well-heeled, the dispossessed, and the multitude in the middle. In the process, they engage major questions about the revolution. How did the revolutionary process and its aftermath modernize the nation's economy and political system and transform the lives of ordinary Mexicans? Rather than conceiving the revolution as either the culminating popular struggle of Mexico's history or the triumph of a new (not so revolutionary) state over the people, Joseph and Buchenau examine the textured process through which state and society shaped each other. The result is a lively history of Mexico's "long twentieth century," from Porfirio Díaz's modernizing dictatorship to the neoliberalism of the present day.
Lorna Goodison's first poetry collection to be published in Canada in over nine years, Mother Muse heralds the return of a major voice. The poems in Goodison's new book move boldly and range widely; here are praise songs alongside laments; autobiography shares pages with the collective past. In her exquisitely lyrical evocations of Jamaican lore and tradition, Goodison has always shown another side of history. While celebrating a wide cross-section of women--from Mahalia Jackson to Sandra Bland--Mother Muse focuses on two under-regarded "mothers" in Jamaican music: Sister Mary Ignatius, who nurtured many of Jamaica's most gifted musicians, and celebrated dancer Anita "Margarita" Mahfood. These important figures lead a collection of formidable scope and intelligence, one that seamlessly blends the personal and the political.
Our creativity is inextricably entwined with our humanity. So what shall we make of the world?
""No popular culture. No gossip. Loved it."" -Clare Stephenson ""l like the history in this book"" -Michael Nally We spend a summer with an unlikely collection of strangers for whom, for whatever reason, the past is important; but it is more important than they imagine. The strands of their lives unexpectedly interweave. Each is a piece of a living jig-saw. They eventually put us in the picture. These extraordinary, ordinary people share with us a world where life's casual and inexplicable mysteries are discussed and accepted as commonplace. O'Brien explores themes of life, death, belief in a warm-hearted and easy style that is both beguiling and funny. Her undemanding intellect brings 'ologies and 'osophies out to play. There is an unworldly, fascinating mischief afoot here. You can't help but think out of the box.
The beloved creator of the Xanth series offers a new installment in a series that explores the history of the human race on Earth as seen through the eyes and experiences of a single family as they are reincarnated through life after life.
The Once and Future Woman L.O.V.H. Crowders 19916 Mizner Terrace Ashburn, Virginia 20147 (571) 223-2230 [email protected] We are introduced to a woman who has had a weekend tryst at the Mayflower Hotel in Washington, DC. When she awakens, the man has left and the woman finds a handwritten note from him that devastates her. Feeling betrayed, and without thinking, she leaves the hotel in a hurry and is promptly mowed down in the street by a Harley. A handsome stranger stoops down to feel her pulse points to find out whether she is alive or dead, then fumbles through her pursr that has been wrenched from her grasp because of the accident. He is shocked to discover her identity. Moving to the toney suburbs of Washington, we meet the privileged Frances Bittle Adler and her handsome husband, Bill, a high-placed executive, and we meet their four childrenthree gorgeous girls and one handsome sonages 13 to 21. Frances, a college professor, is quite accomplished, and Bill seems to be the ideal husband. But, a malady that has plagued Fran for some time now comes to the fore and causes Bill to have to rush his wife to the hospital the morning after Christmas. We move back to the scene of the first womans accident and find that debris has been cleaned up and the handsome stranger has disappearedalong with the womans purse. At Washington General Hospital, we find that the woman has survived her ordeallargely because of the efforts of Dr. Pete Gregory, a handsome six-foot-six piece of manhood, who apprises her of her injuries and of what steps he will have to take in order to get her back to normalcy. Intermittently, the woman lapses into unconsciousness and has peculiar dreams. In another part of the same hospital, Frances is examined, and protests having to be admitted for tests, but Bill assures her that he and the kids will be fine without her. After a while, the two of them realize that the other bed in the room is occupied by a whizened old woman with grayish cat eyes, Hester Culpepper Rockefeller, who doesnt seem to know where she, who she is, or even what day it is. Francine Hacker, a very attractive, tall African American nurse, comes to attend to the old woman, Hester, who promptly repels her by calling her every name in the book, including the N word. Cut to 1944, and we are made aware of Hesters background and motivations for her behavior. Chapter XIII reveals a great deal about the life of the woman involved in the accident, especially about her relationship with her grandmother, Millie, and about the woman touched by miracles. In the ensuing chapters, we learn that Bill is not the man he seems to be. We are made privy to Francine Hackers enigmatic life. Now, because Hester has passed on, the two women, Fran and LaDeane, are made roommates and, thus, begin a relationship that will last for quite some time. They also get to know nurse Hacker extremely well. And, when LaDeane is released from the hospital, both Frances and Hacker petition to come and see her in her office. LaDeane wonders who will come to see her first as both Hacker and Frances are needy. Because Bill, a bi-coastal husband, has been offered a very powerful position with another corporation headquartered in Washington, DC, he prepares to move back East from Los Angeles where his old company is headquartered. Another chapter marks a special time in Bills life; now he gets to visit his new offices in a prestigious part of Northwest Washington, DC, and having familiarized himself with the layout and having made himself acquainted with those who will work for