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After the ceasefire in 1988, the devastation to the landscape of Iraq wrought by the longest war of the twentieth century—the Iran-Iraq War—becomes visible. Eight years of fighting have turned nature upside down, with vast wastelands being left behind. In southeastern Iraq, along the shores of the Shatt al-Arab River, the groves of date palm trees have withered. No longer bearing fruit, their leaves have turned a bright yellow. There, Iraqi forces had blocked the entry points of the river’s tributaries and streams, preventing water from flowing to the trees and vegetation. Yet, surveying this destruction from the sky, a strip of land bursting with green can be seen. Beginning from the Shatt al-Arab River and reaching to the fringes of the western desert, several kilometers wide, it appears as a lush oasis of some kind. The secret of this fertility, sustaining villages and remaining soldiers, is unclear. But it is said that one old woman is responsible for this lifeline.
There Was An Old Woman by Hallie Ephron is a compelling novel of psychological suspense in which a young woman becomes entangled in a terrifying web of deception and madness involving an elderly neighbor. When Evie Ferrante learns that her mother has been hospitalized, she finds her mother’s house in chaos. Sorting through her mother’s belongings, Evie discovers objects that don’t quite belong there, and begins to raise questions. Evie renews a friendship with Mina, an elderly neighbor who might know more about her mother’s recent activities, but Mina is having her own set of problems: Her nephew Brian is trying to persuade her to move to a senior care community. As Evie investigates her mother’s actions, a darker story of deception and madness involving Mina emerges. In There Was an Old Woman, award-winning mystery author Hallie Ephron delivers another work of domestic noir with truly unforgettable characters that will keep you riveted.
Jude Deveraux portrays the power of a woman set on a bold course for true love—and the glory of fulfilling a magnificent promise. Handsome plantation owner Wesley Stanford would barely recall the poverty-stricken young girl named Leah Simmons who adored him from afar years ago. Now, in an unexpected twist of fate—a chance encounter on the Virginia riverfront—he will become Leah's reluctant husband. Determined to forge a new life in untamed Kentucky, Wesley discovers that the bride he hopes to abandon is passionate, proud, and brave—and may be the woman he cannot live without.
Lela Rhoades has a voice so sharp, so funny, warm, and honest, that the stories of her life and the traditions of her parents will barely sit still on the page. As told to Molly Curtis in the 1970's, this memoir takes us back into a world where men chased mother grizzlies out of their dens for their meat, where manzanita berries were ground up into sugar and houses built with the door right in the middle of the roof. It was an intricate, complex life that was unknown to the strangers that would take over the land. For all of her recollections, old recipes, and legends, this is also a story of transition for Lela Rhoades, her Achumawi people, and for Native California in general. Here, Rhoades walks the line between tradition and change, watching the land and hunting rights of her people vanish, telling creation stories that blend both Coyote and Jesus, and recounting her marriage to a white rancher. Come, sit down at the feet of Lela Rhoades, and listen to the strength and beauty of her world. "There was an aristocratic presence, an aristocratic aura about the heavy, elder lady, Lela Grant Rhoades, slowly rocking in her chair as she quietly embroidered a delicate pattern, silver needles flashing in the fading evening light, black-rimmed glasses resting on her nose a mysterious aristocratic something, like she knew many secrets or something more necessary than life. I thought of Grandmother Spider creating her web with great confidence." From the Foreword by Darryl Babe Wilson
Based on an Athabascan Indian legend passed along for many generations from mothers to daughters of the upper Yukon River Valley in Alaska, this is the suspenseful, shocking, ultimately inspirational tale of two old women abandoned by their tribe during a brutal winter famine. Though these women have been known to complain more than contribute, they now must either survive on their own or die trying. In simple but vivid detail, Velma Wallis depicts a landscape and way of life that are at once merciless and starkly beautiful. In her old women, she has created two heroines of steely determination whose story of betrayal, friendship, community and forgiveness "speaks straight to the heart with clarity, sweetness and wisdom" (Ursula K. Le Guin).
Set in Jamaica and New York, this acclaimed first novel explores the ties that bind mother to child and weaves a mesmerizing tale of promises broken and dreams deferred.
From the acclaimed author of Floating in My Mother’s Palm and Children and Fire, a stunning story about ordinary people living in extraordinary times—“epic, daring, magnificent, the product of a defining and mesmerizing vision” (Los Angeles Times). Trudi Montag is a Zwerg—a dwarf—short, undesirable, different, the voice of anyone who has ever tried to fit in. Eventually she learns that being different is a secret that all humans share—from her mother who flees into madness, to her friend Georg whose parents pretend he’s a girl, to the Jews Trudi harbors in her cellar. Ursula Hegi brings us a timeless and unforgettable story in Trudi and a small town, weaving together a profound tapestry of emotional power, humanity, and truth.
A NATIONAL BESTSELLER "A fiery tour de force... I could not put this book down. It truly was terrifying and unutterably beautiful." -Alison Borden, The Denver Post From the best-selling author of The Dog Stars, the story of two college students on a wilderness canoe trip--a gripping tale of a friendship tested by fire, white water, and violence Wynn and Jack have been best friends since freshman orientation, bonded by their shared love of mountains, books, and fishing. Wynn is a gentle giant, a Vermont kid never happier than when his feet are in the water. Jack is more rugged, raised on a ranch in Colorado where sleeping under the stars and cooking on a fire came as naturally to him as breathing. When they decide to canoe the Maskwa River in northern Canada, they anticipate long days of leisurely paddling and picking blueberries, and nights of stargazing and reading paperback Westerns. But a wildfire making its way across the forest adds unexpected urgency to the journey. When they hear a man and woman arguing on the fog-shrouded riverbank and decide to warn them about the fire, their search for the pair turns up nothing and no one. But: The next day a man appears on the river, paddling alone. Is this the man they heard? And, if he is, where is the woman? From this charged beginning, master storyteller Peter Heller unspools a headlong, heart-pounding story of desperate wilderness survival.
Born in Minnesota in 1890 and raised and educated in Massachusetts, Marjory Stoneman Douglas came to Florida in 1915 to work for her father, who had just started a newspaper called the Herald in a small town called Miami. In this "frontier" town, she recovered from a misjudged marriage, learned to write journalism and fiction and drama, took on the fight for feminism and racial justice and conservation long before those causes became popular, and embarked on a long and uncommonly successful voyage into self-understanding. Way before women did this sort of thing, she recognized her own need for solitude and independence, and built her own little house away from town in an area called Coconut Grove. She still lives there, as she has for over 40 years, with her books and cats and causes, emerging frequently to speak, still a powerful force in ecopolitics. Marjory Stoneman Douglas begins this story of her life by admitting that "the hardest thing is to tell the truth about oneself" and ends it stating her belief that "life should be lived so vividly and so intensely that thoughts of another life, or a longer life, are not necessary." The voice that emerges in between is a voice from the past and a voice from the future, a voice of conviction and common sense with a sense of humor, a voice so many audiences have heard over the years—tough words in a genteel accent emerging from a tiny woman in a floppy hat—which has truly become the voice of the river.