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This historically based fictional novel tells on a pair of working cowmen and their exploits in the American old west. This story chronicles a veteran cowhand, Patrick O’Connor, (Ornery) and his tenderfoot saddle partner, Francis Slimmery, (Slim), and how they made their way west to come into the steady employment of the ranch known as the, “O U T (Oh-Ewe-Tee) Spread”. Further told is how the two main characters come to deal with life, contending; with their critters (cows), the elements of nature, the lay of the land, outlaws, wildlife, their friends, calico-friends, and each other, all the while toiling to tame their corner of the prairie west. Conveyed are the simple, but oft’ humorous and life like escapades of these two laboring cow-saddlers, as they commence to ply their cow craft for the “brand”. The setting for these accounts is far less fictional, and transpires on the very real North American frontier, circa 1880’s. Told about as well is the time-honored cowboy code, one pervasive to the people of this era and played out by the two central figures. These tales dabble in the daily deeds, trials, and tribulations of nearly every aspect of a cowman’s existence during that period. The anecdotal activities are set to expose the full range of endeavors, from the slow and arduous boredom of ranch chores, to the split second moments of hair-raising and life-threatening perils oft’ encountered along the trails. The chapters in this story are intended to rekindle the feeling of an old west evening around the campfire, filled with tales of cowboy adventures, escapades packed with; love and luck, kinship and hardship, calamity and triumph, wisdom and self-exploration, all via the exploits of these two saddleback heroes and their friends. All this, and shared in the old-fashioned American story-telling tradition.
Filled with more than 150 recipes, anecdotes, and stories from some of America’s most popular writers and personalities, this collaborative effort has a writerly sensibility and a Western point of view. Including recipes for drinks, appetizers, main dishes, side dishes, desserts, and fun extras—as well as stories from and profiles of the contributors, this is both a Western book and a cookbook that moves beyond the genre.
Montana Kid Hammer continues his distinct brand of American old fashion storytelling tradition with, Back in the Saddle Again, the second novel in The Old West Adventures of Ornery and Slim cowman series. Ornery, a schoolteacher and Civil War survivor turned veteran cowhand, and Slim, a young Philadelphia orphan now a part learned cowman continue to ride for the brand simply known as the O U T (Oh-Ewe-Tee) Spread. Their partnership is rekindled as they are back in their saddles again to face down cantankerous critters, the harsh western prairie elements, the lay of the land, payroll robbing outlaws, run away stagecoaches, countless dangers of a cattle drive, a cow hunt, along with some not so common cowmen calamities. Ornery and Slim labor to craft an ongoing relationship with the boss, their many pards, and their calico-gal friends, all while building a hearty proficiency around the cow craft of their day. The setting for this storybook is far less fictional and happens on the high plains of the very real North American frontier west, circa 1880s. Also shared is that time-honored cattlemans code of the west, the one so highly prevalent in the folk of the era, and played out by this tomes many matchless characters. Conveyed are humorous escapades of the cowmen as they ply their cow craft for the brand. The anecdotal happenings are said so as to expose the wide range of cowman endeavors encountered along the trails and upon the plains of that very same unsettled frontier. This novel is designed to rekindle fond recollections of Old West evenings sat around campfires to a plethora of untold, yet hair-raising cowman tales. Here is a genuinely marvelous opportunity to return to those wild and wooly days of Americas western yesteryear.
The Trail Never Ends, Montana Kid Hammers third novel in his series, trails Ornery and Slim into another set of high adventures; escapades that grow out of the very frontier that holds them fast. Ornery, a Civil War survivor turned veteran cowhand, and Slim, a young orphan from Philadelphia and a burgeoning cowman in his own right, partner up to ride for the brand handled simply as the O U T (Oh-Ewe-Tee) Spread. Their third season of cow crafting finds this pair in the company of, or referenced to, such historic old west personages as, Wyatt Earp, Teddy Blue Abbott, Crazy Horse, and Teddy Roosevelt. Ornery, Slim, and the other hands of the outfit experience such calamities as encounters with rustlers, prairie storms, unsavory saloon types, sheep wars, cantankerous US Army personnel, and wonderful womanly wiles that up the ante of their challenges and try both soul and gun hand. Kids Old West series is intended to rekindle fond recollections of Old West evenings sat around campfires to a passel of never before told bone rattling and hair-raising cowman tales. Offered is a unique opportunity to ride back to those wild and wooly days of Americas western yesteryears.
150 Western Classics presents an unparalleled assembly of stories that weave the rich tapestry of the American West, capturing its vast landscapes, its tumultuous history, and its indomitable spirit. This anthology showcases a diversity of literary styles, ranging from the rugged realism of frontier life to the romanticized myths that have come to define the genre. The collection embodies the essence of Western literature, featuring narratives that explore the complexities of human nature against the backdrop of the American frontier. Standout pieces within the anthology include tales of high adventure, stoic courage, and the relentless pursuit of justice, all of which contribute to the reimagining and preservation of the American West in the literary canon. The contributing authors and editors of 150 Western Classics bring together a remarkable range of backgrounds, from celebrated novelists like Mark Twain and Willa Cather to pioneering Western storytellers such as Zane Grey and Owen Wister. This collective reflects a myriad of historical, cultural, and literary movements, from the realism and romanticism that defined early American literature to the naturalism that informed the later works. Together, these voices create a multidimensional portrait of the American West, offering readers an expansive perspective on its legends, hardships, and triumphs. 150 Western Classics is an essential volume for anyone interested in exploring the depth and diversity of the American West through its literature. This anthology provides a unique opportunity to engage with the works of some of the genre's most influential figures, offering a comprehensive view that spans the classic to the contemporary. Readers are invited to immerse themselves in this collection for its educational value, its breadth of insights, and the ongoing dialogue it fosters between the myriad authors' works. It is a testament to the enduring allure of the West and its capacity to inspire storytelling that resonates across generations.
Everyone knows the name Buffalo Bill, but few these days know what he did or, in some cases, didn't do. Was he a Pony Express rider? Did he serve Custer at the Battle of Little Big Horn? Did he scalp countless Native Americans, or did he defend their rights? This, the first significant biography of Buffalo Bill Cody for younger readers in many years, explains it all. With copious archival illustrations and a handsome design, Presenting Buffalo Bill makes the great showman come alive for new generations. Extensive back matter, bibliography, and source notes complete the package. This title has Common Core connections.
In prohibition-era Southern California, real life detectives Charles D. Siringo and Dashiell Hammett must solve a mystery involving a ruthless politician—Joseph P. Kennedy. With sharp dialogue and rich historical background, Ragtime Cowboys is an exciting, suspenseful tale in which the Old West and Hollywood collide. Los Angeles, 1921: Ex-Pinkerton Charlie Siringo is living in quiet retirement when Wyatt Earp knocks on his door and asks him to track down his missing horse. What begins as horse thievery turns into a deeper mystery as Siringo and another ex-Pinkerton, the young Dashiell Hammett, follow clues that take them from the streets of Los Angeles to Jack London's farm, until they discover a conspiracy masterminded by the notorious and powerful Joseph P. Kennedy. From the first page to the closing chapter, these ragtime cowboys chase the truth in Loren D. Estleman's compelling tale of the Old West and early Hollywood. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
For over 150 years the image of western bad men has thrilled readers and filled movie screens. Who hasn't heard of Jesse James, the Dalton Brothers, Black Bart, or Belle Starr? They are as much a part of American folklore as George Washington, Abraham Lincoln, and Theodore Roosevelt. There's something about the west that has brought out the best, and the worst in mankind. The funny thing is, a cult following has developed around many of these bandits, making them out to be something they weren't. The legend that grew up around Joaquin Murrieta was that he was just a normal guy who moved from Mexico to California, and tried to strike it rich during the gold rush. What he discovered instead, was a big sign that read, "No Mexicans Allowed." His supporters say, that because of the Foreign Claim Tax, he was forced off his land, and into a life of outlawry. And, then to support that claim, a whole legend has been built up, about how he stole from the rich, and shared his wealth with poor Mexican families. The only problem is the facts don't support that interpretation. The same stories developed around Jesse James. Legend has it, Jesse only stole from rich bankers and railroad men, and the reason he could disappear into thin air after pulling a bank job or train robbery was because he shared the booty with poor Missouri families. As with Murrieta, that probably never happened. Jesse James was a thief. He stole money wherever he could get his hands on it. He robbed stagecoaches, banks, trains, and you-name-it. And, last, but not least, there's Belle Starr, one of the most badass female robbers on record. Belle called her pistols her "babies," and ruled an outlaw kingdom based out of her home in Indian Territory. She lived by the gun, and she died by the gun. The outlaw life was almost always portrayed as a glamorous life, filled with loose women, blazing guns, and saddlebags overflowing with gold, silver, and greenbacks. What a life! The only thing is, all the movies, books, and TV shows painted a distorted portrait of life in the old west. James Dodsworth lived the outlaw life for six weeks while riding as a spy with the Doolin-Dalton Gang. He said the gang was constantly on the move. They rarely spent more than one night in any one place. Dalton and Doolin, both worried they'd end up like Jesse James--shot in the back. At night, the gang always posted at least one man on watch duty. The rest of the gang slept with Winchesters by their sides, and pistols under their heads. Every one of them were ready to spring into action at a moment's notice. And, as for those saddlebags overflowing with riches, more often than not, they were like a Charlie Brown Halloween special--filled with rocks rather than gold. Sometimes the gang would cut off the wrong car during a train robbery, and end up riding away empty handed. Sometimes a posse would chase them off a little too soon, before they could grab their booty. Other times, it was slim pickings, and there was nothing to take. The first train job the Dalton Gang pulled went totally awry. The Express man got away before they could convince him to open the safe, and in their haste to rob the Atlantic Express the boys forgot to bring dynamite to blow the safe. Black Jack Ketchum, and his gang, made off with $100,000 in unsigned bank notes. Pearl Hart's fame rests upon a single stage coach robbery that netted her under $500, and several years in the caboose after she was captured. The sad truth is most outlaws led a short life that ended, either at the end of a rope, or with a bullet in the brain. Only a lucky few survived into the new century--Frank James, Cole Younger, and Emmett Dalton, to name a few.