Download Free The Older Woman In Recent Fiction Book in PDF and EPUB Free Download. You can read online The Older Woman In Recent Fiction and write the review.

Drawing on the perspective of aging bodies in order to approach the study of contemporary Canadian women's fiction, the author seeks to understand body criticism in general because elderly physical experiences lay bare crucial assumptions of thinking through the body. It also investigates the mechanisms and effects of constructions of aging in order to combat the automatically negative reactions most readers have to the topic of old age.
This critical study explores late twentieth century novels by women writers--including Doris Lessing, May Sarton and Barbara Pym--that feature female protagonists over the age of sixty. These novels' discourses on aging contrast with those largely pejorative ones that dominate Western society. They break the silence that normally surrounds the lives of the aged, and this book investigates how older female protagonists are represented in relation to areas such as sexuality, dependence and everyday life. Beginning with an investigation of popular opinions about aging and a survey of hypotheses from disciplines including gerontology, psychology and feminism, the text reviews literary critical attitudes toward fictions of aging; analyzes representations of physically dependent characters, whose anger over their failing bodies is often eased by relationships with their female friends; discusses how paradigms of female sexuality exclude the possibility of older women being sexually desirable; examines characters that live a contented life, finding a more polemical side to them than is noted in more conventional literary critiques; and analyzes the aged sleuth in classical detective fiction.
The beloved New York Times columnist "inspires women to embrace aging and look at it with a new sense of hope" in this lively, fascinating, eye-opening look at women and aging in America (Parade Magazine). "You're not getting older, you're getting better," or so promised the famous 1970's ad -- for women's hair dye. Americans have always had a complicated relationship with aging: embrace it, deny it, defer it -- and women have been on the front lines of the battle, willingly or not. In her lively social history of American women and aging, acclaimed New York Times columnist Gail Collins illustrates the ways in which age is an arbitrary concept that has swung back and forth over the centuries. From Plymouth Rock (when a woman was considered marriageable if "civil and under fifty years of age"), to a few generations later, when they were quietly retired to elderdom once they had passed the optimum age for reproduction, to recent decades when freedom from striving in the workplace and caretaking at home is often celebrated, to the first female nominee for president, American attitudes towards age have been a moving target. Gail Collins gives women reason to expect the best of their golden years.
"A cool, comic survey of the sexual education of a young Hungarian, from his first encounter, as a twelve-year-old refugee with the American forces, to his unsatisfactory liaison with a reporter's wife in Canada at the belated end of his youth, when he was twenty-three . . . elegantly erotic, with masses of that indefinable quality, style . . . this has the real stuff of immortality."—B. A. Young, Punch "A pleasure. Vizinczey writes of women beautifully, with sympathy, tact and delight, and he writes about sex with more lucidity and grace than most writers ever acquire."—Larry McMurtry, Houston Post "Like James Joyce, who was as far from being a writer of erotica as Dostoevsky, Vizinczey has a refreshing message to deliver: Life is not about sex, sex is about life."—John Podhoretz, Washington Times "The gracefully written story of a young man growing up among older women . . . although some passages may well arouse the reader, this novel brims with what the courts have termed "redeeming literary merit."—Clarence Petersen, Chicago Tribune "A funny novel about sex, or rather (which is rarer) a novel which is funny as well as touching about sex . . . elegant, exact and melodious—has style, presence and individuality."—Isabel Quigly, Sunday Telegraph "The delicious adventures of a young Casanova who appreciates maturity while acquiring it himself. In turn naive, sophisticated, arrogant, disarming, the narrator woos his women and his tale wins the reader."—Polly Devlin, Vogue
The bestselling author of A Hundred Summers brings the Roaring Twenties brilliantly to life in this enchanting and compulsively readable tale of intrigue, romance, and scandal in New York Society, brimming with lush atmosphere, striking characters, and irresistible charm. As the freedom of the Jazz Age transforms New York City, the iridescent Mrs. Theresa Marshall of Fifth Avenue and Southampton, Long Island, has done the unthinkable: she’s fallen in love with her young paramour, Captain Octavian Rofrano, a handsome aviator and hero of the Great War. An intense and deeply honorable man, Octavian is devoted to the beautiful socialite of a certain age and wants to marry her. While times are changing and she does adore the Boy, divorce for a woman of Theresa’s wealth and social standing is out of the question, and there is no need; she has an understanding with Sylvo, her generous and well-respected philanderer husband. But their relationship subtly shifts when her bachelor brother, Ox, decides to tie the knot with the sweet younger daughter of a newly wealthy inventor. Engaging a longstanding family tradition, Theresa enlists the Boy to act as her brother’s cavalier, presenting the family’s diamond rose ring to Ox’s intended, Miss Sophie Fortescue—and to check into the background of the little-known Fortescue family. When Octavian meets Sophie, he falls under the spell of the pretty ingénue, even as he uncovers a shocking family secret. As the love triangle of Theresa, Octavian, and Sophie progresses, it transforms into a saga of divided loyalties, dangerous revelations, and surprising twists that will lead to a shocking transgression . . . and eventually force Theresa to make a bittersweet choice. Full of the glamour, wit and delicious twists that are the hallmarks of Beatriz Williams’ fiction and alternating between Sophie’s spirited voice and Theresa’s vibrant timbre, A Certain Age is a beguiling reinterpretation of Richard Strauss’s comic opera Der Rosenkavalier, set against the sweeping decadence of Gatsby’s New York.
“The remarkable women celebrated in [this] vibrantly illustrated collection . . . offer stirring words of encouragement to any woman, of any age” (Booklist). The glory of growing older is the freedom to be more truly ourselves. With age we gain the confidence to pursue bold new endeavors and worry less about what other people think. In this richly illustrated volume, bestselling author and artist Lisa Congdon explores the power of women over the age of forty who are thriving and living life on their own terms. A Glorious Freedom includes profiles, interviews, and essays from women such as Vera Wang, Laura Ingalls Wilder, Julia Child, Cheryl Strayed, and many others who have found creative fulfillment and accomplished great things in the second half of their lives. Each section is lavishly illustrated and hand-lettered in Congdon's signature style.
Maud is an irascible 88-year-old Swedish woman with no family, no friends, and... no qualms about a little murder. This funny, irreverent story collection by Helene Tursten, author of the Irene Huss investigations, features two-never-before translated stories that will keep you laughing all the way to the retirement home. Ever since her darling father's untimely death when she was only eighteen, Maud has lived in the family's spacious apartment in downtown Gothenburg rent-free, thanks to a minor clause in a hastily negotiated contract. That was how Maud learned that good things can come from tragedy. Now in her late eighties, Maud contents herself with traveling the world and surfing the net from the comfort of her father's ancient armchair. It's a solitary existence, and she likes it that way. Over the course of her adventures—or misadventures—this little bold lady will handle a crisis with a local celebrity who has her eyes on Maud's apartment, foil the engagement of her long-ago lover, and dispose of some pesky neighbors. But when the local authorities are called to investigate a dead body found in Maud's apartment, will Maud finally become a suspect?
How do older women come to terms with widowhood? Are they vulnerable or courageous, predictable or creative in dealing with this life challenge? Most books about widows usually focus on younger women; this book interweaves the voices of older widows their experiences and insights to show how they have come to terms with widowhood and have recreated their lives in new, unsuspected ways. The widows speak about how they relate to their children, their friends, to men. With powerful emotions they describe their husbands’ final illnesses and deaths, and the challenging early days of widowhood. Disputing stereotypes about older women and widows, The Widowed Self allows the reader to visualize the impact of losing one’s life partner and offers a new way of thinking about widowhood. This new book by Deborah Kestin van den Hoonaard fills a void in previous work on widowhood. Rather than seeing these women as unfortunate, passive victims of life, the reader will come to appreciate the strength and creativity with which these women face one of life’s greatest challenges, a challenge that affects more than half of all women over the age of sixty-five. Widows and their families, scholars, social workers and other professionals who work with older adults will all be interested in reading The Widowed Self: The Older Woman’s Journey through Widowhood.
After the ceasefire in 1988, the devastation to the landscape of Iraq wrought by the longest war of the twentieth century—the Iran-Iraq War—becomes visible. Eight years of fighting have turned nature upside down, with vast wastelands being left behind. In southeastern Iraq, along the shores of the Shatt al-Arab River, the groves of date palm trees have withered. No longer bearing fruit, their leaves have turned a bright yellow. There, Iraqi forces had blocked the entry points of the river’s tributaries and streams, preventing water from flowing to the trees and vegetation. Yet, surveying this destruction from the sky, a strip of land bursting with green can be seen. Beginning from the Shatt al-Arab River and reaching to the fringes of the western desert, several kilometers wide, it appears as a lush oasis of some kind. The secret of this fertility, sustaining villages and remaining soldiers, is unclear. But it is said that one old woman is responsible for this lifeline.
Spanning genres, continents, and eras, Amy Lee Lillard's multilayered debut story collection is all at once outrageously imaginative, provocative, and deeply absorbing. Ranging from the speculative to the historical, from magical realism to forensic realism, Dig Me Out carries the reader somewhere new -- and newly thrilling -- with every story, and constitutes a dazzling and rightfully dangerous work of literary art.